博碩士論文 92122001 詳細資訊

以作者查詢圖書館館藏 以作者查詢臺灣博碩士 以作者查詢全國書目 勘誤回報 、線上人數:12 、訪客IP:
姓名 陳映廷(Ying-ting Chen)  查詢紙本館藏   畢業系所 英美語文學系
論文名稱 電影《鬥陣俱樂部》與《美國殺人魔》中的精神分裂與消費社會
(Schizophrenia and Consumer Society in Fight Club and American Psycho)
★ Body, Image and the Visaul Technology: Disappearance of the Human Body in Cinematic Representations★ 重檢濁水溪公社之音樂實踐
★ 駭客任務的視覺,類型,與敘事結構★ 城市顯影:萬仁電影中的階級、性別、與歷史
★ Romance in Motion:The Narrative and Individualism in Qiong Yao Cinema★ 懷舊與侯孝賢都市電影美學:《戀戀風塵》、《南國再見,南國》、和《千禧曼波》
★ 舞動社會:邵氏一九六零年代國語歌舞片★ Women Trapped: Ann Hui′s Narrative Strategy and Social Critique in Summer Snow, Goddess of Mercy, and The Postmodern Life of My Aunt
檔案 [Endnote RIS 格式]    [Bibtex 格式]    [相關文章]   [文章引用]   [完整記錄]   [館藏目錄]   [檢視]  [下載]
  1. 本電子論文使用權限為同意立即開放。
  2. 已達開放權限電子全文僅授權使用者為學術研究之目的,進行個人非營利性質之檢索、閱讀、列印。
  3. 請遵守中華民國著作權法之相關規定,切勿任意重製、散佈、改作、轉貼、播送,以免觸法。

摘要(中) 本論文以電影《鬥陣俱樂部》與《美國殺人魔》為本,探討在全球化所造成的資本主義擴張之下,所產生的價值認同問題以及主體性在消費文化中的瓦解。我選擇分析這兩部電影是由於主角皆為美國男性雅痞,兩者皆在其精神分裂的過程中,以暴力為手段,企圖回溯人性、追尋真實或抵抗制度化的消費社會。更藉由並置這兩部電影相同的歷史背景,延展時空、分析比較從八零年代到千禧年美國的經濟變遷和男性身體意義的轉變。
摘要(英) This thesis analyzes the metamorphosis of schizophrenia presented in the movies, Fight Club and American Psycho, through the violence they employ as a problematic route back to subjectivity in a postmodern consumer culture.
Accordingly, chapter one provides a detailed interpretation of the cinematic composition of images with the cultural background that helps explore the attitude shown in both films toward a consumer society, and how the protagonists’ interactions with the consumerist social lieu develop into violence in schizophrenia. I will give an analytical overview of the American social phenomena during the 1980s and the 1990s to locate issues like yuppie culture and globalization within the films’ context, to see how the commodification of all social and personal relations can create psychic-polarized characters like Bateman and Tyler. The second chapter defines the difference between the psychoanalytic schizophrenia and the schizophrenia depicted in both films. Fredric Jameson’s idea of postmodern identity and Deleuzian concept of schizophrenia will help me elucidate the similarity between schizophrenia and capitalist consumerism, and further develop my argument on the schizophrenic state of Bateman and Jack/Tyler, which I term it as “the metamorphosis of schizophrenia”. Chapter three offers an exposition of body symbols and interpretations of violence in American Psycho and Fight Club to explore their parallels and differences in their attitude toward the consumerist capitalism through Lacan’s idea of aggressivity in mirror stage and Kristeva’s conception of abjection. Both of their theories support my idea that the metamorphosis of schizophrenia is the logical consequence of social violence within the system of capitalism. Lastly, the conclusion to my thesis is a recapitulation of how the explicit and implicit violence underpins capitalism and metamorphoses schizophrenia, and how the schizophrenic sensibilities in a consumer society offer a critique to the refusal and acceptance of capitalism.
關鍵字(中) ★ 消費文化
★ 資本主義
★ 精神分裂
★ 法西斯暴力
★ 主體性
★ 後現代
關鍵字(英) ★ male body
★ violence
★ schizophrenia
★ capitalism
★ subjectivity
★ postmodern consumer society
★ yuppie
★ globalization
★ fascism
論文目次 Abstract i
Chinese Abstract ii
Acknowledgements iii
Introduction 1
Chapter I American Psycho, Fight Club, and the Urban America since the 1980s 5
Chapter II Schizophrenia and Consumer Capitalism from a Postmodern Perspective 25
Chapter III Violence as the Metamorphosis of Schizophrenia in American Psycho and Fight Club 42
Conclusion 76
Works Cited 86
參考文獻 Annibal-Iribarne, Jorge. “Some Thoughts on Cities.” in Global Cities: Cinema, Architecture, and Urbanism in a Digital Age. ed. Linda Krause and Patrice Petro. Rutgers University Press, 2003.
Adler, Jerry. “The Year of the Yuppie.” in Newsweek, 104. 31 December, 1984. 14-31.
Bateson, Gregory. Steps to an Ecology of Mind: Collected Essays in Anthropology, Psychiatry, Evolution, and Epistemology. University Of Chicago Press, 1972.
Baudrillard, Jean. Symbolic Exchange and Death. Trans. Iain Hamilton Grant. London Thousand Oaks Sage Publications, 1993.
——. “The Ecstasy of Communication” in The Anti-Aesthetic, ed. Hal Foster. Bay Press, 1983. 126-134.
Berger, John. Ways of Seeing. London: Penguin, 1972.
Business Dictionary. Barron's Educational Series, Inc., 2000.
Crimp, Douglas. “The Photographic Activity of Postmodernism.” in On the Museum's Ruins. Cambridge: MIT Press, 1993. 108-125.
Degli-Esposti, Cristina. “Postmodernism(s).” in Postmodernism in the Cinema. Berghahn Books, 1998.
Deleuze and Guattari. Anti-Oedipus. Trans. Robert Hurley, Mark Seem, and Helen R. Lane. Minneapolis : University of Minnesota Press, 1983.
Denis, Paul. International Dictionary of Psychoanalysis
Ellis, Bret Easton. American Psycho. London: Macmillan-Picador, 1991.
Eysenck, Michael W. Psychology : An International Perspective. Hove, UK ; New York : Psychology Press, 2004.
Freud, Sigmund. The Ego and the Id (1923). in The Standard Edition of the Complete Psychological Works of Sigmund Freud, Trans. and Ed. James Strachey, 1953. Reprinted by permission of Sigmund Freud Copyrights, The Institute of Pyscho-Analysis and The Hogarth Press.
——. Mourning and Melancholia (1917). in The Freud Reader, Ed. Peter Gay. New York: Norton, 1989. 584-88.
——. “Project for a Scientific Psychology” (1895). Standard Edition of the Complete Psychological Works of Sigmund Freud. Ed. and Trans. J. Strachey. London: Hogarth, 1957. 295-397.
——. “The Sense of Symptoms” and “The Libido Theory and Narcissism” in Introductory Lectures on Psycho-analysis, Trans. and Ed. James Strachey, New York: W. W. Norton, 1966. 318-337. 512–35.
Giroux, Henry A. Breaking in to the Movies: Film and the Culture of Politics. Blackwell, 2002.
Goodchild, Philip. “Escaping Dominant Discourses” in Deleuze and Guattari: An Introduction to the Politics of Desire. Thousands Oaks, CA: Sage, 1996. 106-145.
“Here Come the Yuppies.” Time. Jan.1984.
Huang, Tsung-yi. Walking Between Slums and Skyscrapers: Illusions of Open Space in Hong Kong, Tokyo, and Shanghai. 香港大學, 2004.
Jameson, Fredric. “Postmodernism and Consumer Society” in The Anti-Aesthetic, ed. Hal Foster. Bay Press 1983. 111-125.
——. Postmodernism, or, the Cultural Logic of Late Capitalism. Durham : Duke University Press, 1991.
Korten, David C. When Corporations Rule the World. London, Earthscan, 2001.
Kristeva, Julia. “Fantasy and Cinema” in Intimate Revolt: The Powers and Limits of Psychoanalysis, Trans. Jeanine Herman. New York: Columbia University Press, 1997. 63-80.
Kristeva, Julia. Powers of Horror: An Essay on Abjection. New York: Columbia University Press, 1982.
Lacan, Jacques. “The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience” “Aggressivity in Psychoanalysis” “The Signification of the Phallus” in Écrits: A Selection. Trans. Alan Sheridan. New York: Norton, 1977. 1–7, 8-29, 281-291.
——. “The See-Saw of Desire” in The Seminar of Jacques Lacan, Book I: Freud’s Papers on Technique, 1953-1954. Trans. John Forrester, Ed. Jacques-Alain Miller. Cambridge: Cambridge University Press, 1988.
Lewis, Chris H. “The Yuppie's dilemma: Economic Insecurity and Downsizing.” American History and Film. 2002.
Mort, Frank. “Topographies of Taste: Place, Space and Identity in 1980s London” in Cultures of Consumption: Masculinities and Social Space in Late Twentieth-Century Britain. Routledge, 1996. 170-206.
Muller, John. “The Origins and Self-Serving Functions of the Ego” in Subject of Lacan : a Lacanian reader for psychologists. Ed. Kareen Ror Malone and Stephen R. Friedlander. Albany: State University of New York Press, 2000. 41-62.
O’Neill, John. “Religion and Postmodernism: The Durkheimian Bond in Bell and Jameson” in Postmodernism/Jameson/Critique. Ed. Douglas Kellner. Washington: Maisonneuve Press, 1989.
Palahniuk, Chuck. Fight Club. Vintage U.K. Random House, 2003.
Patton, Paul. Deleuze and the Political. London; New York: Routledge, 2000.
Pessoa, Fernando. The Book of Disquiet. Ed. and Trans. Richard Zenith. London: Penguin, 2002.
Pianta, Mario. New Technologies across the Atlantic: US Leadership or European Autonomy? Hemel Hernpstead/Tokyo: Harvester-Wheatsheaf, 1988.
Phillips, Kevin. The Politics of Rich and Poor : Wealth and the American Electorate in the Reagan Aftermath. New York: Random House, 1990.
Sassen, Saskia. “Reading the City in a Global Digital Age: Between Topographic Representation and Spatialized Power Politics.” in Global Cities: Cinema, Architecture, and Urbanism in a Digital Age. Edited by Louise Krause, and Patrice Petro. Rutgers University Press, 2003. 15-30.
Shiel, Mark. “Cinema and the City in History and Theory.” Cinema and the City: Film and Urban Societies in a Global Context. Ed. Mark Shiel and Tony Fitzmaurice. Oxford: Blackwell Publishing, 2001. 1-18.
Slotkin, Richard. Regeneration Through Violence: The Mythology of the American Frontier, 1600-1860. Middletown: Wesleyan UP, 1973.
Steven Best and Douglas Kellner. Postmodern Theory: Critical Interrogations. Houndmills, Basingstoke, Hampshire: Macmillan , 1991.
Widdowson, Peter. A Reader's Guide to Contemporary Literary Theory. University Press of Kentucky, 1993.
American Psycho. Dir. Mary Harron. Perfs. Christian Bale, Jared Leto, Chloë Sevigny. 2000. DVD. Lions Gate, 2005.
Fight Club. Dir. David Fincher. Perfs. Edward Norton, Brad Pitt, Helena Bonham Carter. 1999. DVD. 20th Century Fox, 2000.
Stranger Than Fiction. Dir. Marc Forster. Perfs. Will Ferrell, Maggie Gyllenhaal, Dustin Hoffman. 2006. DVD. Sony Pictures, 2007.
指導教授 林文淇(Wen-chi Lin) 審核日期 2010-1-18
推文 facebook   plurk   twitter   funp   google   live   udn   HD   myshare   reddit   netvibes   friend   youpush   delicious   baidu   
網路書籤 Google bookmarks   del.icio.us   hemidemi   myshare   

若有論文相關問題,請聯絡國立中央大學圖書館推廣服務組 TEL:(03)422-7151轉57407,或E-mail聯絡  - 隱私權政策聲明