參考文獻 |
參考書目
西文參考書目
Adams Steven, The Art of the Pre-Raphaelites, The Apple Press, London 1988.
Alcock Rutherford, Catalogue of Works of Industry and Art, Sent from Japan, International Exhibition, William Clowes and Sons, London, 1862.
Anderson Ronald & Koval Anne, James McNeill Whistler: Beyond the Myth, Carroll & Graf, New York, 1995.
Aslin Elizabeth, “Japanese Influence on Nineteenth-Century Decorative Arts”, The Decorative Arts in the Victorian Period, Society of Antiquaries of London, 1989.
Bendix Deanna Marohn, Diabolical Designs: Paintings, Interiors, and Exhibitions of James McNeill Whistler, Smithsonian Books, London, 1995.
Berger Klaus, Japonisme in Western Painting from Whistler to Matisse, Cambridge: Cambridge University Press, 1992.
Bouillon Jean-Paul, “«A gauche»: Note sur la Société du Jing-Lar et sa signification”, Gazette des Beaux-Arts, March 1978.
Bouillon Jean-Paul, "Remarques sur le Japonisme de Bracquemond", Japonisme in Art: An International Symposium, edited by The Society for the Study of Japonisme (Tokyo; Committee for the Year 2001, 1980)
Chaleyssin Patrick, James McNeill Whistler: The Strident Cry of the Butterfly, Parkstone Press, Bournemouth, England, 1995.
Chesneau Ernst, “La Japon à Paris”, Cazette des Beaux-Arts, September 1878.
Curry David Park, James McNeill Whistler: at the Freer Gallery of Art, Freer Gallery of Art, Smithsonian Institution, In association with W. W. Norton & Company, New York, London, 1984.
Duret Théodore, “James Whistler”, Gazette des Beaux-Arts, no. 23, April 1881.
Duro Paul, The Academy and the Limits of Painting in seventeenth-century France, Cambridge University Press, New York, 1997.
Eidelberg, “Bracquemond, Delâtre”, Japonisme in Art: An International Symposium, edited by The Society for the Study of Japonisme (Tokyo; Committee for the Year 2001, 1980)
Eidelberg Martin and Johnston William R., Japonisme and French Decorative Arts, Japonisme: Japanese Influence on French Art, 1854-1910 , , Cleveland Museum of Art, Cleveland, 1975.
Floyd Phylis Anne, 'Japonisme' in Context: Documentation, Criticism, Aesthetic Reaction, Ph. D diss. Michigan University, UMI, 1983.
Haga Tōru, The Diplomatic Background of Japonisme:The Case of Sir Rutherford Alcock, Japonisme in Art: An International Symposium, edited by The Society for the Study of Japonisme (Tokyo; Committee for the Year 2001, 1980)
Holden Donald, Whistler: Landscapes and Seascapes, Watson-Guptill Publications, New York, 1969.
Keene Donald, Japanese Aesthetics , Japanese Aesthetics and Culture: A Reader, edited by Nancy G. Hume, Albany, N.Y. : State University of New York Press, c1995.
Lochnan Katharine A., The Etching of Janes McNeill Whistler, Published in association with the Art Gallery of Ontario by Yale University Press, New Haven and London, 1984.
Margaret F. MacDonald, James McNeill Whistler: Drawings, Pastels and Watercolours A Catalogue Raisonné, The Paul Mellon Centre for Studues in British Art by Yale University Press, New York and London, 1995.
Margaret F. MacDonald, East and West: Sources and Influences, Whistler, Women, & Fashion, The Frick Collection, New York, 2003.
Merrill Linda, A Pot of Paint : Aesthetics on Trial in Whistler v Ruskin, Smithsonian Institution Press, Washington and London, 1992.
Merrill Linda, The Peacock Room: A Cultural Biography, Freer Gallery of Art, Smithsonian Institution, Washington, D.C., and Yale University Press, New Haven and London, 1998.
Needham Gerald, Japanese Influence on French Painting 1854-1910, Japonisme: Japanese Influence on French Art 1854-1910, Cleveland Museum of Art, Cleveland, 1975.
Pennell E. R. and J., The Life of James McNeill Whistler, Philadelphia, London, 1908.
Pyne Kathleen, “James McNeill Whistler and the Religion of Art.” Art and the Higher Life, Austin: University of Texas Press, 1996.
Ramsdell Catherine, The Japanese Influence in Victorian Art and Literature, Alabama: The Graduate Faculty of Auburn University, 2000.
Ruskin John, Modern Painters, ed. David Barrie, André Deutsch, London, 1987.
Sato Tomoko and Watanabe Toshio, eds. Japan and Britain: An Aesthetic Dialogue 1850-1930. London: Lund Humphries, 1991.
Schwartz W. L., The Interpretation of the Far East in Modern Literature, Paris: Champion, 1927. Reprint, Chicago: University of Chicago Library, 1989.
John Siewert, “Rhetoric and Reputation in Whistler’s Nocturnes”, After Whistler : the artist and his influence on American painting, Atlanta : High Museum of Art ; Yale University Press, c2003.
Spencer Robin, Whistler, Studio Editions, London, 1990.
Spencer Robin, Whistler: A Retrospective, Random House Value Pub, New York, 1991.
Spencer Robin, James McNeill Whistler, Tate Publishing, London, 2003.
Staley Edgcumbe, Watteau and His School, G. Bell and Sons, London, 1902.
Thorp Nigel Edited and introduced, Whistler on Art: Selected Letters and Writings of James McNeill Whistler, Smithsonian Institution Press, Washington, D.C., 1994.
Watanabe Toshio, High Victorian Japonisme, Swiss Asian Studies, vol. 10, New York, 1991.
Watanabe Toshio, “Eishi Prints in Whistler’s Studio? Eighteenth-Century Japanese Prints un the West before 1870.” Burlington Magazine, vol. 128, 1996.
Weisberg Gabriel P., “Felix Braequemond and Japanese Influence in Ceramic Decoration”, Art Bulletin, September 1969.
Weisberg Gabriel P. , Japonisme: Japanese Influence on French Art, 1854-1910 , Cleveland Museum of Art, Cleveland, 1975.
Weisberg Gabriel P., “Philippe Burty and a Critical Assessment of Early ‘Japonisme’”, Japonisme in Art: An International Symposium, edited by The Society for the Study of Japonisme (Tokyo; Committee for the Year 2001, 1980).
Weisberg Gabriel P.,“Bing and Japan,”Art Nouveau Bing: Paris Style 1900, New York, Harry N. Abrams, 1986.
Weisberg Gabriel P., The Independent Critic: Philippe Burty and the Visual Arts of Mid-nineteenth Century France, Peter Lang Publishing, New York, 1993.
Whistler James McNeill, The Gentle Art of Making Enemies, Dover Publication, New York, 1967.
Wichmann Siegfried, Japonisme: The Japanese influence on Western art since 1858 With 1105 illustrations, 243 in colour, Thames and Hudson Ltd, London, 1981.
Yokoyama Toshio, Japan in the Victorian Mind: A Study of Stereotyped Images of a Nation 1850-80, Macmillan, London, 1987.
Art, industrie et japonisme: Le Service "Rousseau", Ministère de la Culture et de la Communication Édition de la Réunion des Musée Nationaux, 1988.
Union Centrale des Beaux-Arts Appliqués à l'Industrie, Exposition de 1865, Musée retrospectif, Paris, Librairie Centrale, 1867.
中文參考書目
賴瑛瑛,〈日本美術與巴黎,1830-1905 (上)〉,《現代美術》32期,1900。
賴瑛瑛,〈日本美術與巴黎,1830-1905 (中)〉,《現代美術》33期,1900。
波德賴爾,〈一八四六年的沙龍•德拉克洛瓦〉,《波德賴爾美學論文選》,郭宏安譯,人民文學出版社,1987。
《日本浮世繪特展》,台北市立美術館,1990。
E. H. Gombrich,《藝術的故事》,雨云譯,台北:聯經出版社,1995年。
張京媛編,《後殖民理論與文化認同》,麥田出版,台北,1995。
蔡綺,《新藝術研究》,捷太出版社,台中,1997。
愛德華˙薩依德,《東方主義》,立緒出版社,1999。
《日本浮世繪藝術特展;五井野正先生收藏展》,國立歷史博物館,1999。
李明明,〈自壁毯圖繪考察中國風貌在十八世紀法國藝術中的發展:兼談符號中國在羅可可美學下的感性呈現〉,《他者之域:文化身分與再現策略》,輔仁大學比較文學研究所策劃,劉紀蕙編,麥田出版,台北,2001。
吳方正,〈浮世繪與十九世紀西方繪畫〉,《浮世繪特展》,國立中央大學藝文中心,2001。
布萊德利•柯林斯著,陳彗娟譯,《梵谷與高更:電流般的爭執與烏托邦夢想》,台北麥田出版社,2003。 |