參考文獻 |
文獻史料
Blore, Thomas. A Guide to Burghley House, Northamptonshire, the Seat of the Marquis of Exeter; Containing a Catalogue of All the Paintings, Antiquities &c. With Biographical Notices of the Artists. Stamford: John Drakard, 1815.
Brettingham, Matthew, junior. The Plans, Elevations and Sections, of Holkham in Norfolk, the Seat of the Late Earl of Leicester. To which are added. The Ceilings and Chimney-Pieces; And Also A Descriptive Account of the Statues, Pictures and Drawings; Not in the Former Edition. London: T. Spilsbury, 1773.
Hall, Samuel Carter. Gems of European Art: The Best Pictures of the Best Schools. London: G. Virtue, 1846.
西文書籍
Asleson, Robyn ed. Notorious Muse: The Actress in British Art and Culture, 1776-1812. New Haven: Published for the Paul Mellon Centre for Studies in British Art [and] the Yale Center for British Art [by] Yale University Press, 2003.
Barber, Tabitha. British Baroque: Power and Illusion. London: Tate Publishing, 2020.
Bolland, Tarnya, Charlotte Cooper. The Real Tudors: Kings and Queens Rediscovered. London: National Portrait Gallery, 2014.
Bird, Rufus and Martin Clayton eds. Charles II: Art & Power. London: Royal Collection Trust, 2017.
Connolly, Thomas. Mourning into Joy: Music, Raphael and Saint Cecilia. New Haven and London: Yale University Press, 1995.
Eger, Elizabeth and Lucy Peltz. Brilliant Women: 18th-Century Bluestockings. London: National Portrait Gallery, 2008.
Goodman, Elise. The Cultivated Woman: Portraiture in Seventeenth-Century France. Tübingen: Narr, 2008.
Griffey, Erin. On Display: Henrietta Maria and the Materials of Magnificence at the Stuart Court. London: Yale University Press, 2015.
Grossman, Loyd. Benjamin West and the Struggle to be Modern. London: Merrell Publishers, 2015.
Haynes, Clare. Pictures and Popery: Art and Religion in England, 1660-1760. Aldershot, Hants, England; Burlington, VT: Ashgate, 2006.
Hunter, Matthew C. Wicked Intelligence: Visual Art and the Science of Experiment in Restoration London. Chicago; London: The University of Chicago Press, 2013.
Jacobus de Voragine. The Golden Legend: Readings on the Saints. translated, William Granger Ryan. Princeton, N.J.: Princeton University Press, 1993.
Jaffe, Irma B. The Italian Presence in American Art, 1760-1860. New York: Fordham University Press, 1989.
Kane, Tina, Nancy Willard, Robert D. Brown. The Troyes mémoire: The Making of a Medieval Tapestry; with Excerpts from the Account books of the Church of Sainte-Madeleine. New York: Boydell, 2010.
Mannings, David. Sir Joshua Reynolds: A Complete Catalogue of his Paintings. New Haven, CT: Yale University Press, 2000.
Perry, Gillian, Joseph Roach, and Shearer West. The First Actresses: Nell Gwyn to Sarah Siddons. London: National Portrait Gallery, 2011.
Perry, Gillian. Spectacular Flirtations: Viewing the Actress in British Art and Theatre, 1768-1820. London: Yale University Press for the Paul Mellon Centre for Studies in British Art, 2007.
Petrina, Alessandra and Laura Tosi. Representations of Elizabeth I in Early Modern Culture. London: Palgrave Macmillan, 2011.
Pointon, Marcia. Hanging the Head: Portraiture and Social Formation in Eighteenth-century England. New Haven: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 1993.
Pointon, Marcia. Strategies for Showing: Women, Possession, and Representation in English Visual Culture, 1665-1800. Oxford; New York: Oxford University Press, 1997.
Postle, Martin ed., et. al. Joshua Reynolds: The Creation of Celebrity. London: Tate Publishing, 2005.
Roettgen, Steffi. Anton Raphael Mengs, 1728-1779, and his British Patrons, ed. Alex Bell. London: Zwemmer: English Heritage; New York: Distributed in the USA and Canada by Rizzoli International Publications, 1993.
Rosenthal, Angela. Angelica Kauffman: Art and Sensibility. New Haven: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, 2006.
Schama, Simon. The Face of Britain: A History of the Nation through its Portraits. New York: Oxford University Press, 2016.
Voss, Hermann. Baroque Painting in Rome Vol. 1. Trans. Thomas Pelzel. San Francisco: Alan Wofsy Fine Arts, 1997.
Wilson, Michael and Roy Strong. Nicolas Lanier (1588-1666), A Portrait Revealed. London: The Weiss Gallery, 2010.
Williams, Peter F.. The Organ in Western Culture, 750-1250. Cambridge [England]; New York, NY: Cambridge University Press, 1993.
White, Bryan. Music for St Cecilia′s Day: From Purcell to Handel. Woodbridge, Suffolk: The Boydell Press, 2019.
西文期刊
Hanning, Barbara Russano. “From Saint to Muse: Representations of Saint Cecilia in Florence.”Music in Art no.29 no.1/2 (Spring/Fall, 2004): 91-103.
Witemeyer, Hugh, “English and Italian Portraiture in Daniel Deronda,” Nineteenth-Century Fiction Vol. 30, No. 4 (Mar., 1976): 477-494.
Joncus, Berta. “‘A Likeness Where None Was To Be Found’: Imagining Kitty Clive (1711-1785).” Music in Art Vol. 34, No. 1/2, Music, Body, and Stage: The Iconography of Music Theater and Opera (Spring-Fall 2009): 92-96.
Lanier, Jessica. “Martha Coffin Derby′s Grand Tour: ‘It′s Impossible to Travel without Improvement’,” Woman′s Art Journal, Vol. 28, No. 1 (Spring-Summer, 2007): 37-44.
Lindley, Mark. “Helene Fourment as St. Cecilia Playing the Virginals” RIdIM/RCMI Newsletter Vol. 15, No. 2 (Fall, 1990): 13-20.
Moskvina, Anastasia. “Painting the Invisible: Images of St. Cecilia in Early Modern Italy,” HARTS & Minds:The Journal of Humanities and Arts Vol.1, No. 4 (Spring 2014): 1-20, <https://7ce0dfcd-f4d0-4c9f-9ebb-db0e4a5ecf8f.filesusr.com/ugd/3089fd_29a08347591248f39dbfc3394de5fb0e.pdf>(2020年10月20日檢索)
Rasch, Rudolf. “Corelli′s Contract: Notes on the Publication History of the “Concerti Grossi... Opera Sesta” [1714].” Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis Deel 46, No. 2 (1996): 83-136.
Riedl, Helmut Philipp. “‘St Cecilia’ by Giuseppe Puglia in Winnipeg,” The Burlington Magazine Vol. 136, No. 1098 (Sep., 1994): 616-618.
Stewart, J. D. “Records of Payment to Sir Godfrey Kneller and his Contemporaries.” The Burlington Magazine Vol. 113, No. 814 (Jan., 1971): 28, 30-33.
西文論文
DeSimone, Alison Clark. “The Myth of the Diva: Female Opera Singers and Collaborative Performance in Early Eighteenth-Century London.” PhD thesis, University of Michigan, 2013.
Festa, Lisa Ann. “Representation of Saint Cecilia in Italian Renaissance and Baroque Painting and Sculpture.” PhD dissertation, Rutgers University, 2004.
Pyle, Sarah. “Interdisciplinary Approaches to Musical Portraiture of the Late Renaissance and Early Baroque: Reading Musical Portraits as Gendered Dialogues.” PhD thesis, University of Oregon, 2014.
中文書籍
謝斐紋,《音樂畫作與藝術風格:以圖像學論述》,臺北市:翰蘆,2017。
菲利浦.威爾金森(Philip Wilkinson)著,《改變音樂的 50 種樂器》,殷德倫譯,臺北市:積木文化,2017。
伊恩‧莫蒂默,《漫遊十七世紀古英國:光榮革命、理性主義、咖啡館文化誕生,奠定現代英國基礎的四十年》,溫澤元譯,台北市:時報出版,2018。
(法)弗洛朗.斯熱特羅,《看見音樂:西方經典繪畫中的音樂主題》,武漢市:華中科技大學出版社,2019。
中文期刊
林美香,〈十六世紀英格蘭女性統治的建立──以女王為主體的探討〉,《新史學》十四卷三期(2003. 09)。
謝佳娟,〈十八世紀英國「宗教藝術」重建的契機:從對拉斐爾圖稿及二則宗教圖像的論辯談起〉,《歐美研究》第四十二卷第三期(2012. 9),頁535-590。
謝佳娟,〈「自然之美與藝術經典的國家品味」:十八至十九世紀初印刷文化對英國貴族鄉間別墅形象的塑造〉,《藝術學研究》第二十五期(2019.12),頁1-91。
中文論文
林珊慧,〈班傑明‧布瑞頓「聖賽西麗亞讚美詩」之研究與探討/合唱畢業音樂會〉,碩士論文,東吳大學音樂學系,2002。
林楸燕,〈抹大拿的瑪利亞與她的聖人姊妹們:中世紀東安格利亞對於抹大拿的瑪利亞的崇敬與其女聖人社群〉,博士論文,淡江大學英語學系博士班,2016。
張芸慈,〈十八世紀英國貴族母親形象的意義流轉──以雷諾茲母子肖像畫與相關版畫為核心之探討〉,碩士論文,國立中央大學藝術學研究所,2020。
謝雨芸,〈繪畫中的樂器:以義大利及法國巴洛克時期繪畫作品為例〉,碩士論文,國立成功大學藝術研究所,2018。
電子資料庫與網路資源
Art UK: <https://artuk.org/discover/artworks/view_as/grid>(2020年12月12日檢索)。
Black, Eileen, “Sir Godfrey Kneller and the Southwell and Cromwell Families,” Kings Weston Action Group, Feb. 2014, <http://www.kwag.org.uk/wp-content/uploads/2014/02/Downpatrick-museum-paintings-reduced2.pdf>(2020年8月2日檢索)。
British Museum: <https://www.britishmuseum.org/collection/object/P_Y-1-74>(2020年9月2日檢索)。
Burghley House: <https://collections.burghley.co.uk/collection/susannah-and-the-elders-by-artemisia-gentileschi-1593-1652/>、<https://collections.burghley.co.uk/collection/the-penitent-magdalene-carlo-maratta-1625-1713/>(2020年8月10日檢索)。
Centro Culturale Gli Scritti: <http://www.gliscritti.it/gallery3/index.php/album_077?page=1>(2020年9月2日檢索)。
Christie’s: <https://www.christies.com/?lid=3&sc_lang=zh>(2020年12月14日檢索)。
La Gazette Drouot: <http://catalogue.gazette-drouot.com/ref/lot-ventes-aux-encheres.jsp?id=4009946>(2020年8月16日瀏覽)
Guillo, Laurent, “La figure de Cécile: enquête sur l’affiche du Puy d’Évreux de 1667,”<https://hal.archives-ouvertes.fr/hal-01215791/document>(2020年8月25日檢索)。
Lempertz: <https://www.lempertz.com/en/catalogues/lot/1057-1/1515-joachim-von-sandrart.html>(2020年8月25日檢索)。
Met Museum: <https://www.metmuseum.org/art/collection/search/436213> (2020年10月26日檢索)。
National Portrait Gallery: <https://www.npg.org.uk/ >(2020年10月16日檢索)。
Newadvent: <http://www.newadvent.org/cathen/03471b.htm>(2019年1月9日檢索)。
Princeton University Art Museum: < https://artmuseum.princeton.edu/>(2021年1月19日檢索)。
POP: la plateforme ouverte du patrimoine: <https://www.pop.culture.gouv.fr/notice/joconde/00000075712>(2020年9月16日檢索)。
Royal Collection Trust: <https://www.rct.uk/collection/>(2020年10月26日檢索)。
Sanders of Oxford:<https://www.sandersofoxford.com/shop/product/st-cecilia/>(2020年12月8日檢索)。
Siler, Joy.“Jacobean Masque Theater and Shakespeare’s The Tempest: The Foil of the Anti-Masque,”<https://twu.edu/media/documents/history-government/Jacobean-Masque-Theater-and-Shakespeare-The-Tempest-The-Foil-of-the-Anti-Masque.pdf>(2020年4月25日檢索)。
Sotheby’s: <https://www.sothebys.com/zh-hant/>(2021年1月25日檢索)。
Waddesdon Manor: <https://waddesdon.org.uk/the-collection/item/?id=365>(2020年12月16日檢索)。
Wallace Collection: <https://wallacelive.wallacecollection.org:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=65065&viewType=detailView >(2020年8月10日檢索)。
Wikimedia: <https://commons.wikimedia.org/wiki/File:Peter_de_Witte_-_King_David%E2%80%99s_Song_of_Praise_to_God.jpg>(2020年8月16日檢索)。 |