博碩士論文 88122009 詳細資訊




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姓名 王念英(Nien-Ying Wang)  查詢紙本館藏   畢業系所 英美語文學系
論文名稱
(A Body That Matters: The Evolution of Jackie Chan's Star Persona)
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摘要(英) This thesis aims at capturing a continuity of a star persona which reinvents himself to live within the constantly changing context. Using Jackie Chan as an object of study, this paper attempts to structure the development of Hong Kong kung fu action cinema. Such a perspective provides readers with the introductory survey of Hong Kong kung fu action cinema converged at the notion of Hong Kong identity. Covering the period between the 1960s and the 1990s, this history accounts for Hong Kong cinema’s becoming transnational. When Hong Kong filmmakers migrated to Hollywood in the mid-1990s, one of the significant issues raised by many respectable scholars is the notion of authentic Hong Kong cultural identity in these transnational representations. On this condition, Jackie Chan’s changing star persona puts it into question the meaning of ‘authenticity’ itself. Even if the circumstance it based has constantly changed, Chan’s shifting screen image still bears witness to his self-reinvention. What it will become through the self-revolution has been constantly remodeled to the needs of the society’s imagination and identity forms. And, it is also a heart of this thesis which intends to continuously revisit and re-envision a film star persona. While the thesis focuses on Jackie Chan, its research framework intends to be extended to see how his fellow Hong Kong filmmakers who have found their roles in Hollywood and never ceased searching for self-expressions as they have always been doing in Hong Kong cinema. Finally, in tracing Jackie Chan’s star persona in different stages of his film career, the thesis attempts to reflect the Hong Kong cinema, which continuously change, adapt and reinvent itself.
關鍵字(中) 關鍵字(英) ★  Hong Kong cinema
★ Jackie Chan
★ Identity
★ Hollywo
論文目次 CONTENTS
INTRODUCTION 1
CHAPTER 1 A HISTORICAL OVERVIEW OF HONG KONG KUNG FU ACTION CINEMA 5
Ⅰ. KUNG FU ACTION CINEMAS—SINCE 1960S 5
Ⅱ. THE 1970S KUNG FU BOOM 6
Ⅲ. THE 1980S ACTION FILM: AN URBAN JIAN HU LEGEND 9
Ⅳ. THE DRAGON MYTHS: BRUCE LEE AND JACKIE CHAN 11
CHAPTER 2 JACKIE CHAN PERSONA IN HONG KONG CINEMA 19
Ⅰ. THE 1970S KUNG FU COMEDY: A KUNG FU KID’S BREAKTHROUGH 19
Ⅱ. THE 1980S ACTION FILMS: A CITY/COP’S MIRACLE 24
Ⅲ. IN THE 1990S TRANSNATIONAL ACTION: AN INTERNATIONAL SUPERCOP 30
CHAPTER 3 BODY AS SPECTACLE IN HOLLYWOOD 35
Ⅰ. RUMBLE IN THE BRONX: SPECTACULAR BODIES AS AMERICAN HEROES 36
Ⅱ. BODY AND BUDDY: THE CULTURAL PERFORMANCE IN RUSH HOUR 41
Ⅲ. MY BODY IS MY SPECIAL EFFECT: JACKIE CHAN IN THE TUXEDO 47
CONCLUSION 51
BIBLIOGRAPHY 53
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指導教授 李振亞(Jerome Li) 審核日期 2005-7-24
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