博碩士論文 107126003 詳細資訊




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姓名 劉思涵(Sih-Han Liu)  查詢紙本館藏   畢業系所 藝術學研究所
論文名稱 Rutherford Alcock與日本藝術之研究
(A study on Rutherford Alcock and Japanese Art)
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摘要(中) Rutherford Alcock(1809-1897)為十九世紀後半引介日本藝術至歐洲的重要先驅之一。1859年他以英國公使的身分抵達日本,駐日期間曾協助日本參與1862年的第二次倫敦萬國博覽會(London International Exhibition of Industry and Art);1863年他於討論日本生活見聞之書籍《大君之都》(The Capital of the Tycoon, 2 Vols.),嘗試書寫日本藝術的發展景況;1875至1878年Alocck受《藝術期刊》(The Art Journal)之邀,發表數篇關乎日本藝術的系列文章,試圖分析日本人的創作手法與特色;1878年他將已發表的文章作統合與補充,以圖文並茂之方式撰寫,出版藝術專書《日本的美術與工藝》(Art and Art Industries in Japan)。然而,目前針對Rutherford Alcock推廣展示與書寫日本藝術的研究並不多。本文乃欲透過挖掘Alcock於不同階段對日本藝術之見解,更深入釐清他推動日本藝術的貢獻與限制,亦盼能藉此補充十九世紀後半歐日藝術交流的樣態。

  論文第一章將梳理Alcock的生平事蹟、駐日經歷與他為日本籌展之經過,探究Alcock駐日期間對日本事物的看法。第二章聚焦挖掘1862年萬國博覽會日本展示的相關內容與各式展後迴響,以理解Alcock對日本作品之見解,與同時代觀者對日本展品的反應。第三章按發表的時間順序,爬梳Alcock數種與日本藝術相關的書寫內容、手法,並觀察當時書評對其寫作之評價。
摘要(英) Rutherford Alcock (1809-1897) was one of the pioneers who introduced Japanese art to Europe in the second half of the 19th century. In 1859, he arrived in Japan as a British Envoy Extraordinary and Minister Plenipotentiary. He assisted Japan in the London International Exhibition of Industry and Art in 1862. In 1863, he tried to describe the development of Japanese art in his book The Capital of the Tycoon, 2 Vols. Alocck was Invited by The Art Journal from 1875 to 1878 to publish a series of articles on Japanese art, trying to analyze Japanese specific techniques and creative characteristics. In 1878, he combined and supplemented these articles and published a book entitled Art and Art Industries in Japan. However, there is little research on Rutherford Alcock’s promotion of displaying and writing Japanese art. The purpose of this research is to explore Alcock’s views on Japanese art at different stages in order to further clarify his contributions and limitations. This study will contribute to our understanding about the art exchanges between Europe and Japan in the second half of the 19th century.

  The first chapter will sort out Alcock’s life story, explore his experience in Japan and his experience of organizing exhibitions, and probe into Alcock’s views on Japanese affairs during his stay in Japan. The second chapter focuses on the excavation of the contents of the Japanese display at the 1862 International Exhibition and the various after-exhibition echoes, in order to understand Alcock’s views on Japanese works and the contemporary audience’s reaction to the Japanese exhibits. The last chapter is a review of several of Alcock’s writings related to Japanese art, with some discussion regarding various reviews at that time.
關鍵字(中) ★ 十九世紀
★ 歐日藝術交流
★ 日本藝術
★ Rutherford Alcock
★ 1862年倫敦萬國博覽會
★ 《大君之都》
★ 《日本的美術與工藝》
關鍵字(英) ★ 19th century
★ Art exchanges between Europe and Japan
★ Japanese art
★ Rutherford Alcock
★ 1862 London International Exhibition
★ The Capital of the Tycoon
★ Art and Art Industries in Japan
論文目次 論文提要 i
Abstract ii
致謝辭 iii
目錄 v
緒論 1
第一章 Rutherford Alcock生平簡述及其駐日經歷 8
第一節 概述職涯──非藝術專業 8
第二節 結緣日本──認識其文化 13
(一) 抵日經歷 13
(二) 遊歷日本 14
第三節 參展推手──日本正式登場萬博 19
(一) 接獲任務,說服參展 19
(二) 身負重任,積極蒐羅 20
第二章 Rutherford Alcock與1862年萬博中的日本展示 23
第一節 1862年萬博中的日本展示 23
(一) 日本展區與展品目錄 23
(二) 日本展品 26
第二節 1862年萬博的日本展示於英國引起的迴響 32
(一) 英國官方授獎名單 32
(二) 英國媒體報導 33
(三) 英國創作者對日本展示的反應 35
(四) 日本使節對日本展示之看法 40
第三章 Rutherford Alcock書寫日本藝術 44
第一節《日本的美術與工藝》成作之前 44
(一)《大君之都》 44
(二)《藝術期刊》〈日本藝術〉系列文章 47
第二節《日本的美術與工藝》 49
(一)《日本的美術與工藝》簡介 49
(二)《日本的美術與工藝》的詮釋與寫作方式 53
結論 63
參考資料 66
圖版及圖版目錄 72
附錄 109
【表1】Rutherford Alcock概略年表 109
【表2】日本展品目錄與各類品項數目統計 113
參考文獻 文獻及早期資料

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38.Gere, Charlotte., Judy Rudoe. “Introduction: Christopher Dresser in Context: Papers of The Symposium Held Jointly by The Victoria and Albert Museum and The Decorative Arts Society 18 October 2004.” The Decorative Arts Society 1850 - the Present, No.29 (2005): 5-7.
61.Meyer, Jonathan. Great Exhibitions: London, New York, Paris, Philadelphia,1851-1900. Woodbridge: Antique Collectors Club, 2006.
39.Nish, Ian edited. Britain and Japan Biographical Portrait,Vol.2. Folkestone: Japan Library, 1997.
40.Sato, Fumiko. “Rutherford Alcock and Japanese Art.” Management Journal, No.20 (September, 2010): 87-96.
41.Wichmann, Siegfried. The Japanese Influence on Western Art since 1858. New York: Thames & Hudson, 2007.

電子資料庫及網路資源

1.日本時事新聞百科全書コトバンク:< https://kotobank.jp/>
2.国立国会図書館デジタルコレクション:<https://dl.ndl.go.jp/>
3.辞典・百科事典の検索サービスWeblio辞書国語辞典:<https://www.weblio.jp/>
4.博覽会近代技術の展示場:<https://www.ndl.go.jp/exposition/index.html>
5.橫浜芝山漆器研究會:<http://shibayamashikki.com/index.html>
6.British Newspaper Archive:<https://www.britishnewspaperarchive.co.uk/>
7.Bureau International des Expositions:< http://www.bie-paris.org/ >
8.Grove Art Online:<https://www.oxfordartonline.com/groveart>
9.Hathi Trust Digital Library:<https://www.hathitrust.org/>
10.Internet Archive:<https://archive.org/>
11.Jstor:<https://www.jstor.org/>
12.Oxford Reference:<https://www.oxfordreference.com/>
13.Periodicals Archive Online:<https://search-proquest-com.ezproxy.lib.ncu.edu.tw/pao?accountid=12690>
14.The Times Digital Archive:<https://galeapps.gale.com/apps/auth?userGroupName=twnsc183&origURL=https%3A%2F%2Fgo.gale.com%2Fps%2Fstart.do%3Fp%3DTTDA%26u%3Dtwnsc183&prodId=TTDA>
15.Victoria and Albert Museum:<https://www.vam.ac.uk/>
指導教授 巫佩蓉(Pei-Jung Wu) 審核日期 2021-10-18
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