博碩士論文 106126003 詳細資訊




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姓名 林采樺(LIN,TSAI-HUA)  查詢紙本館藏   畢業系所 藝術學研究所
論文名稱 以音樂之名:聖塞西莉亞圖像傳統及其在英國的接受與轉化,1518-1864
(In the Name of Music: The Pictorial Tradition of St Cecilia and Its Reception and Transformation in Britain, 1518-1864)
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摘要(中) 聖塞西莉亞是一位基督教的殉道者,長久以來一直被視為音樂家的守護聖人。十七世紀以後,人們更加喜愛強調聖塞西莉亞的音樂才華,因此在不同畫作中,聖塞西莉亞經常演奏各式各樣的樂器。不過,構圖中,樂器的選擇、姿勢的描繪、華服與首飾、有無小天使在場,卻可能影響到圖像原先的神聖性。更甚者,以今日之見,演奏樂器的女子肖像畫經常直接與聖塞西莉亞圖像相連結。實際上,在1775年到1841年的英國,共有11幅由當代女性扮裝為聖塞西莉亞的肖像畫。本論文探討的核心問題為聖塞西莉亞圖像在英國峰迴路轉的流行軌跡。
本研究共有五章。第一章首先爬梳聖塞西莉亞的傳說故事與十六至十七世紀歐陸的聖塞西莉亞圖像,並追溯聖塞西莉亞扮裝肖像畫的起始。第二章則從英國宮廷如何使用宗教元素的角度切入,討論十六、十七世紀的宮廷仕女在肖像畫中扮裝為聖人的文化傳統。第三章首先整理起自十七世紀末,英國的宮廷樂師、倫敦音樂家,以及女演員、女歌手的肖像畫,再討論英國聖塞西莉亞節慶的相關文化與印刷圖像。第四章關注十八世紀英國與歐陸之間的交流,並探討聖塞西莉亞圖像開始傳入英國的過程。第五章探討在十八世紀後期至十九世紀中葉的英國,結合女演員肖像畫與聖塞西莉亞扮裝肖像畫的特殊潮流。藉由分析圖像,以及探究英國十七世紀末至十九世紀初環繞聖塞西莉亞圖像的文化背景,本研究試圖釐清造就英國聖塞西莉亞圖像流行的原因,以及這些圖像的獨特性。
摘要(英) St Cecilia was a Christian martyr, who has long been regarded as the patron saint of musicians. In pictures St Cecilia was often portrayed as holding popular musical instruments, which symbolize her outstanding musical talent. From 1775 to 1841 in Britain, there were at least 11 portraits that depicted contemporary ladies posed as St Cecilia. Why did British women in the late eighteenth century want to be portrayed as St Cecilia? How did portraits of women characterized as St Cecilia obtain their popularity in Britain?
This thesis is divided into five chapters. The first chapter explores the legend of St Cecilia and her images in sixteenth- and seventeenth-century Europe, and traces the origin of female portraits posed as St Cecilia. The second chapter discusses the cultural traditions in the sixteenth and seventeenth centuries, in which court ladies liked to pose as saints in portraits. Chapter three discusses the portraits of English court musicians, London musicians, female actors and singers, and explores printed images related to the celebrations of St Cecilia’s Day in Britain. Chapter four focuses on the interaction between Britain and Europe in the eighteenth century, and examines how pictures of St Cecilia were received in Britain. The final chapter explores the special phenomenon in which British actresses and singers liked to be portrayed as St Cecilia in the late eighteenth to the mid-nineteenth century. Through analyses of the pictorial traditions of St Cecilia and explorations of British cultural conditions, this thesis endeavors to reveal reasons behind the popularity of St Cecilia images in Britain and its significance.
關鍵字(中) ★ 聖塞西莉亞
★ 音樂家肖像畫
★ 女演員肖像畫
★ 圖像傳播
★ 大旅行
關鍵字(英) ★ St Cecilia
★ musicians
★ female actors and singers
★ portraits
★ Grand tour
論文目次 緒論 1
研究動機 1
文獻回顧與探討 2
問題意識與章節概述 7

第一章 十七世紀聖塞西莉亞圖像的發跡與流行 9
一、聖塞西莉亞信仰的流行 9
二、聖塞西莉亞圖像特徵 10
三、十七世紀歐陸的聖塞西莉亞扮裝肖像畫 15
小結 17

第二章 聖人圖像傳至英國後的世俗傾向 18
一、借用宗教或神話元素以宣揚王權 18
二、來自歐陸的宮廷畫家帶來聖人扮裝肖像畫傳統 20
三、1660-1700年代英國仕女扮裝肖像畫的流行 22
小結 26

第三章 有音樂素養的女子與音樂守護聖人 27
一、十七世紀末至十八世紀初有音樂涵養的肖像畫 27
二、受聖塞西莉亞節慶影響誕生的畫作 30
小結 33

第四章 十八世紀英國與歐陸的互動 34
一、十八世紀歐陸的聖塞西莉亞圖畫 34
二、逐漸滲透英國的聖塞西莉亞圖像 37
小結 42

第五章 十八世紀後期至十九世紀中葉英國聖塞西莉亞圖像的風潮 44
一、聖塞西莉亞扮裝肖像畫的興盛 45
二、聖塞西莉亞版畫的繁榮 62
小結 65

結論 66
參考文獻 70
圖版 76
參考文獻 文獻史料

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謝佳娟,〈「自然之美與藝術經典的國家品味」:十八至十九世紀初印刷文化對英國貴族鄉間別墅形象的塑造〉,《藝術學研究》第二十五期(2019.12),頁1-91。

中文論文
林珊慧,〈班傑明‧布瑞頓「聖賽西麗亞讚美詩」之研究與探討/合唱畢業音樂會〉,碩士論文,東吳大學音樂學系,2002。
林楸燕,〈抹大拿的瑪利亞與她的聖人姊妹們:中世紀東安格利亞對於抹大拿的瑪利亞的崇敬與其女聖人社群〉,博士論文,淡江大學英語學系博士班,2016。
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謝雨芸,〈繪畫中的樂器:以義大利及法國巴洛克時期繪畫作品為例〉,碩士論文,國立成功大學藝術研究所,2018。

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指導教授 謝佳娟 審核日期 2021-1-27
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