博碩士論文 90122010 詳細資訊

姓名 郭家珍(Chia-Chen Kuo)  查詢紙本館藏   畢業系所 英美語文學系
論文名稱 《達洛威夫人》中的影子、罔兩與女性賦權
(Shadow, Penumbra and FemaleEmpowerment in Mrs.Dalloway)
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摘要(中) 本篇論文旨在透過維吉尼亞‧吳爾芙(Virginia Woolf)的小說《達洛威夫人》(Mrs. Dalloway),探討書中四位女性如何在父權含蓄而細微的影響與宰制之下,替自己發聲,甚至贏得能動性。
摘要(英) This thesis is intended to argue that in Virginia Woolf’s novel, Mrs. Dalloway, under the inconspicuous influence and domination of reticent patriarchy, four female characters try to articulate themselves and win themselves agency.
In the novel, reticent patriarchy has other names: Proportion and Conversion, which are propagated by some male characters, and that produces an overall submissive situation, including males’ and females’ submission. Besides using Ding Naifei and Jen-Peng Liu’s idea of reticence, I also change their original equation of substance/patriarchy, shadow/feminism and penumbra/queer into a new one, which consists of substance/patriarchy, shadows/docile female characters and penumbrae/alternative female characters. This new equation clearly presents that there are other female characters having different thoughts about their situations. Rezia Smith, Doris Kilman, Lady Bruton and Clarissa Dalloway are my examples. I intend to discuss these four women’s situations by separating them into two groups according to their class positions: Rezia and Miss Kilman from one group while Lady Bruton and Clarissa constitute the other.
The reason why I identify them as penumbrae is not because they do not have the shadow sides or they are not interpellated by patriarchy, but because, as we can see from their not fully aware and alternative behaviors, they possess the penumbra sides. I especially want to demonstrate that how their shadow sides contradict their penumbra sides, and their repression is the effect of this contradiction.
These four women may not be aware of their repressed thoughts, but they are indeed the direct challenge to reticent patriarchy. The stream of consciousness technique provides readers the first-hand information by participating in their consciousness. This technique both presents their repression but also their methods of empowerment. Some of them better their material conditions or assure their life survival; some of them change the ways they used to see the society or themselves. Either way, those behaviors indicate the existence of penumbra’s agency. As penumbrae, they are no more shapeless and voiceless; instead, in different ways, they perform their subjectivity and agency.
關鍵字(中) ★ 罔兩
★ 含蓄父權
★ 《達洛威夫人》
★ 意識流
★ 女性賦權
關鍵字(英) ★ stream of consciousness
★ penumbra
★ reticent patriarchy
★ Mrs. Dalloway
★ female empowerment
論文目次 Abstract
Chapter One Silent Tolerance and the Stream of Consciousness Technique in Mrs. Dalloway --------------------------------------8
I. Tender Violence of Silent Tolerance --------8
II. Reticent Domestic Ideology and Woolf’s Personal Experiences -----12
III. Reticent Patriarchy in Mrs. Dalloway ----15
A. Substances --------------------------------16
B. Shadows -----------------------------------22
C. Penumbrae ---------------------------------27
IV. The Stream of Consciousness Technique ----28
A. Plot Narration: Characters’ True Articulation-----------28
B. A Writing Strategy: The Author’s Direct Criticism-------32
V. Women’s Empowerment in Mrs. Dalloway -------------------35
Chapter Two Negligible Voices of Lower Middle Class Women: Rezia Smith and Doris Kilman ---------------------------------38
Rezia Smith’s Making Hats -----------------38
Miss Kilman’s Devotion --------------------53
Chapter Three Unaware Thoughts of Class Privileged Women: Lady Bruton and Clarissa Dalloway --------------------------67
Lady Bruton’s Ambition --------------------68
Clarissa Dalloway’s Paradoxical Autonomy --83
Conclusion ---------------------------------98
Works Cited -------------------------------106
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指導教授 白瑞梅(Amie Parry) 審核日期 2004-7-16
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