| 參考文獻 |
參考資料
攝影家專書卅作品集
diCorcia, Philip-Lorca, Philip-Lorca diCorcia (New York: The Museum of Modern Art publishers, 1995).
---. Philip-Lorca diCorcia: Streetwork 1993-1997 (Salamanca: Ediciones Universidad de Salamanca, 1998).
---. Heads (New York: Steidl Box Pacemacgill, 2001).
---. A Storybook Life (Santa Fe, NM: Twin Palms Publishers, 2003).
---. Philip Lorca-diCorcia, Bennett Simpson ed. (The Institute of Contemporary Art, Boston, 2007).
---. Eleven, Dennis Freedman ed. (Bologna, Italy: Freedman Damiani; New York, NY: Distributed in the United States of America by Distributed Art Publishers, 2011).
Rain, Jeff, Rencontres 6: Philip-Lorca diCorcia (Paris: Images Modernes, 2001).
西文書目
Abrams, Norman, Anti-Terrorism and Criminal Enforcement, Second Edition (St. Paul, MN: Thomson/West Publishing, 2005).
Alberro, Alexander and Blake Stimson, Conceptual Art: A Critical Anthology (Cambridge, Mass: MIT Press, 1999).
Angier, Roswell, Train Your Gaze: A Practical and Theoretical Introduction to Portrait Photography (Lausanne: AVA, 2007)
Barnes, Martin and Kate Best, Twilight: Photography in the Magic Hour (London: Merrell, 2006)
Barthes, Roland “The Death of the Author,” in Image – Music - Text (London: Fontana Press, 1977), pp. 142-148.
Baudelaire, Charles, “Painter of Modern Life” in The Painter of Modern Life and Other Essays (New York: Da Capo, 1986), pp. 1-40.
Booth, Michael R., Victorian Spectacular Theatre, 1850-1910 (Boston and London: Rouledge & Kegan Paul, 1981).
Bordwell, David, Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Cambridge, MA: Harvard University Press, 1989).
Brougher, Kerry and Russell Ferguson, Open City: Street Photographs since 1950 (Oxford, England: Museum of Modern Art Oxford; Ostfildern-Ruit: Hatje Cantz, 2001).
Brown, Cynthia ed., Lost Liberties: Ashcroft and the Assault on Personal Freedom, (New York: The New Press, 2003).
Buck-Morss, Susan, The Dialectics of Seeing: Walter Benjamin and the Arcade Project (Cambridge, MA: MIT Press, 1991)
Bunnell, Peter C. ed., The Photography of O.G. Rejander: Two Selections (New York: Arno Press, 1979).
Bussard, Katherine A., So the Story Goes: Photographs by Tina Barney, Philip-Lorca diCorcia, Nan Goldin, Sally Mann, and Larry Sultan (Chicago: Art Institute of Chicago, 2006).
Campany, David ed., The Cinematic, (London: Whitechapel and The MIT Press, 2007).
Carmen, Rolando V. del, Criminal Procedure: Law and Practice, Sixth Edition (Belmont, CA: Wadsworth/Thomson, 2004).
Cartier-Bresson, Henri, The Mind’s Eye: Writings on Photography and Photographers (New York: Aperture, 1999)
Chapman, Rowena and Jonathan Rutherford eds., Male Order: Unwrapping Masculinity (London: Lawrence and Wishart, 1996)
Chinitz, David, A Companion to T. S. Eliot (Wiley-Blackwell, 2009).
Cohan, Steven and Ina R. Hark eds., Screening the Male: Exploring Masculinities in Hollywood Cinema (London: Rouledge, 1993).
Cotton, Charlotte, The Photograph as Contemporary Art (London; New York: Thames & Hudson, 2009).
Delany, Samuel R., Times Square Red, Times Square Blue (New York: New York University Press, 1999).
Dexter, Emma and Thomas Weski eds., Cruel and Tender: The Real in the 20th Century Photograph (London: Tate, 2003).
Earle, Edward, Christopher Phillips, Carol Squiers and Brian Wallis eds., Strangers: the First ICP Triennial of Photography and Video (New York: International Center of Photography, 2003).
Edwards, Kathleen A., Acting Out: Invented Melodrama in Contemporary Photography (Iowa City, IA : University of Iowa Museum of Art, c2005).
Ehrenburg, Ilya, My Paris (Moscow: IZOGIZ, 1933), the facsimile edition (Paris: 7L/ Gottinghen, Germany: Steidl, 2005).
Eskildsen, Ute, Florian Ebner and Bettina Kaufmann eds., Street & Studio: An Urban History of Photography (London: Tate Pub., 2008).
Evans, Walker, Walker Evans at Work: 745 photographs together with documents selected from letters, memoranda, interviews, notes, John T. Hill and Jerry L. Thompson eds. (New York: Harper & Row, 1982).
---. Many Are Called (New Haven: Yale University Press; New York: In association with the Metropolitan Museum of Art, c2004).
Farquharson, Alex ed., The Citigroup Private Bank Photography Prize 2002: Roger Ballen, Elina Brotherus, Philip-Lorca diCorcia, Thomas Ruff, Shirana Shahbazi (London: Photographers’ Gallery, 2002).
Fried, Michael, Absorption and Theatricality (Chicago: University of Chicago Press, 1980).
---. Why Photography Matters as Art as Never Before (New Haven: Yale University Press, 2008).
Galassi, Peter, Walker Evans & Company (New York: The Museum of Modern Art, 2002).
Gefter, Philip, Photography after Frank (New York: Aperture, 2009).
Gernsheim, Helmut, Julia Margaret Cameron: Her Life and Photographic Work, New York, Aperture, 1975 [First ed. 1948].
Giannetti, Louis D., Understanding Movies (Upper Saddle River, N. J.: Prentice Hall, c1999).
Gilliom, John, Overseers of the Poor. Surveillance, Resistance, and the Limits of Privacy (Chicago: the University of Chicago Press, 2001).
Gledhill, Christine ed., Stardom: Industry of Desire (London and New York: Routledge, 1991).
Grundberg, Andy, Crisis of the Real: Writings on Photography since 1974 (New York: Aperture, 1995).
Guiérrez, Cristina Vives, “About the Idea, the Negative and Negation,” in Conceptual Art in Cuba (Minneapolis: Parts, n. d. 2000), n. p.
Harrison, Colin, American Culture in the 1990s (Edinburgh: Edinburgh University Press, c2010).
Hockney, David, Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters (London: Thames and Hudston, 2001).
Jennings, Michael W. ed., The Writer of Modern Life: Essays on Baudelaire (Cambridge, MA: Harvard University Press, 2006).
Kismaric, Susan and Eva Respini, Fashioning Fiction in Photography since 1990 (The Museum of Modern Art, New York, 2004).
Kosinski, Dorothy, The Artist and the Camera: Degas to Picasso (New Haven: Yale University Press, 2000).
Kozloff, Max, The Theatre of the Face: Portrait Photography Since 1900 (London; New York: Phaidon Press, 2007).
Krema, Ed and Jody Patterson, Faces in the Crowd: Picturing Modern Life from Manet to Today (New York: Distributed in North America by Rizzoli, 2004).
Kunsthalle, Hamburger ed., Emotions & Relations: Nan Goldin, David Armstrong, Mark Morrisroe, Jack Pierson, Philip-Lorca diCorcia, (Köln: Taschen, 1998).
Levin, Thomas Y., Ursula Frohne and Peter Weibel eds., Ctrl Space: Rhetorics of Surveillance from Bentham to Big Brother (Karlsruhe, Germany: ZKM Center of Art and Media; Cambridge, MA: MIT Press, 2002).
Lofland, Lyn H., A World of Strangers: Order and Action in Urban Public Sphere (Prospect Heights: Waveland Press, Inc., 1973).
Lyon, David, Surveillance: Monitoring Everyday Life (Buckingham: Open University Press, 2001).
Lyons, Nathan, ed., Toward a Social Landscape: Bruce Davidson, Lee Friedlander, Garry Winogrand, Danny Lyon, Duane Michals (New York: Horizon Press/ George Eastman House, 1966).
Marien, Mary Warner, Photography: A Cultural History (New York: Harry N. Abrams, 2002).
Moore, Kevin ed., Starburst: Color Photography in America 1970-1980 (Ostfildern: Hatje Cantz, 2010).
Mora, Gilles and John T. Hill, Walker Evans: The Hungry Eye (New York: Harry N. Abrams, 1993).
Naime, Sandy & Sarah Howgate, The Portrait Now (New Haven, Conn.: Yale University Press, 2006).
Newhall, Beaumont, The History of Photography: From 1839 to the Present (New York: Museum of Modern Art; Boston: Little, Brown, 1982).
Newman, Michael, Jeff Wall: Works and Collected Writings (Barcelona: Poligrafa Ediciones Sa, 2007).
Nickel, Douglas R., Dreaming in Pictures: the Photography of Lewis Carroll (New Haven: San Francisco Museum of Modern Art: Yale University Press, c2002).
Norris, Clive and Gary Armstrong, The Maximum Surveillance Society: The Rise of CCTV (New York: Berg, 1999).
Nixon, Sean, Hard Looks: Masculinity, Spectatorship and Contemporary Consumption (London: UCL Press, 1996).
Orvell, Miles, American Photography (Oxford; New York: Oxford University Press, c2003).
Palma, Vittoria Di, Diana Periton and Marina Lathouri eds., Intimate Metropolis: Urban Subjects in the Modern City (London; New York: Routledge, 2009).
Parr, Martin and Gerry Badger, The Photobook: A History volume I (London: Phaidon, 2004).
---. The Photobook: A History volume II (London: Phaidon, 2006).
Pauli, Lori ed., Acting the Part: Photography as Theatre (London: Merrell, 2006).
Philips, Lisa and Louise Neri, 1997 Biennial Exhibition (New York: Whitney Museum of American Art, 1997).
Phillips, Sandra S. ed., Exposed: Voyeurism, Surveillance, and the Camera (London: Tate Pub. in association with the San Francisco Museum of Modern Art, 2010).
Posner, Gerald L., Why America Slept: The Failure to Prevent 9/11 (New York: Random House, 2003).
Powrie, Phil, Ann Davies and Bruce Babington eds., The Trouble with Men: Masculinities in European and Hollywood Cinema (London; New York: Wallflower Press, 2004).
Reinhardt, Mark ed., Beautiful Suffering: Photography and the Traffic in Pain (Williamstown, MA: Williams College Museum of Art; Chicago: In association with the University of Chicago Press, 2007).
Richardson, Nan, Conversations with Contemporary Photographers (New York: Umbrage Editions, 2005).
Rifkin, Adrian ed., Photography after Conceptual Art (West Sussex: Wiley-Blackwell, 2010).
Robins, Kevin and Frank Webster, “Cybernetic Capitalism: Information, Technology, Everyday Life,” in The Political Economy of Information, Vincent Mosco and Janet Wasko eds. (WI: The University of Wisconsin Press, 1988), pp. 45-75.
Rosenheim, Jeff and Douglas Ekland eds, Unclassified: A Walker Evans Anthology: Selections from the Archive at the Metropolitan Museum of Art (Zurich; New York: Scale, c2000).
Sandra S. Phillips ed., Exposed: voyeurism, surveillance, and the camera (London: Tate Pub. in association with the San Francisco Museum of Modern Art, 2010).
Sante, Luc, Low-Life: Lures and Snares of Old New York (New York: Farrar Straus Giroux, c1991).
Segade, Manuel ed., Familiar Feelings on the Boston Group (Spain: Xunta De Galicia, 2009).
Silverman, Kaja, The Threshold of the Visible World (New York: Routledge, 1996).
Smith, Murray, Engaging Characters: Fiction, Emotion, and the Cinema (Oxford: Clarendon Press; New York: Oxford University Press, c1995).
Soja, Edward, Thirdspace: journeys to Los Angeles and other real-and-imagined places (Cambridge, Mass.: Blackwell, 1996).
Stallabrass, Julian, Paris Pictured (London: Royal Academy of Art, 2002)
Sweetman, Alex J., Garry Winogrand: Early Work (The Archive, no. 26) (Tucson, AZ: Center for Creative Photography, University of Arizona, 1990).
Szarkowski, John, Winogrand: Figments from the Real World (New York: Museum of Modern Art, 1988).
Taylor, William R., Inventing Times Square: Commerce and Culture at the Crossroads of the World (New York: Russell Sage Foundation, 1991).
Turner, Graeme, Film as Social Practice (London and New York: Routledge, fourth edition, 2008).
Traub, James, The Devil’s Playground: a Century of Pleasure and Profit in Times Square (New York: Random House, 2004).
Wells, Liz Wells ed., The Photography Reader (London and New York: Routledge, 2003).
Westerbeck, Colin and Joel Meyerowitz, Bystander: A History of Street Photography, 2nd ed. (Boston: Little, Brown, 2001).
Williams, Rick and Julianne Newton, Visual Communication: Integrating Media, Art, and Science (Routledge: 2007).
Wright, Esmond, The American Dream: From Reconstruction to Reagan (Cambridge, Mass: Blackwell, 1996).
中文書目
Benjamin, Walter著，《發達資本主義時代的抒情詩人：論波特萊爾》，張旭東譯（臺北市：臉譜，2010年）
Berger, John, Jean Mohr著，張世倫譯，《另一種影像敘事》(Another Way of Telling)（臺北市：三言社出版，2007年）
___，陳莉君譯，《觀看的視界》（臺北市：麥田，2010年）
Cuff, E.C., W.W. Sharrock, D.W. Francis著，《最新社會學理論的觀點》，林秀麗、林庭瑤、洪惠芬等譯（臺北：韋伯，2003年）
Foster, Hal主編，呂建忠譯，《反美學：後現代文化論集》（臺北市：立緒文化，1998年）
Foucault, Michel著，《規訓與懲罰》，劉北成、楊遠嬰譯（臺北：桂冠，1992年）
Hassan, Ihab著，劉象愚譯，《後現代的轉向：後現代理論與文化論文集》（臺北市：時報文化出版，1993年）
Jameson, Fredric著，《後現代主義或晚期資本主義的文化邏輯》，吳美真譯（臺北市：時報文化，1998年）
Jameson, Fredric著，《後現代主義與文化理論》，唐小兵譯（臺北市：合志文化出版，允晨文化發行，2001年）
Orwell, George著，《一九八四》，董樂文譯（臺北：志文，2001年）
Rancière, Jacques著，國立編譯館主譯，黃建宏譯，《影像的宿命》（臺北市：典藏藝術家庭，2011年）
Soja, Edward著，《第三空間：航向洛杉磯以及其他真實與想像地方的旅程》，王志弘、張華蓀、王玥民譯（臺北市：桂冠圖書，2004年）
Sturken, Marita、Lisa Cartwright著，《觀看的實踐：給所有影像世代的視覺文化導論》，陳品秀譯（臺北市：臉譜，2009年）
李昱宏，《灰色的隱喻：時間、機會、攝影與決定性瞬間》（臺北市：田園城市，2009年）
許綺玲著，《糖衣與木乃伊》（臺北市：美學書房出版，2001年）
西文期刊與雜誌評論
Aletti, Vince, Contribution to “Best of 2001,” Artforum, vol. 40 (December 2001): 92.
Angus, Denis, “Philip-Lorca diCorcia: faire le trottoir [Putting a gloss off things],” trans. Angus and Sandra Petch, Art Press 297 (January 2004): 42-47.
Bainbridge, Simon, “Everyday Life,” British Journal of Photography 150, no. 7436 (July 2, 2003): 31-33.
Bonacossa, Ilaria, “Philip-Lorca diCorcia,” Flash Art 34, no. 221 (November/December, 2001): 93.
Cole, David, “The New McCarthyism: Repeating History in the War on Terrorism,” Harvard Civil Rights-Civil Liberties Law Review, Vol. 38 (winter, 2003): 1-29.
Dziewior, Yilmaz, “Philip-Lorca diCorcia,” Artforum 36, No. 6 (February 1998): 101.
Elbert, Monica M., Striking a Historical Pose: Antebellum Tableaux Vivants, “Godey’s Illustrations, and Margaret Fuller’s Heroines,” New England Quarterly, vol. 75. No. 2 (June, 2002): 235-275.
Enright, Robert and Meeka Walsh, “Attentive Contradictions: The Photographic World of Philip-Lorca diCorcia,” Border Crossings, No. 108 (November 2008): 28-47.
Fisher, Cora, “Philip-Lorca diCorcia: Thousand,” The Brooklyn Rail (April 2009): 26.
Galassi, Peter, “Philip-Lorca diCorcia,” Artforum 39, No. 10 (Summer 2001): 169-173.
Griffin, Tim, “Private Eye: Photographer Philip-Lorca diCorcia takes the people of Times Square as his subject,” Time Out New York (September 6-13, 2001): 113.
Grundberg, Andy, “Street Fare: The Photography of Philip-Lorca diCorcia,” Artforum 37, No. 6 (February 1999): 80-83.
Hugen, Charles, “Images Projected, Images Caught.” New York Times, section C (April 30, 1993): 28.
Iversen, Margaret, “Readymade, Found Object, Photograph,” Art Journal, Vol. 63, No. 2 (summer, 2004): 44-57.
Kimmelman, Michael, “Art in Review: Philip-Lorca diCorcia, ‘Heads,’” New York Times (September 21, 2001): E26.
Marx, Gary T., “The Surveillance Society: the Threat of 1984-style Techniques,” The Futurist (June, 1985): 21-26.
“Philip-Lorca diCorcia: Heads,” PaceWildenstein gallery press release (2001), n. p.
Stevens, Mark, “In the Moment,” New York (October 14, 1996): 97.
Schwabsky, Barry, “Philip-Lorca diCorcia,” Contemporary 67 (2004): 27-29.
Soghoian, Christopher, “Transaction Surveillance by the Government,” Mississippi Law Journal, Vol. 75 (Dec 13, 2005): 140-200.
Symth, Diane, “Deliberate Accidents” British Journal of Photography (May 2011): 31-37.
Williams, John, “Double-take on Street Photography,” Photofile [Sydney] (winter 1983): 1, 5-6.
學位論文
Bussard, Katherine A., Unfamiliar Street: The Photographs of Richard Avedon, Charles Moore, Martha Rosler, and Philip-Lorca diCorcia (Ph. D. Dissertation, The City University of New York, 2009)
網路資料
“ACLU v. NSA: The Challenge to Illegal Spying,” URL: http://www.aclu.org/national-security/aclu-v-nsa-challenge-illegal-spying (2012/4/8 accessed).
“Artist’s Statement,” The Whitechapel Art Gallery Exhibition, London. URL: http://white.cyberporte.net/content.php?page_id=404 (2011, 05, 07 accessed).
Ayerza, Josefina, “Philip-Lorca diCorcia,” Lacanian Ink 14 (Spring 1999): 94-97. URL: http://www.lacan.com/frameXIV9.htm (2012/03/16 accessed).
Bloss William, “Escalating U.S. Police Surveillance after 9/11: an Examination of Causes and Effects,” Special Issue on ‘Surveillance and Criminal Justice’ Part 1, 4(3): 209. URL: http://www.surveillance-and-society.org/articles4(3)/escalating.pdf (2012/4/7 accessed).
Campany, David, “A Theoretical Diagram in an Empty Classroom’: Jeff Wall’’s Picture for Women,” Oxford Art Journal, Volume 30, Issue 1 (March 2007): 7-25. URL: http://oaj.oxfordjournals.org/content/30/1/7.full (2011/11/18 accessed).
Collins, Clayton, “Crime-Busting Cameras: A US-City Experiment,” The Christian Science Monitor (June 27, 2005). URL: http://www.csmonitor.com/2005/0627/p11s02-lihc.html (2012/4/8 accessed).
Cotton, Charlotte Cotton, INTERVIEW: “Philip-Lorca diCorcia on Hustlers & Thousand” (2006) URL: http://www.americansuburbx.com/2010/03/interview-philip-lorca-dicorcia-on.html (2011, 11, 16 accessed).
Devens, Dorian , Interview: “Photographer Philip Lorca diCorcia Talks”(2003) URL: http://www.americansuburbx.com/2011/09/interview-photographer-philip-lorca-dicorcia-talks-2003.html (2011, 03, 12 accessed).
Electronic Frontier Foundation-“AT&T’’s Role in Dragnet Surveillance of Millions of Its Customers,” URL: http://www.eff.org/files/filenode/att/presskit/ATT_onepager.pdf (2012/4/8 accessed).
Fopp, Rodney, “Increasing the Potential for Gaze, Surveillance and Normalization: the Transformation of an Australian Policy for People Who Are Homeless,” Surveillance & Society 1 (1): 48-65. URL: http://www.surveillance-and-society.org/articles1/homeless.pdf (2012/4/10 accessed).
Horyn, Cathy, “Q & A: Philip-Lorca diCorcia.” runway. blogs .nytimees .com (February 11. 2010) URL: http://runway.blogs.nytimes.com/2011/02/11/q-a-philip-lorca-di-corcia/ (2011, 12, 12 accessed).
Kimmelman, Michael, ART IN REVIEW; Philip-Lorca diCorcia – ‘Heads.’ URL:HTTP://WWW.NYTIMES.COM/2001/09/14/ARTS/ART-IN-REVIEW-PHILIP-LORCA-DICORCIA-HEADS.HTML (2011, 02, 12 accessed).
Magnum Photos Inc. URL: http://www.magnumphotos.com/ (2011/11/25 accessed).
Morgan, Stuart, “Deliberate Fictions,” Frieze Magazine, Issue 31 (November-December, 1996): n. p. URL: http://www.frieze.com/issue/article/deliberate_fictions/ (2011, 10, 31 accessed).
“New Photography” exhibition website URL: http://www.moma.org/docs/press_archives/6313/releases/MOMA_1986_0047_42.pdf?2010 (2011/12/01 accessed).
Oxford English Dictionary Online: “cinematic.” URL: http://oxforddictionaries.com/definition/cinematic (2011/11/23 accessed).
Oxford English Dictionary Online “tableau.” URL: http://www.oed.com/search?searchType=dictionary&q=tableau (2011/11/07 accessed).
Oxford English Dictionary Online “vivant.” URL: http://www.oed.com/view/Entry/271457?redirectedFrom=tableau%20vivant#eid (2011/11/07 accessed).
“Philip-Lorca diCorcia: What Happened Between ’’Streetwork’’ and ’’Heads’’?” (February 4, 2003) URL: http://www.oturn.net/probe/heads.html (2011, 2, 9 accessed).
Robinson, Henry Peach, Fading Away（1858）URL: http://www.rleggat.com/photography/history/robinson.htm (2011, 07, 08 accessed).
Schuman, Aaron, “Not Any More: Philip-Lorca diCorcia’s ‘Thousand,’” Foam (winter, 2007) URL: http://www.aaronschuman.com/plcthousand.html (2011/12/15 accessed).
Traub, James, “Common of Earthly Delights.” New York Times Magazine (March 14, 2004). URL: http://www.nytimes.com/2004/03/14/magazine/14TIMESSQUARE.html?pagewanted=all (2012/03/21 accessed).
The Chicago School of Media Theory “tableau vivant.” URL: http://lucian.uchicago.edu/blogs/mediatheory/keywords/tableau-vivant/ (2011/11/10 accessed).
The J. Paul Getty Museum-Artists- Hippolyte Bayard. URL: http://www.getty.edu/art/gettyguide/artMakerDetails?maker=1876 (2011/11/16 accessed).
影音資料
Tate Channel-Exposed: Philip-Lorca diCorcia. URL: http://channel.tate.org.uk/media/609410003001 (2011/12/20 accessed)
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