參考文獻 |
畫家傳記資料﹙註有* 號者同時為圖版出處﹚
Oberlé, Jean. Utrillo: Montmartre. Paris: Fernand Hazan, New York: Tudor, 1956.
*Utrillo, 149 Toiles, Gouaches et Dessins, de 1904 à 1952. 東京:每日新聞社。1967。
*千足伸行。Utrillo. 東京:新潮社,1974。
*千足伸行。Utrillo. 東京:講談社,1981。
*Werner, Alfred. Utrillo. New York: Harry N. Abrams, 1981.
*Fabri, Jean. Utrillo, Sa Vie, Son Oeuvre. Paris: Frédéric Birr, 1982.
*Warnod, Jeannie. Translated by Ina Lee Selden. Maurice Utrillo. New York: Crown, 1983.
*Utrillo et Montmartre. Paris: CELIV, 1990.
*Fabri, Jean. Utrillo folie? Paris: Galerie G. P. Pétridès, 1992.
Rosinsky, Thérèse Diamand. “Suzanne Valadon: The Making of an Artist”.
Ph. D. Dissertation, The City University of New York, 1996.
*Utrillo et les Peintres de Montmartre. Paris: Musée de Payerne, 2000.
L’École de Paris, 1904-1929. Paris: Musée d’Art Moderne de la Ville de Paris, 2000.
The Dictionary of Art. New York: Grove’s Dictionaries, 1996. s.v. “Utrillo, Maurice,”
by Colette Giraudon.
Alley, Ronald. “Notes on Some Works by Degas, Utrillo and Chagall in the Tate Gallery.” The Burlington Magazine, vol. 100, no. 662. (May, 1948): 171-172.
*《尤特里羅》,巨匠美術週刊。臺北:錦繡,1992。
*《巴黎之子–尤特里羅》,藝術大師世紀畫廊。臺北:閣林,2002。
*陳英德、張彌彌。《郁特里羅》。臺北:藝術家,2004。
劉奇俊。〈尤特里羅和蒙馬特的畫家們〉。《藝術家》36:3﹙1993年第3期﹚:402-410。
賴傳鑑。〈談被詛咒的畫家–尤特里羅〉。《雄獅美術》23﹙1973年﹚:28-55。
蒙馬特
Buisson, Sylvie., and Parisot, Christian. Paris Montmartre: A Mecca of Modern Art, 1860-1920. Paris: Pierre Terrail, 1996.
Gendron, Bernard. Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde. Chicago and London: The University of Chicago Press, 2002.
Weisberg, Gabriel P. ed. Montmartre and the Making of Mass Culture. London: Rutgers University Press, 2001.
Milner, John. The Studios of Paris: The Capital of Art in the Late Nineteenth Century. New Haven and London: Yale University Press, 1988.
Steinlen, Théophile-Alexandre. Steinlen’s Drawings, 121 Plates from “Gil Blas Illustré”. New York: Dover Publications, Inc. 1980.
Hewitt, Nicholas. “Images of Montmartre in French writing 1920-1960: ‘la Bohème réactionnaire’”. French Cultural Studies, vol. 4, part. 2, no.11, (Juen 1993): 129-143.
Hewitt, Nicholas. “Shifting Cultural Centres in Twentieth-century Paris”, in Michael Sheringham (ed.), Parisian Fields. London: Reaktion Books, 1996.
Hewitt, Nicholas. “From ‘Lieu de Plaisir’ to ‘Lieu de Memoire’: Montmartre and Parisian Cultural Topography”. French Studies, vol. 54, no. 4, (2000): 453-467.
Jackson, Jeffrey H. “Artistic Community and Urban Development in 1920s Montmartre”. French Politics, Culture & Society, vol.24, no.2, (Summer 2006): 1-25.
Jonas, Raymond. 賈士蘅譯。《法蘭西與聖心崇拜》。台北:麥田,2003。
風景畫; 現代藝術史
Andrews, Malcolm. Landscape and Western Art. Oxford: Oxford University Press, 1999.
Brettell, Richard R., and Pissarro, Joachim. Stevens, Mary Anne. Ed. The Impressionist and the City: Pissarro’s Series Painting. New Haven: Yale University Press, 1992.
Brettell, Richard R. Pissarro and Pontoise: the Painter in a Landscape. New Haven: Yale University Press, 1990.
Brettell, Richard R. Modern art, 1851-1929: Capitalism and Representation. Oxford, New York: Oxford University Press, 1999.
Denvir, Bernard. The Chronicle of Impressionsim. London: Thames and Hudson, 1993.
Dabrowski, Magdalena. French Landscape: The Modern Vision, 1880-1920. New York: The Museum of Modern Art, 1999.
A Day in the Country: Impressionism and the French Landscape. LA: Los Angeles Country Museum of Art, 1984.
Frascina, Francis., Blake, Nigel., Fer, Briony., Garb, Tamar., Harrison, Charles. Modernity and Modernism: French Painting in the Nineteenth Century. London: The Open University, 1993.
Herbert, Robert L. Impressionism: Art, Leisure, and Parisian Society. New Haven: Yale University Press, 1988.
Denvir, Bernard. The Chronicle of Impressionsim. London: Thames and Hudson, 1993.
Dabrowski, Magdalena. French Landscape: The Modern Vision, 1880-1920. New York: The Museum of Modern Art, 1999.
A Day in the Country: Impressionism and the French Landscape. LA: Los Angeles Country Museum of Art, 1984.
Golan, Romy. Modernity and Nostalgia: Art and Politics in France between the Wars. New Haven: Yale University Press, 1995.
The Dictionary of Art. New York: Grove’s Dictionaries, 1996. s.v. “Topography,” by Robert W. Brown.
Smith, Paul. 羅竹茜譯。《印象主義》。台北:遠流,1997。
Nochlin, Linda. 刁曉華譯。《寫實主義》。台北:遠流,1998。
攝影
Hambourg, Maria Morris. “Eugène Atget, 1857-1927: The Stucture of the Work.”
Ph. D. Dissertation, Columbia University, 1980.
Kosinski, Dorothy M. The Artist and the Camera: Degas to Picasso. Dallas Museum of Art, 1999.
地理學
Lefebvre, Henri. Translated by Donald Nicholson-Smith. The Production of Space. Oxford: Blackwell, 1991.
Cresswell, Tim. 王志弘、徐苔玲譯。《地方:記憶、想像與認同》﹙Place: A Short Introduction﹚。臺北:群學,2006。
Crang, Mike. 王志弘、余佳玲、方淑惠譯。《文化地理學》﹙Cultural Geography﹚。臺北:巨流,2003。
王志弘。《流動、空間與社會》。台北:田園城市,1998。
劉紀蕙主編。《他者之域:文化身份與再現策略》。台北:麥田,2001。 |