博碩士論文 89122004 詳細資訊




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姓名 湯嘉瑩(Jia-ying Tang)  查詢紙本館藏   畢業系所 英美語文學系
論文名稱 偽裝:莎士比亞劇中的另類身份鑄造過程
(Disguise: An Alternative Process of Identity-Fashioning in Shakespeare)
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摘要(英) The thesis attempts to collect social practices and facts in Shakespeare’s time and to understand how people construct and fashion their new social identities with the help of disguise. The examples of disguise are from Shakespearean plays. We will see how people forge new class and gender identities for themselves by changing their identity indexes of clothing and manners.
Examples of disguise in Shakespeare fall into two categories: same-sex disguise and opposite-sex disguise. Generally speaking, the former kind is devoted to the issue of class identity, while the latter one is devoted to the issue of gender identity. Hopefully, boundaries of class and gender in Shakespeare’s England may appear more clearly before us by understanding how they keep being permeated and blurred by disguisers.
In Introduction, first of all, I show the definitions of disguise found from OED. Then, the statement, attempts, and methodology of this thesis are given. In addition, the position of my research within the relevant academic field is shown, too. Finally, I give a short summary of each chapter.
Chapter One is devoted to the knowledge of Shakespearean social context with regard to clothing and manners, i.e., sumptuary laws and conduct books. We will see how people tried hard to reinforce class and gender distinctions by regulating various types of clothing and manners, and, also, how their attempts turned out to be in vain.
In Chapter Two, I analyze the examples of same sex-disguise, relevant with the issue of class identity. In it, we will see how people forged new status for themselves by changing their clothing and manners. The process of fashioning new status will be demonstrated here.
In Chapter Three, I move on to discuss the fashioning of gender identity by analyzing the examples of opposite-sex disguise. We will see how people make themselves perceived as the members of their opposite sex with the help of cross-dressing and changing their manners. In our discussion of same-sex and opposite-sex disguises, several social facts and practices in Shakespeare’s England will be collected, too.
In the final chapter, I draw a conclusion on various types of disguise that we have discussed in the previous chapters. Then, to make my inference more credible, I move on to justify the legitimacy of inferring reality from literary texts. Last, I give some suggestions for further research.
關鍵字(中) 關鍵字(英) ★ class
★ manners
★ clothing
★ identity
★ disguise
★ gender
論文目次 Abstract
Acknowledgement
Introduction--------------------------------------------- 1
Chapter One Clothing, Manners, and Class Distinctions: Sumptuary Laws and Conduct Books ------------------------ 9
Chapter Two Same-Sex Disguise-------------------------- 21
I. Upwardly Mobile Disguise ------------------------- 22
II. Downwardly Mobile Disguise ---------------------- 30
III. Substitutive Disguise -------------------------- 37
Chapter Three Opposite-Sex Disguise-------------------- 42
I. Male-to-Female Disguise--------------------------- 42
II. Female-to-Male Disguise-------------------------- 45
Conclusion---------------------------------------------- 57
Works Cited--------------------------------------------- 61
參考文獻 Baldwin, Frances Elizabeth. Sumptuary Legislation and Personal Regulation in England. Baltimore: The Johns Hopkins Press, 1926.
Baker, Susan. “Personating Persons: Rethinking Shakespeare Disguises.” Shakespeare Quaterly 43.3, 1992.
Belsey, Catherine. “Disrupting sexual difference: meaning and gender in the comedies.” Alternative Shakespeares. Ed. John Drakakis. London: Routledge, 1985.
Bullough, Vern L., and Bonnie Bullough. Cross Dressing, Sex, and Gender. Philadelphia: U of Pennsylvania P, 1993.
Bryson, Anna. “The Rhetoric of Status: Gesture, Demeanor and the Image of the Gentleman in Sixteenth-and Seventeenth-Century England.” Renaissance Bodies. Ed. Lucy Gent and Nigel Llewellyn. London: Reaktion, 1990.
Carroll, William C., and Bono, Barbara J.. Rosalind. Ed. Harold Bloom. New York: Chelsea House Publishers, 1992.
Cook, Carol, and Novy Marianne. Shakespeare and Gender: A History. Ed. Deborah E.
Barker and Ivo Kamps. London: Verso, 1995.
Cressy, David. “Gender Trouble and Cross-Dressing in Early Modern England.” The Journal of British Studies 35.4. 1996.
Erasumus, Desiderius. De Civilitate Morum Puerilium (On good manners for boys). In Collected Works of erasumus, vol. 25. Ed. J. K. Sowards. Trans. Brian McGregor. Toronto: U of Toronto P, 1985.
Garber, Marjorie. Vested Interests: Cross-Dressing and Cultural Anxiety. New York: Routledge, 1992.
Gurr, Andrew. “Measure for Measure’s Hoods and Masks: the Duke, Isabella, and Liberty.” English Literary Renaissance. 27.1, 1997.
Heilbrun, Carolyn G. Toward a Recognition of Androgyny. New York: Norton, 1982.
Jardine, Lisa, and Peter Stallybrass. Erotic Politics: Desire on the Renaissance Stage. New York: Routledge, 1992.
Jerdan, William (ed.), Rutland Papers in Camden Society Publications, no. xxi. London, 1842.
Jones, Ann Rosalind, and Peter Stallybrass. Renaissance Clothing and the Materials of Memory. New York: Cambridge, 2000.
Kott, Jan. The Gender of Rosalind: Interpretations: Shakespeare, Bücher, Gautier. Trans. Jadwiga Kosicka and Mark Rosenzweig. Illinos: Northwestern UP, 1992.
Lanier, Douglas. “ ‘Stigmatical in making’: The Material Character of The Comedy of Errors.” English Literary Renaissance 23.1, 1993.
Mowat, Barbara A. “Rogue, Shepherds, and the Counterfeit Distressed: Texts and Infracontexts of The Winter’s Tale 4.3.” Shakespeare Studies 22, 1994.
Novy, Marianne. “Shakespeare and Emotional Dstance in the Elizabethan Family.” Shakespeare and Gender: A History. New York: Verso, 1995.
Orgel, Stephen. Impersonations: The Performance of Gender in Shakespeare’s England. New York: Cambridge UP, 1996.
Orgel, Stephen, and Peter Stallybrass.” Subject and Object in Renaissance Culture. Ed. Margreta de Grazia, Maureen Quilligan, and Peter Stallybrass. New York: Cambridge UP, 1996.
Paster, Gail Kern. “The Unbearable Coldness of Female Being: Women’s Imperfection and the Humoral Economy.” English Literary Renaissance 28.3, 1998.
Perkins, William. Cases of Conscience. Sig. 2G2v., 1608
Rackin, Phyllis. “Foreign Country: The Place of Women and Sexuality in Shakespeare’s Historical World”. Enclosure Acts. Ed. Richard Burt and John Michael Archer. New York: Cornell UP, 1994.
Scholz, Susanne. Body Narratives: writing the nation and fashioning the subject in early modern England. New York: St. Martin’s Press, 2000.
Shakespeare, William. William Shakespeare: the complete works. Ed. Stanley Wells and Gary Taylor… (et al.) New York: Oxford UP, 1986.
Smith, Preserved. The Age of the Reformation. New York: Henry Holt and Company, 1955.
Stallybrass, Peter. “Worn worlds: clothes and identity on the Renaissance stage.” Subject and Object in Renaissance Culture. Ed. Margreta de Grazia, Maureen Quilligan, and Peter Stallybrass. New York: Cambridge UP, 1996.
---. “Patriarchal Territories: The Body Enclosed.” Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe. Ed. Margaret W. Ferguson, Maureen Quilligan, and Nancy J. Vickers. Chicago: U of Chicago P, 1986.
Stubbes, Philip, Anatomie of Abuses. 1st edition. London, 1583.
---. The Anatomy of Abuses, facsimile edition. New York, 1972
Traub, Valerie. Desire and Anxiety: Circulation of sexuality in Shakespearean drama. New York: Routledge, 1992.
Woodbridge, Linda. “Hygiene, Civility, and Homelessness.” Vagrancy, Homelessness, and English Renaissance Literature. Urbana: U of Illinois P, 2001.
指導教授 林錥鋕(Spencer Lin) 審核日期 2004-1-28
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