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姓名 謝皓智(Hao-chih Hsieh) 查詢紙本館藏 畢業系所 電機工程學系 論文名稱 以金氏碼實現音訊浮水印加密技術
(Implementation of Digital Audio Watermark Algorithm Using Gold Code)相關論文 檔案 [Endnote RIS 格式]
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摘要(中) 數位多媒體資料著作權保護的重要性,隨著電腦的普及和電子資料交換便利性提升而與日俱增,而浮水印加密就是為了保護數位多媒體資料著作權而產生的技術。PN-Code是實現音訊浮水印加密的基礎,PN-Code具有極佳的對抗干擾特性和非常好的自相關性質,且碼技術實現容易,但其交互相關函數無法滿足展頻調變之條件,因此比較難以適用於多使用者的系統之中,所以本研究採用具有較低互相關特性的金氏碼 (Gold Code) 來產生音訊浮水印辨識碼。在本文中選擇金氏碼來取代PN-Code做為音訊浮水印的辨識碼,使音訊浮水印能夠實現多人存取的應用。其它的展頻編碼方法比較,實驗中發現金氏碼在某些配對上可能會造成浮水印解出成浮水印解出錯誤率的上升,未來研究也許可運用渦輪碼 (turbo code),或是其他錯誤校正技術來改善此缺點,以期達到更佳的效果。
摘要(英) Due to the rapid growth of computer users and the convenience of digital data exchange, the importance of digital audio watermark has been increasing . The digital audio watermark is a technique used for intellectual property rights protection. PN-Code (pseudo-noise code) is a base for generating digital audio watermark. There are some advantages of PN-Code, such as robustness, high self-correlation and easy implementation, but it is difficult to be applied in the multiple-access communication system. The reason is that cross-correlation function of PN code is not satisfied with the requirement of spread spectrum. Therefore, Gold Code is applied to generate watermarking instead of PN-Code. According to the lower correlation of Gold Code, it can be used in the multiple-access communication system.In this study, it is also found that error rate of applying Gold Code in watermark extraction is higher than that of other methods while Gold Code in some case. This disadvantage could be overcome by some other error-correction methods in the future work.
關鍵字(中) ★ 音訊浮水印
★ 金氏碼關鍵字(英) ★ digital audio watermark
★ Gold Code論文目次 目錄 ............................................................................................................. I
表目錄 ....................................................................................................... III
圖目錄 ...................................................................................................... IV
圖目錄 ...................................................................................................... IV
第一章 緒論 ........................................................................................... 1
1.1 前言 ............................................................................................... 1
1.2 文獻回顧 ....................................................................................... 1
1.5 論文架構 ....................................................................................... 7
第二章 音訊浮水印嵌入解出技術與認證 .............................................. 8
2.1音訊浮水印嵌入及解出之基本概念 ........................................... 8
2.2展頻變調技術及其優點 ............................................................. 10
2.3 音訊浮水印的嵌入機制 ............................................................ 13
2.4 音訊浮水印的解出機制 ............................................................ 19
2.5 數位著作權管理(DRM) ...................................................... 21
第三章 音訊浮水印編碼方式 ................................................................ 26
3.1 PN code 性質及產生方式 ....................................................... 26
3.1.1 隨機性質 ........................................................................... 27
3.1.2 移位暫存器 ....................................................................... 28
3.1.3 PN自相關係數............................................................... 30
3.2 金氏碼的產生方式..................................................................... 33
3.2.1 m序列 ................................................................................ 33
3.2.2 金氏碼的產生機制 ......................................................... 37
3.2.3 金氏碼的性質及優點 ..................................................... 39
第四章 實驗結果與討論 ........................................................................ 42
4.1金氏碼產生音訊浮水印的解出錯誤率 ..................................... 46
4.2 隨機亂碼、PN code、金氏碼的自相關係數比較 ................... 50
4.3 隨機亂碼、PN code、金氏碼的互相關係數比較 ................... 52
第五章 結論及未來研究方向 ................................................................ 55
參考文獻 ................................................................................................... 58
參考文獻 [1] F. Hartung, and M. Kutter, “Multimedia Watermarking Techniques,” Proceedings of the IEEE, Vol. 87, No. 7, pp.1079-1107, Jul 1999.
[2] C. I. Podilchuk, and E. J. Delp, “Digital Watermarking: Algorithms and Applications,” IEEE Signal Processing Magazine, Vol. 18, No. 4, pp. 33-46, Jul 2001.
[3] M. D. Swanson, M. Kobayashi, and A. H. Tewfik, “Multimedia Data-embedding and Watermarking Technologies,” Proceedings of the IEEE, Vol. 86, No. 6, pp.1064-1087, Jun 1998.
[4] Hal Berghel, “Digital Watermarking Makes Its Mark”, Mixed Media, September 1998
[5] Minerva M. Yeung, “Digital Watermarking”, Communications of the ACM, Vol. 41, No. 7, pp.31-33, Jul 1998
[6] W. Bender, D. Gruhl, and N. Morimoto, “Techniques for data hiding,” in Proc. SPIE, vol. 2420, San Jose, CA, p.40 Feb.1995.
[7] SJ Lee, SH Jung, A survey of watermarking techniques applied to multimedia, Industrial Electronics, Proceedings. ISIE 2001. IEEE, .p.272-277, 2001.
[8] Fabien A. P. Petitcolas, Ross J. Anderson and Markus G. Kuhn, “Information Hiding – A survey”, Proceedings of the IEEE, Vol. 87, No.7, pp.1062-1075, Jul 1999.
[9] Kirovski, D. Malvar, H.S. “Spread-spectrum watermarking of audio signals”, Signal Processing, IEEE Transactions on Volume 51, No.4, pp.1020-1033 Apr 2003.
[10] Laurence Boney, Ahmed H. Tewfik, Khaled N. Hamdy, “Digital Watermarks for Audio Signals”, Proceedings of MULTIMEDIA 96, pp.473-480, IEEE, 17-23, Jun 1996.
[11] P. Bassia, I. Pitas, and N. Nikolaidis, “Robust Audio Watermarking in the Time Domain” , IEEE Transactions on multimedia, Vol. 3, No. 2, pp. 232-241, Jun 2001.
[12] Sang-Kwang Lee and Yo -Sung Ho, “Digital Audio Watermarking in the Cepstrum Domain,” IEEE Transactions on Consumer Electronics, Vol. 46, No.3, pp.744-750, Aug 2000.
[13] Ingemar J. Cox, Joe Kilian, Tom Leighton and Talal Shamoon, “A Secure, Robust Watermark for Multimedia”,Workshop on Information Hiding, pp.1-16, Newton Institute, Univ. of Cambridge, May 1996.
[14] M. D. Swanson, B. Zhu, A. H. Tewfik and L. Boney, “Robust Audio Watermarking Using Perceptual masking” Signal Processing, vol 66, No. 3, pp.337-355, May 1998.
[15] 施奕安 “以線性區塊編碼提高音訊浮水印之強健性“ 國立中央大學電機工程研究所碩士論文, 2006
[16] R .Gold “Optimal binary sequences for spread spectrum multiplexing” Information Theory, IEEE Transactions on, Vol.13, No.4, PP.619- 621, Oct 1967.
[17] Yong-Hwan Lee , Seung-Jun Kim ” Sequence acquisition of DS-CDMA systems employing Gold sequences” Vehicular Technology, IEEE Transactions on Vol. 49, No.6, pp.2397-2404, Nov 2000.
[18] Bernard Sklar “Digital: Communications” Prentice Hall, 2004.
[19] Roger L. Peterson, “Introduction to Spread Spectrum Communication” Prentice Hall, 1995.
[20] 張北辰,“音樂信號上的數位浮水印”國立台灣大學資訊工程研究所碩士論文, 2001.
[21]章忠信,著作權筆記, http://www.copyrightnote.org/
[22]博格科技 E-DRM, http://www.borg.com.tw
指導教授 鍾鴻源(Hung-Yuan Chung) 審核日期 2009-1-14 推文 plurk
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