博碩士論文 104525006 詳細資訊




以作者查詢圖書館館藏 以作者查詢臺灣博碩士 以作者查詢全國書目 勘誤回報 、線上人數:22 、訪客IP:44.197.197.23
姓名 張芸瑄(Yun-Hsuan Chang)  查詢紙本館藏   畢業系所 軟體工程研究所
論文名稱 支援多情境佈置之漫畫式戲劇學習的編輯及展演系統
(The Construction of A multi-situational Comic Drama Learning System for English Script Writing and Performance)
相關論文
★ 學習馬賽克-以教科書內容置入平板之合作式情境學習遊樂場★ 為使用知識而設計的電子書- 以參考手冊為模式的電子書設計
★ 為使用知識而設計的電子書- 將紙本書籍以及電子書提供社群共建的機制★ 高互動低資源損耗之課堂學習系統設計與實際教學環境導入接受度探討
★ 依學生偏好及學習狀態建構之學習輔助者與知識協尋系統★ 網路資訊與學習系統之中文全文探勘工具
★ 支援使用者觀點之線上分析系統★ 由網站行為歷程以貝式學習建立學習者模式之引導系統
★ 網路合作學習系統與小組互動觀察工具★ 依作品集評量方式並支援學習狀況分析與監控之網路學習系統
★ 網路學習歷程之知識探索:學習效能評鑑之工具★ 網路學習系統之手機端學習輔助系統
★ 以網站行為的歷程建立具時間性學習者模式★ 行動學習資訊系統-學生端網路學習伺服器與個人數位助理端之學習系統
★ 應用貝式學習及決策樹之群組溝通網路監控系統★ 以網路群組作品及活動依角色分析之群組合作監控系統
檔案 [Endnote RIS 格式]    [Bibtex 格式]    [相關文章]   [文章引用]   [完整記錄]   [館藏目錄]   至系統瀏覽論文 (2022-6-20以後開放)
摘要(中) 學生在情境式的學習下體驗或探索學習知識,於不同情境下思考如何應用知識,可能會讓學習者知識的應用能力提升。但在教室中教師很難為每個學科單元在教室內架設學習情境與準備道具,因此學生在不能夠具體的場景中學習如何應用知識。讓學生在多個的場景中編劇並展演是一個可行的方式,如此會接近於讓學生在真實情境中學習知識的的環境。但是目前並沒有適當的學習系統可以支援在教室內實施這種學習模式。
研究者提出以四格定格式戲劇展演的方式來表現四格漫畫的情境展演,本論文提出了一個支援多情境佈置之漫畫式戲劇的編劇與展演系統,此系統提供以小組合作方式進行編劇式學習,學生們可以利用所提供的情境與道具依據課文內容編出知識應用的劇情,由於編劇過程中使用具體的場景能吸引學生思考結合更多的應用環境以設計創造場景,在探索過程中學習,獲取更多相關知識及提升應用知識的能力。此外,讓學生以定格戲劇的方式展演,進入體驗自己創造的場景,搭配場景道具的舞台,更能使學生在進行戲劇式學習時有身歷其境的感受,以增加對於學習情境與知識應用的印象。
本方法實際應用於國小五年級的英語課程一年後,問卷研究結果顯示,相較於課本情境教材教學,學生對於支援多情境佈置元素的系統喜愛程度較高,且提供多場景引導的漫畫式戲劇比起以教室周遭為場景的漫畫式戲劇更使學生身歷其境。在情境考試的部分,實驗組的學生與課本情境教學方式的學生的成果有顯著的差異,使用支援多情境佈置引導的學生不只是回答符合情境的正確句子、非課文範例的句數都較多,回答錯誤的行數比例顯著較低。顯示支援多情境佈置的編劇並展演的戲劇式學習的知識應用(英語句型與單字)的知識能力比課本情境教學的學習方式較顯著提升。
摘要(英)
The students can experience or explore learning knowledge in the situation learning environment and think about how to apply knowledge in different situations, may enable the students’ ability to apply knowledge can be enhanced. However, the construction of a situated learning environment is not easy, and it is very difficult to establish diverse situations for students to experience in a common learning environment. Thus, it would be difficult for students to learn how to apply their knowledge in a limited space. In order to provide a learning method for students to learn knowledge in near-authentic situations, making students write scripts and perform dramas in multiple scenes is an applicable way; however, there are no proper learning systems to support this learning mode.
The four scenes format of freeze frames drama for performance and scriptwriting is one of the approaches to perform the comic expression of the situation. This study advanced a digital system of performance and scriptwriting that supports the learning situations of knowledge application. We apply the collaborative learning design, having students write scripts in groups. Students can use the diverse situations and props provided by the system to imagine how to combine and apply related knowledge in different situations. They can also create the textbook-based story plots that allow themselves to apply related knowledge through scriptwriting. Using a specific scene can attract students to combine more related and applicable environments to design and create more scenes for them to learn through exploration and acquire more related knowledge to enhance their knowledge-applying ability. When the creation of a scene is completed, students can perform freeze-frame dramas to enter the situations created by themselves. The stage equipped with props can give students a feeling as if they were in an authentic situation, and this feeling can strengthen students’ impression of the learning situation and knowledge application.
After this method was applied to the English courses of the higher grades in an elementary school for one year, the results of research interviews and questionnaires showed students like the situated learning provided by this drama-learning system more than the textbook situation teaching materials. The diverse situations and props provided by the system is more immersive than the shoot around the classroom as a situation environment. The experimental result shows that a digital system of performance and scriptwriting that supports the learning situations could enhance student′s ability of applying the learned knowledge in various situations.
關鍵字(中) ★ 定格式戲劇
★ 戲劇式學習
★ 數位漫畫戲劇
★ 編劇
★ 合作學習
關鍵字(英) ★ Freeze-frame
★ Drama Learning
★ Video Comic Drama
★ playwriting
★ Collaborative Learning
論文目次
一、 緒論 1
1-1 研究背景 1
1-2 研究動機 3
1-3 研究目標 6
1-4 研究目的 7
1-5 論文架構 8
二、 相關理論與研究 9
2-1 真實情境學習(Authentic learning) 9
2-2 編劇式學習(Script writing) 10
2-3 數位漫畫學習(Video Comic Learning) 11
2-4 定格式戲劇(Freeze-frame Drama) 11
2-5 用於戲劇式學習之漫畫式戲劇的編輯及展演系統 12
三、 支援多情境佈置之漫畫式戲劇的編劇與展演系統與方法 14
3-1 學習設計 14
3-2 學習流程 16
3-2-1 課文講授 16
3-2-2 分組討論 17
3-2-3 故事分享 19
3-2-4 劇本訂正 19
3-2-5 漫畫式戲劇製作 19
3-2-6 成果觀摩 20
3-3 系統設計 21
3-3-1 系統架構 21
3-3-2 學習單 22
3-3-2 多情境編輯介面 23
3-3-3 多情境展演介面 26
3-3-4 成果觀摩 30
3-4 系統開發環境 32
3-5 系統開發紀錄 34
四、 應用於教學現場 35
4-1 使用對象 35
4-2 教學內容設計 36
4-3 暖身活動 40
4-4 環境設置 41
4-5 融入學校課程 43
4-5-1 教學流程 45
五、 研究結果分析與討論 49
5-1 情境考試 49
5-2 探究-自編故事大綱的情境題測驗 54
5-3 自編問卷 62
5-3-1 有無支援多情境佈置之漫畫式戲劇與課本情境教材教學喜好度比較 62
5-3-2 有無支援多情境佈置之漫畫式戲劇的身歷其境程度比較 64
5-4 學生問卷 64
5-5 老師訪談 67
5-6 活動發現與紀錄 70
5-7 討論 72
六、 結論與未來建議 74
6-1 結論 74
6-2 未來建議 75
參考文獻 76
附錄一、情境考試題目 80
附錄二、學生問卷 82
附錄三、學習流程(翰林第五冊第三課) 84
參考文獻
〔1〕Gwee, M. C. E. (2003). Peer learning: Enhancing student learning outcomes. Retrieved, 12, 2006.
〔2〕Meyers, C., & Jones, T. B. (1993). Promoting Active Learning. Strategies for the College Classroom. Jossey-Bass Inc., Publishers, 350 Sansome Street, San Francisco, CA 94104.
〔3〕Brown, J. S., Collins, A., & Duguid, P. (1989). Situated cognition and the culture of learning. Educational researcher, 18(1), 32-42.
〔4〕Pitri, E. (2004). Situated learning in a classroom community. Art Education, 57(6), 6-12.
〔5〕Herrington, J., & Oliver, R. (1995). Critical characteristics of situated learning: Implications for the instructional design of multimedia.
〔6〕Stein, D. (1998). Situated Learning in Adult Education. ERIC Digest No. 195.
〔7〕Chuang, C. P., Jou, M., Lin, Y. T., & Lu, C. T. (2015). Development of a situated spectrum analyzer learning platform for enhancing student technical skills. Interactive Learning Environments, 23(3), 373-384.
〔8〕R. Spencer (2015). Using Real Life Scenarios In eLearning: 5 Advantages.eLearning Industry.
〔9〕Papert, S. (1994). The children′s machine: Rethinking school in the age of the computer. Basic books.
〔10〕Zyoud, M. (2010). Using drama activities and techniques to foster teaching English as a foreign language: A theoretical perspective. Al Quds Open University.
〔11〕Davis, J. H., & Behm, T. (1978). Terminology of drama/theatre with and for children: A redefinition. Children’s Theatre Review, 27(1), 10-11.
〔12〕Üstündağ, T. (1997). The advantages of using drama as a method of education in elementary schools. Hacettepe Üniversitesi Eğitim Fakültesi Dergisi, 13(13).
〔13〕Redvall, E. N. (2009). Scriptwriting as a creative, collaborative learning process of problem finding and problem solving. MedieKultur: Journal of media and communication research, 25(46), 22.
〔14〕Rycik, M. (1990). A playwriting primer. Instructor, 99(8), 40-42.
〔15〕Catron, L. E. (2001). The elements of playwriting. Waveland Press.
〔16〕Friday, N. Aristotle’s Dramatic Action Arrangement Technique: A Guide for Beginners in Playwriting By Azunwo, Eziwho Emenike Department of Theatre Arts Faculty of Humanities.
〔17〕Sockman, B. R., Sutton, R., & Herrmann, M. (2016). Comic Relief: Graduate Students Address Multiple Meanings for Technology Integration with Digital Comic Creation. TechTrends, 60(5), 475-485.
〔18〕Bryer, T., Lindsay, M., & Wilson, R. (2014). A Take on a gothic poem: Tablet film-making and literary texts. Changing English, 21(3), 235-251.
〔19〕Zimmerman, B. (2008). Creating comics fosters reading, writing and creativity. Education Digest, 74(4), 55-57.
〔20〕 Vega, E. S., & Schnackenberg, H. L. (2004). Integrating Technology, Art, and Writing: Creating Comic Books as an Interdisciplinary Learning Experience. Association for Educational Communications and Technology.
〔21〕Farmer, D. (2012). Learning through drama in the primary years. David Farmer.
〔22〕 Smith, E. K., & Pastor, M. (2016). Engage me and I learn. Phi Delta Kappan, 98(2), 41-43.
〔23〕L. Peterson. (2007). Authentic Learning Environments. Available: http://etec.ctlt.ubc.ca/510wiki/Authentic_Learning_Environments
〔24〕Rogers, L. (2011). Developing simulations in multi‐user virtual environments to enhance healthcare education. British Journal of Educational Technology, 42(4), 608-615.
〔25〕Wang, S. H. (2012). Applying a 3D situational virtual learning environment to the real world business—an extended research in marketing. British Journal of Educational Technology, 43(3), 411-427.
〔26〕蔡銘修, & 陳振元(2014). 情境模擬於數位學習之重要性:著重學生該做什麼. 台北科技大學.
〔27〕Wessels, C. (1991). From improvisation to publication on an English through drama course.
〔28〕Heath, S. B. (1996). Re‐creating Literature in the ESL Classroom. TESOL quarterly, 30(4), 776-779.
〔29〕Sandock, F. (1994). Writing and Performing Original Classroom Plays. Journal of Reading, 37(5), 414-15.
〔30〕Elgar, A. G. (2002). Student playwriting for language development. ELT Journal, 56(1), 22-28.
〔31〕Salvante, M. (1993). Playwriting in the K-12 curriculum: A catalyst for educational reform. Arts Education Policy Review, 95(2), 35-38.
〔32〕Chemers, M. M. (2007). Playwrights Teach Playwriting: Revealing Essays by Contemporary Playwrights. Theatre Topics, 17(2), 172-173.
〔33〕Wood, D., Bruner, J. S., & Ross, G. (1976). The role of tutoring in problem solving. Journal of child psychology and psychiatry, 17(2), 89-100.
〔34〕Hallenbeck, P. N. (1976). Remediating with comic strips. Journal of learning disabilities, 9(1), 11-15.
〔35〕Schwartz, A., & Rubinstein‐Ávila, E. (2006). Understanding the manga hype: Uncovering the multimodality of comic‐book literacies. Journal of Adolescent & Adult Literacy, 50(1), 40-49.
〔36〕Liu, J. (2002). Process drama in second-and foreign-language classrooms. Body and language: Intercultural learning through drama, 51-70.
〔37〕Wilhelm, J. D. (1998). Not for wimps! Using drama to enrich the reading of YA literature.
〔38〕Shahani, S., & Tahriri, A. (2015). The impact of silent and freeze-frame viewing techniques of video materials on the intermediate EFL learners’ listening comprehension. Sage Open, 5(2), 2158244015585999.
〔39〕鐘文亮. (2016). 用於戲劇式學習之漫畫式戲劇的編輯及展演系統 (未出版).
〔40〕張小萍(2010). 幼稚園戲劇教學之行動研究-以中班幼兒為例.
〔41〕Luo, Y.-f., 教室內的數位鏡式學習劇場. 2015.
〔42〕林威志. (2015). 基於定格式漫畫戲劇之小組學習系統. 中央大學資訊工程學系學位論文, 1-116.
指導教授 陳國棟(Gwo-Dong Chen) 審核日期 2017-8-4
推文 facebook   plurk   twitter   funp   google   live   udn   HD   myshare   reddit   netvibes   friend   youpush   delicious   baidu   
網路書籤 Google bookmarks   del.icio.us   hemidemi   myshare   

若有論文相關問題,請聯絡國立中央大學圖書館推廣服務組 TEL:(03)422-7151轉57407,或E-mail聯絡  - 隱私權政策聲明