博碩士論文 971202006 詳細資訊




以作者查詢圖書館館藏 以作者查詢臺灣博碩士 以作者查詢全國書目 勘誤回報 、線上人數:7 、訪客IP:35.173.57.84
姓名 何向蓉(Hsiang-Jung Ho)  查詢紙本館藏   畢業系所 英美語文學系
論文名稱 保家衛國的吸血鬼:《幕光之城》小說系列中的後九一一美國國家主義與反恐保護主義敘事
(No “Human” Blood, No Foul: Post-9/11 Vampiric Protectionism in Stephenie Meyer’s Twilight Series)
相關論文
★ 從同情到自省-美國十九世級改革文學的轉變★ 作勢反叛: 亡命鴛鴦電影與六十年代反文化的批判
★ 運動同志與同志運動:台灣男女同志運動團體的興起★ 《達洛威夫人》中的影子、罔兩與女性賦權
★ 被遺忘的一群:蜜雪兒克里夫小說中的賤民角色★ 金髮美女與恐怖片: 影集《魔法奇兵》與《暗夜天使》中性別與文類的顛覆
★ 葛楚德、史坦茵之「鼓舉的肚腹」詩中浮現的三種感知形態:視覺、聽覺、觸覺感知★ 弱勢酷兒的文本政治:閱讀《羅莉塔》、《繁花聖母》、《天河撩亂》
★ A History Refusing to be Enclosed: Mau Mau Historiography, Ngugi wa Thiong'o's A Grain of Wheat, and M.G. Vassanji's The In-Between World of Vikram Lall★ Remembering the Past, Revising the Future:Trauma and Memory in Saving Private Ryan and Beloved
★ Ghostly Bodies of Knowledge: Authorship, History Writing and Visual Language in "Buffy the Vampire Slayer"★ 家關何處: 以尼爾.蓋曼《無有鄉》論述幻奇作為欲望文學
★ “Gathering Paradise”:Emily Dickinson's Pursuit of Heaven★ 可見與不可見:當代生態論述中自然存有觀點的歧異
★ 重寫女性歌德: 童妮.摩里森《摯愛》中母性與女性的「厚愛」★ Ambivalence and Dilemma, Queer Spaces Made: Queer Reading of the Spaces in Giovanni’s Room
檔案 [Endnote RIS 格式]    [Bibtex 格式]    [相關文章]   [文章引用]   [完整記錄]   [館藏目錄]   [檢視]  [下載]
  1. 本電子論文使用權限為同意立即開放。
  2. 已達開放權限電子全文僅授權使用者為學術研究之目的,進行個人非營利性質之檢索、閱讀、列印。
  3. 請遵守中華民國著作權法之相關規定,切勿任意重製、散佈、改作、轉貼、播送,以免觸法。

摘要(中) 本論文旨在將全球暢銷小說《暮光之城》系列(The Twilight series)中的吸血鬼敘事,放入後九一一美國盛行的國家主義及反恐文化中進行探討。自史蒂芬妮梅爾(Stephenie Meyer)的第一本小說《暮光之城》(Twilight )於2005年問世後,其作品逐漸得到廣大迴響,同系列後續出版的《暮光之城:新月》(New Moon)、《暮光之城:蝕》(Eclipse)及《暮光之城:破曉》(Breaking Dawn)皆被翻譯成數十種語言,並最終被翻拍成好萊塢電影,熱銷全球。值得注意的是,此系列商業成功所帶動的吸血鬼熱潮(被譽為『暮光之城現象』),也使得梅爾的作品受到廣泛的討論和檢視。除了她筆下的吸血鬼庫倫家族(the Cullens)引發許多文化解讀,故事中男主角吸血鬼愛德華庫倫(Edward Cullen)對人類女友貝拉史旺(Bella Swan)無微不至的保護,以及兩人的形影不離的交往模式,更使梅爾的性別政治遭受嚴厲的批判。
本文將故事中呈現的焦慮情感和保護議題視為後九一一國家主義意識形態的癥候,並將梅爾看似非政治化的純愛小說敘事與後九一一美國政府強調保護主義的帝國敘事接軌。在我的解讀中,庫倫吸血鬼家族是超人化的現代主體和國家疆界的守護者,梅爾以成為吸血鬼為目標的成長小說敘事則再現了美國文化中追求極度國家安全和將國家武力正當化的想妄。此外,本文也將探討梅爾作品中對疆界的定義,並置疑作者將『人血』作為劃分敵我、保護者與侵略者身份的敘事標準。故事中,不嗜人血的庫倫家族看似良善的人類守護者,默默地監視/監聽人類社群的動態,甚至追殺危害人類社會安全的『壞』吸血鬼。實際上,他們是美國國家霸權侵略國界和私人領域的象徵,及其任意裁劃、跨越疆界的行動者。
摘要(英) This thesis reads Stephenie Meyer’s popular vampire novels, the Twilight series, a post-9/11 text that reflects the prevailing U.S. nationalist sentiment in correspondence to the counter-terrorism climate. While most critical concern regarding the series focus on Meyer’s sexual politics, my project explores the underlying political messages in Meyer’s romantic take on vampirism as well as her portraits of fantastic creatures as super protective beings. Concentrating on the motif of protection, I argue that vampirism is a form of empowerment in Meyer’s representation, through which the modern individual is strengthened and mobilized as powerful guardians of the family and the nation. By displaying the contrasts between the series and literary predecessors, such as Dracula and Jane Eyre, I will also look into the way boundaries, as bodily and national borders, are constructed in Meyer’s work.
The human blood, in Meyer’s case, symbolizes the division between the self and the other as well as the act of penetration and protection. As the story draws a seemingly distinct line between the righteous protectionism and its ever-invasive enemies, I will point to the essential fluidity of such distinction, and the arbitrary and imperial nature of this narrative logic.
關鍵字(中) ★ 後九一一
★ 國家主義
★ 保護主義
★ 帝國主義
★ 吸血鬼
★ 暮光之城
關鍵字(英) ★ Post-9/11
★ nationalism
★ protectionism
★ vampires
★ imperialism
★ the Twilight series
論文目次 Chinese Abstract i
English Abstract ii
Acknowledgments iii
Chapter one Introduction
It’s Dangerous to be Safe: The Vampires that Protect Their Prey 1
Chapter Two
All about Protection: The Vampiric Modern Individual and Boundaries of Power 20
Chapter Three
It’s a Family Thing: The Violence of Muteness for the Mad Terrorists 54
Chapter Four
The Happliy Ever After and Its Unthinkable Alternative 78
Works Cited 84
參考文獻 Armstrong, Nancy. Desires and Domestic Fictions: A Political History of Novel. New York & Oxford: Oxford Up, 1987, 1988.
—. How Novels Think: The Limits of British Individualism from 1719-1900. New
York: Columbia UP, 2005.
Arata, Stephen D. “The Occidental Tourist: Dracula and the Anxiety of Reverse Colonization.” Ed. Gelder, Ken. The Horror Reader. Taylor & Francis Group, 2000. 161-71.
Alexander, Bryan. “Spoiler alert: ′Twilight′ fans love shocking ending” 22 Nov 2012. 14 March 2014. USA TODAY.

Bush, George W. Address. 20 Sep 2001. The Washington Post 26 May 2014.

Butler, Judith. Precarious Life: The Powers of Mourning and Violence. London &
New York, 2004.
Brontë, Charlotte. Jane Eyre. London, 1847.
Craft, Christopher. “’Kiss Me with Those Red Lips’: Gender and Inversion in Bram Stoker’s Dracula.” Dracula: Bram Stoker. Ed. Glennis Byron. NY: St. Martin’s Press, 1999.
Craig, Amenda. "New-Age Vampires Stake Their Claim." 14 Jan 2006. 25 Nov 2010. .
Czech, Jan. "Bella Swan – A Feminist′s Nightmare: Is the Twilight Heroine a Wimp?" 20 July 2009. Suite101.com.2 May 2011.
Fritz, Ben “‘New Moon’ eclipsing two box-office records’” Los Angles Times. 21 Nov 2009. 14 Feb 2014.
Gaydos, Timothy. "Twilight, Sexism, and You: The Unflattering Portrayal of Women in the Twilight Universe." 12 Nov 2009. Suite101.com. 1 May 2011. .
Gibbs, Nancy. "A Mother-Daughter Twilight Obsession" 18 Nov 2008. Time.com. 1 May 2011 .
Kaplan, Amy. "Homeland Insecurities: Reflections on Language and Space." Radical History Review 2003: 82-93.
Keedy, Griffin. "Representation of a Female Code of Conduct" 1 Oct 2010. Suite101.com. 30 Nov 2010.
.
Kendle, Kristin. "Kendle, Kristin. “Defending Bella Swan in the Twilight Saga: Why This Twilight Character is a Strong Female and Not Anti-Feminist." 16 Dec 2009. Suite101.com. 28 Apr 2011. .
Merrill, Julie. "The Twilight Phenomenon" 1 May 2008. Bookstove.com. 1 Dec 2010 .
Miller, Laura. "Touched by a Vampire" 30 Jul 2008. Salon.com. 1 Dec 2010. .
Meyer, Stephenie. "The Story behind the Writing of New Moon." The Official Website of Stephenie Meyer. 12 Aug 2011 .
—. New Moon. NY: Little, Brown and Company, 2006.
—. Twilight. NY: Little, Brown and Company, 2005.
—. Eclipse. NY: Little, Brown and Company, 2007.
— .Breaking Dawn. NY: Little, Brown and Company, 2008.
Mutch, Deborah. "Coming Out of the Coffin: The Vampire and Transnationalism in the Twilight and Sookie Stackhouse Series." Critical Survey 23.2 (2011).
Myers, Abigail E. “Edward Cullen and Bella Swan: Byronic and Feminist Heros…or Not” Ed. Rebecca Housel and J. Jeremy Wisnewski, Twilight and Philosophy: Vampires, Vegetarians and the Pursuit of Immortality. New Jersey: John Wiley & SPeterson, Karla. "Inspired by ′Twilight,′ Teen-Violence Survivor Speaks up." 18 Feb 2011. The San Diego Union-Tribune. 2 May 2011. .
Sellers, John A. "New Stephenie Meyer Novella Arriving in June." Publiersweekly.com. 30 Mar 2010. 1 May 2011.
.
Spivak, Gayatri Chakravorty. "Three Women′s Text and a Critique of Imperialism" ′Race,′ Writing and Difference 1985: 262-81.
Sutton, Travis, Harry M. Benshoff. “‘Forever Family’ Values: Twilight and the Modern Mormon Vampire” Ed. Aviva Briefel and Sam J. Miller. Horror after 9/11. Austin: UP of Texas, 2011.
Tsang, Wai-Ho. “Post-9/11 American gothic family and in The Hill have Eyes Duology and Twilight Saga.” Hong Kong U, 2012.
The Twilight Saga: Breaking Dawn – Part 2. Dir. Bill Condon. Summit Entertainment, 2012, Film.
“Twilight Eclipse Takes Midnight Opening Record and Targets More” The HDRoom. 1 July 2010. 4 April 2013.
http://www.thehdroom.com/news/Twilight-Eclipse-Takes-Midnight-Opening-Record-and-Targets-More/7052

“Twilight” Box Office Mojo. Accessed 14 Feb 2014.

ons, Inc, 2009.
指導教授 白瑞梅(Amie E. Parry) 審核日期 2014-7-7
推文 facebook   plurk   twitter   funp   google   live   udn   HD   myshare   reddit   netvibes   friend   youpush   delicious   baidu   
網路書籤 Google bookmarks   del.icio.us   hemidemi   myshare   

若有論文相關問題,請聯絡國立中央大學圖書館推廣服務組 TEL:(03)422-7151轉57407,或E-mail聯絡  - 隱私權政策聲明