| 參考文獻 |
一、英文書目
Ades, Dawn, Photomontage. London: Thames and Hudson, 1976.
Angress, Werner T., Stillborn Revolution: The Communist Bid for Power in Germany, 1921-1923. Princeton: Princeton University Press, 1963.
Baigell, Matthew & Julia Williams ed., Artists Against War and Fascism: Papers of The First American Artists’ Congress. New Jersey: Rutgers University Press, 1986.
Beaumont, Matthew ed., Adventures in Realism. Oxford: Blackwell, 2007.
Berger, John, About Looking. New York: Vintage, 1980.
Bergius, Hanne, “Dada Triumphs!” Dada Berlin, 1917-1923: Artistry of Polarities Montages-Metamechanics-Manifestations. New York: G.K. Hall & Co., 2003.
Borchardt-Hume, Achim ed., Albers and Moholy-Nagy: From the Bauhaus to the New World. New Haven: Yale University Press, 2006.
DeSchong, Andrew W., The Theatrical Designs of George Grosz. Ann Arbor: UMI Research press, 1982.
Dickerman, Leah and Matthew S. Witkovsky ed., The Dada Seminars. Washington: The National Gallery of Art, 2005.
Dos Passos, John, “Satire as a Way of Seeing.” in Interregnum. New York: Black Sun Press, 1936.
Fitzpatrick, Sheila, The Commissariat of Enlightenment: Soviet Organization of Education and the Arts under Lunacharsky. Cambridge: Cambridge University Press, 1970.
Flavell, M. Kay, George Grosz: A Biography. New Haven: Yale University Press, 1988.
Foster, Stephen C. ed., Dada: The Coordinates of Cultural Politics. New York: G.K. Hall & Co., 1996.
Fowkes, Ben, Communism in Germany under the Weimar Republic. London: Macmillan, 1984.
Gale, Mathew, Dada & Surrealism. London: Phaidon Press Limited, 1997.
Gough, Maria, The Artist as Producer: Russian Constructivism in Revolution. Los Angeles: University of California Press, 2005.
Grosz, George: A Little Yes and a Big No: The Autobiography of George Grosz, translated by Lola Sachs Dorin. New York: The Dial Press, 1946.
Hess, Hans, George Grosz. New York: Macmillan Publishing Co., Inc., 1974.
Kiaer, Christina, Imagine No Possessions: The Socialist Object of Russian Constructivism. MA: Massachusetts Institute of Technology, 2005.
Killen, Andreas, Berlin Electropolis: Shock, Nerves, and German Modernity. Los Angeles: University of California Press, 2006.
Kranzfelder, Ivo, George Grosz 1893-1959, translated by Michael Hulse. Cologne: Taschen GmbH, 2001.
Lavin, Maud, Cut with the Kitchen Knife: The Weimar Photomontages of Hanna Höch. New Haven: Yale University Press, 1993.
Lewis, Beth Irwin, George Grosz: Art and Politics in the Weimar Republic. New Jersey: Princeton University Press, 1971.
Lidtke, Vernon L., The Alternative Culture: Socialist Labor in Imperial Germany. Oxford: Oxford University Press, 1985.
McCloskey, Barbara, George Gorsz and the Communist Party: Art and Radicalism in Crisis, 1918 to 1936. New Jersey: Princeton University Press, 1997.
Nesbit, Peter ed., German Realist Drawings of the 1920s. Cambridge: Busch-Reisinger Museum, 1986.
Nochlin, Linda, Realism. London: Penguin, 1971.
Ottanelli, Fraser M., The Communist Party of the United States: From the Depression to World War II. New Brunswik: Rutgers University Press, 1991.
Peukert, Detlev J. K., The Weimar Republic: The Crisis of Classical Modernity, translated by Richard Deveson. New York: Hill and Wang, 1987.
Preziosi, Donald, ed., Art of Art History: A Critical Anthology. Oxford: Oxford University Press, 1998.
Sandqvist, Tom, Dada East: The Romanians of Cabaret Voltaire. MA: The MIT Press, 2006.
Schrader, Bärbel and Jürgen Schebera, The “Golden” Twenties: Art and Literature in the Weimar Republic, translated by Katherine Vanovitch. New Haven: Yale University Press, 1988, first published in the German Democratic Republic by Edition Leipzig 1987.
Shapiro, David ed., Social Realism: Art as a Weapon. New York: Frederick Ungar Publishing, 1973.
Smith, Paul and Carolyn Wilde ed., A Companion to Art Theory. Oxford: Blackwell, 2002.
Teitelbaum Matthew, Montage and Modern Life: 1919-1942. MA: The MIT Press, 1992.
Waldfogel, Melvin, Beth Irwin Lewis and Sidney Simon, Grosz/Heartfield: The Artist as Social Critic. Minnesota: University of Minnesota, 1980.
Weinstein, Joan, The End of Expressionism: Art and the November Revolution in Germany, 1918-19. Chicago and London: The University of Chicago Press, 1990.
Whitford, Frank ed., The Berlin of George Grosz: Drawings, Watercolours and Prints 1912-1930. New Haven: Yale University Press, 1997.
Willett, John, Art and Politics in the Weimar Period: The New Sobriety, 1917-1933. New York: Da Capo Press, 1996, unabridged republication of the edition published in New York in 1978.
Willett, John, The Weimar Years: A Culture Cut Short. New York: Abbeville Press Publishers, 1984.
Wood, Paul, Francis Frascina, Jonathan Harris, Charles Harrison, Modernism in Dispute: Art since the Forties. New Haven: Yale University Press, 1993.
Zammito, John H., The Great Debate: ‘Bolshevism’ and the Literary Left in Germany, 1917-1930. New York: Peter Lang Publishing, Inc., 1984
二、中文書目
Toby Clark著，吳霈恩譯，《藝術與宣傳》(台北：遠流，2003)
彼得‧蓋伊(Peter Gay)著，劉森堯譯，《威瑪文化》(台北：立緒，2003)
石計生，《藝術與社會：閱讀班雅明的美學啟迪》(台北：遠足文化，2003)
福科、哈貝瑪斯、布爾迪厄等著、周憲譯，《激進的美學鋒芒》(北京：中國人民大學出版社，2003)
亨利‧貝阿爾、米歇爾‧卡拉蘇著，陳聖生譯，《達達：一部反叛的歷史》(桂林：廣西師範大學出版社，2003)
Herschel B. Chipp著，余珊珊譯，《現代藝術理論I》(台北：遠流，1995)
Hal Foster主編，呂健忠譯，《反美學》(台北：立緒，1998)
Jeffrey C. Alexander、Steven Seidman主編，《文化與社會》(台北：立緒，1997)
Stephen C. Foster策劃，Estera Milman、賴瑛瑛策劃助理，《達達的世界》(台北：台北市立美術館，1988)
三、期刊論文
Benson, Timothy O., “Mysticism, Materialism, and the Machine in Berlin Dada,” Art Journal, Vol. 46, No. 1, Mysticism and Occultism in Modern Art. (Spring, 1987), pp. 46-55.
Clemons, Leigh, “Serious Fun: Berlin Dada’s Tactical Engagement with German National Narration,” Theatre Research International, vol. 28, no.2, pp.143-156.
Doherty, Brigid, “The Work of Art and the Problem of Politics in Berlin Dada,” OCTOBER 105, Summer 2003, pp.73-92.
White, Michael, “The Grosz Case: Paranoia, Self-hatred and Anti-Semitism,” Oxford Art Journal, 30.3 2007, pp.431-453.
Simmons, Sherwin, “Chaplin Smiles on the Wall: Berlin Dada and Wish-Images of Popular Culture,” New German Critique, No.84. (Autumn, 2001), pp.3-34.
Flavell, M. Kay, “Art and Politics in the Correspondence between Grosz and Brecht, 1934-36,” The Modern Language Review, Vol.79, No.4. (Oct., 1984), pp.859-876.
Botar, Oliver A. I., “From the Avant-Garde to ‘Proletarian Art’,” Art Journal, Vol.52, No.1, Political Journals and Art, 1910-40. (Spring, 1993), pp.34-45.
四、線上網路資源
http://sdrc.lib.uiowa.edu/dada/ (美國愛荷華大學國際達達檔案中心)
http://www.moma.org/research/ (美國當代美術館線上資料搜尋，DADABASE) |
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