| 參考文獻 |
西文參考書目
（一）夏爾丹畫冊專論：
Chardin, 1699-1779 : a special exhibition organized by the Reunion des Musees Nationaux,
Paris, the Cleveland Museum of Art, and Museum of Fine Arts, Boston,
catalog tr. by Emilie P. Kadish and Ursula Korneitchouk, U.S: Cleveland
Museum of Art, 1979
Collins, Kristin B. Manet and Chardin: Artistic Affiliation and the Problem of Frenchness
in Painting, 1858-1870, M.A. diss., University of Oregon, 1996, 8
Conisbee, Philip, Chardin , Lewisburg [N.J.] : Bucknell University Press, 1986
CrosPhilippe, Chardin ,Paris : soci?t? nouvelle Adam Biro, 1999
Goncourt, Edmond de, and Gouncout, Jules de. French XVIII Century Painters: Watteau,
Boucher,Chardin, La Tour, Greuze, Fragonard, trans by Robin Ironside ,
Cornell University Press, 1981
Edizel, Gerar, Jean-Simeon Chardin: seeing, playing, forgetting, and the practice of
modern imitation, Ph. D diss. Michigan University, UMI, 1995
McCoubrey, John Walker, Studies in French Still-Life Painting, Theory and Criticism, Ph. D.
diss. , 1958, New York University, Ann Arbor: University Microfilms
---------------------. The revival of Chardin in French Still-life Painting, Art Bulletin 46, 1964
Roland Michel, Marianne, Chardin, Paris : Hazan, 1994
Rosenberg, Pierre, Chardin : biograpgical and critical study, tr. from the French by Helga
Harrison, Skira, U.S. Cleveland : World Pub. Co, 1963
--------------------- Chardin, Paris, Galeries Nationales du Grand Palais, 7 September-22
November 1999 : D?sseldorf, Kunstmuseum im Ehrenhof, 5 December
1999-20 February 2000 : London, Royal Academy of Arts, 11 March-29
May 2000 : New York, the Metropolitan Museum of Art, 27 June-3
September 2000 [exhibition committee ; assisted by Florence Bruyant ;
translated from the French by Caroline Beamish, London : Royal
Academy of Arts /New York : Metropolitan Museum of Art , 2000
--------------------- Chardin : biographical and critical study, New York: Zizzoli, 1991
--------------------- Chardin, Paris : Renaud Temperini, 1999
--------------------- Tout L’Oeuvre Peint de Chardin, Les Classique de l’Art,
Paris: Flammarion, 1983
--------------------- Chardin, An Intimate Art, London: Thames & Hudson, 2000
Weisberg, Gabriel P., and Talbot, William S, Chardin and the still-life tradition in France,
Cleveland: Cleveland Museum of Art, 1979
（二）狄德羅著作及評論
Diderot, Denis, Salons, Jean Seznec et Jean Adhemar eds. 4vols, Oxford : Clarendon Press,
1857
------------------- Oeuvres, Tome I, Philosophie, Paris : R. Laffont, c1994
Oeuvres, Tome IV, Esthetique – Th??tre, Paris : R. Laffont, c1994
Oeuvres, Tome V, Correspodonce, Paris : R. Laffont, c1994
------------------- Oeuvres comp?ltes de Diderot : revues sur les editions originales,
comprenant ce qui a ete publie a diverses epoques et les manuscrits inedits,
conserves ? la Bibliotheque de l'Ermitage, notices, notes, table analytique,
Tome 14-17. Encyclopedie, Nendeln, Germany: Kraus Reprint, 1875-77
------------------- Diderot on Art, the Salon of 1765 and Notes on Painting, trans by John
Goodman, 2vols. , Yale University Press, 1995
------------------- Selected Writings on Art and Literature, trans by Geoffery Bremner,London/
New York: Penguin Book, 1994
Diderot & l'art de Boucher 1a David les Salons, 1759-1781, Paris : Ministrer de la Culture,
Editions de la Reunion des Mus?es Nationaux, 1984, Catalogues des Expositions ? L’Hot?l de
la monnaie
Bonnet, Jean-Claude, Diderot, Paris : Le Livre de poche, 1984
Brookner, Anita, The Genius of the Future, Essays in French Art Criticism: Diderot,
Stendhal, Baudelaire, Zola, the brothers Goncourt, Huysmans, New
York: Cornell University Press, 1971
Bukdahl, Else Marie, Diderot, Critique d’Art, 2vols, Copenhague : Rosenkilde et Bagger,
1980
（三）其他參考文獻
Alembert, Jeam Le Rond d’, Preliminary discourse to the Encyclopedia of Diderot ,
translated by Richard N. Schwab, with the collaboration of Walter E. Rex.
With an intro. and notes by Richard N. Schwab, Indianapolis :
Bobbs-Merrill, 1963
Alpers, Svetlana, The Art of Describing: Dutch Art in the Seventeenth Century, U.S.: the
University of Chicago Press, 1983。
Art Criticism and its Institutions in Nineteenth-Century France, ed. by Orwicz, Muchael R.,
Manchester; New York: Manchester University Press, 1994
Arnold, Julie Wegner, Art Criticism as Narrative, Diderot’s Salon de 1767, New York;
Washington, D.C./Baltimore; San Francisco; Bern; Frankfurt; am Main;
Berlin; Vienna; Paris; Lang: Peter Lang Publishing, 1995
Barrell, John, Painting and the Politics of Culture: New Essays on British Art 1700-1850,
New York: Oxford University Press, 1992。
Baxandall, Michael, Patterns of Intention, on the Historical Explanation of Picture, New
Haven and London: Yale University Press, 1985
-------------------- Giotto and Orator, New York: Oxford University Press, 1971
-------------------- Shadows and Enlightenment, New Haven: Yale University Press, 1995
Boime, Albert, Art in an Age of Revolution 1750-1800, Chicago : University of Chicago
Press, 1987
Bremner, Geoffrey, Order and Chance: the pattern of Diderot's thought, Cambridge; New
York : Cambridge University Press, 1983
Brewer Daniel, The Discourse of enlightenment in eighteenth-century France: Diderot and
the Art of Philosophizing, Cambridge, [England]; New York: Cambridge
University Press, 1993
Bryson, Norman, Looking at the Overlooked, Four Essays on Still Life Painting, London;
U.S. : Harvard University Press, 1990
-------------------- Word and Image, French painting of the Ancien Regime, New York
Cambridge University Press, 1981
Couillet, Jacques, La Formation des Id?es Esth?tiques de Diderot, Paris : Librairie Armand
Colin, 1973
Crocker, Lester G, Diderot's chaotic order: approach to synthesis, Princeton, N.J.: Princeton
University Press, 1974
Crow, Thomas, Painters and Public Life in Eighteenth-Century Paris, New Haven: Yale
University Press, 1985
Duro, Paul, The Academy and the Limits of Painting in seventeenth-century France, New
York: Cambridge University, 1997
Francis Frascina and Jonathan Harris edited, Art in modern culture an anthology of critical
texts, New York：HarperCollins, 1992
Fried Michael, Absorption and Theatricality, Painting and Beholder in the Age of Diderot,
Chicago: University of Chicago Press, 1988
------------------ Manet's modernism, or, The face of painting in the 1860s, Chicago:
University of Chicago Press, 1996
Gillian, Perry, Femininity and masculinity in eighteenth-century art and culture, edited by
Gill Perry and Michael Rossington, Manchester; New York: Manchester
University Press, New York Distributed exclusively in the USA and Canada
by St. Martin's Press , 1994
Goldstein, Carl, Visual fact over verbal fiction a study of the Carracci and the criticism,
theory, and practice of art in Renaissance and Baroque Italy, Cambridge;
England New York: Cambridge University Press 1988
------------------ Teaching art academies and schools from Vasari to Albers, New York:
Cambridge University Press 1996
------------------ Rhetoric and Art History in the Italian Renaissance and Baroque, Art
Bulletin, p. 641-652, 1991
Gombrich, Ernst Hans, Art and illusion; a study in the psychology of pictorial
representation, Princeton, N.J.: Princeton University Press, 1969
Greenberg, Clement, Modernist Painting, Art and Literature, Vol. 4, (1965), p. 193-201
Hobson, Marian, The Object of Art: The Theory of Illusion in Eighteenth-Century France,
London: Cambridge University press, 1982
Iversen, Margaret, Alois Riegl: Art History and Theory, U. S. : Massachusetts Institute of
Technology, 1993
Levey, Michael, Painting and Sculpture in France 1700-1789, New Haven: Yale University
Press, 1972
------------------- Rococo to Revolution, Major Trends in Eighteenth Century Painting,London: Thames & Hudson, 1986
Lichtenstein, Jacqueline, translated by Emily Mcvarish, The Eloquence of Color: Rhetoric
and Painting in the French Classical age, U.S.: University of California press,
1993。
Mitchell, W. T. J., Blake’s Composite Art: A study of the Illuminated Poetry, Princeton
University Press, [1978] 1982
------------------ Iconology: image, text, ideology, Chicago : University of Chicago Press, 1986
Montagu, Jennifer, The Expression of the Passions: The Origin and Influence of Charles
Le Brun's Conf?rence sur l'expression generale et particuli?re, U.S.: Yale
University press, 1994。
Outram, Dorinda, The Enlightenment, Cambridge: Cambridge University Press, 1995
Paulson, Ronald, Emblem and Expression, Meaning in English Art of the Eighteenth
Century, London: Thames & Hudson, 1975
Perkins, Merle L, Diderot and the time-space continuum: his philosophy, aesthetics, and
politics, Oxford, Eng.: Voltaire Foundation at the Taylor Institution, 1982
Perry, Gill & Rossington, Michael edited, Femininity and Masculinity in Eighteenth-
Century Art and Culture, Manchester and New York: Manchester
University Press, 1997
Podro, Michael, Depiction, New York: Yale University Press, 1998
Puttfarken, Thomas,Roger de Piles' theory of art, New Haven: Yale University Press, 1985
------------------- The Discovery of Pictorial Composition, Theories of Visual Order in
Painting 1400-1800, New Haven: Yale University Press, 2000
Schulte-Sasse, Jochen, ‘’Aesthetic Illusion in the Eighteenth-Century’’ in Aesthetic Illusion:
Theoretical and Historical Approaches, ed. Frederick Burwick and Walter Pape,
Berlin; New York: Walter de Gruyter, 1990, p. 105-121
Wrigley,Richard, The Origins of French Art Criticism,from the Ancien Regime to the
Rretaration, New York: Oxford, University Press, 1993
中文參考書目
狄德羅著，陳占元譯，《狄德羅論繪畫》，桂林：廣西師範大學出版社，2002 年11 月。
狄德羅著，瑜青主編，《狄德羅經典文存》，上海市：上海大學出版社，2002 年。
狄德羅，《狄德羅美學論文集》，北京：人民文學出版社，1984 年。
狄德羅著，江天驛、陳修儒、傅太慶譯，《狄德羅哲學選集》北京：商務印書館，1991
年。
李鳳鳴，《狄德羅》，傅偉勳、韋政通主編，台北市：東大圖書公司，2000 年。
朱建民，《知識論》，台北縣蘆洲市：空中大學，2003 年。
羅勃。史都華（Robert Stewart）《改變世界的觀念》(Ideas That Shaped Our Ward) 台北
市：貓頭鷹出版社，2001 年
沃夫林（Heinrich W?fflin），《藝術史的原則》，曾雅雲譯，台北：雄師圖書，1987 年。
柯普斯登(Frederick Copleston)，《西洋哲學史》（五）近代哲學（霍布斯到休謨）朱建民、
李瑞全翻譯，傅佩榮校訂，台北市：黎明出版社，1986 年。
葉嘉華，《從文藝復興到狄德羅主編的《百科全書》探討繪畫地位的轉變及其意義》，中
壢市：中央大學藝術學研究所，民國87 年6 月。
謝佳娟，《萊辛之《拉奧孔：詩與畫的界限》－－「詩畫同律」在十八世紀美術概念中
的轉變》，中壢市：中央大學藝術學研究所，民國88 年12 月。
蕭佳倩，《論繪畫物質的視象化：杜畢費（Jean Dubuffet）1951-63 系列作品研究》，國立中央大學藝術學研究所碩士論文，民國90 年6 月。 |
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