參考文獻 |
西文書目
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Blackburn, Julia, Old Man Goya. NY: Pantheon Books, 2002.
Briggs, Robin. Witches & Neighbors: The Social and Cultural Context of European Witchcraft. Blackwell: Oxford & Massachusetts, 1992, 2002.
Brown, David. Romanticism. London: Phaidon, 2001.
Carroll, Noël, The Philosophy of Horror. NY: Routlege, 1990.
Chu, Petra ten-Doesschate. Nineteenth-Century European Art. NJ: Prentice Hall, 2006.
Clark, Stuart. Thinking with Demons: The Idea of Witchcraft in Early Modern Europe. NY: Oxford University Press, 1997.
Davies, Owen & Blécourt, William de ed. Beyond the Witch Trials: Witchcraft and Magic in Enlightenment Europe. NY: Manchester University, 2004.
---. Witchcraft Continued: Popular Magic in Modern Europe.NY: Manchester University, 2004.
Eisenman, Stephen F. ed. Nineteenth Century Art: A Critical History. London : Thames & Hudson, 2007.
Fred Licht. Goya. NY: Abbeville, 2001.
Gassier, Pierre & Harrison, Helga ed., A Witness of His Time: Goya. New Jersey: Chartwell, 1983.
Ginger, Andrew, Political Revolution and Liberty Experiment in the Spanish Romantic Period, 1830-1850. NY: Edwin Mellen, 1999.
Goodman, Elise ed. Art and Culture in the Eighteenth Century: New Dimensions and Multiple Perspectives. Newark: University of Delaware, 2001.
Gudiol, José, Francisco de Goya y Lucientes Goya. NY: Harry N. Adams, 1990.
Haidt, Rebecca. Embodying Enlightenment: knowing the Body in Eighteenth-Century
Spanish Literature and Culture. Basingstoke: Macmillan, 1998.
Hansen, George P., The Trickster and the Paranormal. Philadelphia: Xlibris, 2001.
Hara, Jacqueline ed. Francisco Goya: Letters of Love and Friendship on Translation. NY: Edwin Mellen, 1997.
Harrison, Charles & Wood, Paul & Gaiger, Jason ed. Art in Theory in 1815-1900 : An Anthology of changing ideas.Oxford: Blackwell, 1998.
Henningsen, Gustav ed. The Salazar Documents: Inquisitor Alonso de Salazar Fría and others on the Basque Witch Persecution. Leiden, Boston: Brill, 2004.
Hughes, Robert. Goya. New York: Alfred A. Knopf, 2006.
Hults, Linda C. The Print in the Western World. Wisconsin: University of Wisconsin System, 1996.
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Hofmann, Werner. Goya: To Every Story There Belongs to Another. London: Thames & Hudson, 2003.
Iarocci, Michael Properties of Modernity: Romantic Spain, Modern Europe, and the Legacies of Empire. Nashville: Vanderbilt University, 2006.
Ilie, Paul. The Age of Minerva: Counter-Rational Reason in the Eighteenth Century: Goya and the Paradigm of Unreason in Western Europe. Philadelphia: University of Pennsylvania, 1995.
---. The Grotesque Aesthetic in Spanish Literature, from the Golden Age to Modernism. Newark: Juan de la Cuesta, 2009.
Ishikawa, Chiyo ed. Spain in the Age of Exploration, 1492-1819. Seattle: Seattle Art Museum, 2004.
Jutta Held. Goya: neue Forschungen: das internationale Symposium 1991 in Osnabrück. Berlin: Gebr. Mann, 1994.
Knutsen, Gunnar W. Servants of Satan and mastres of Demons: The Spanish Inquisition’s Trials for Superstition, Valencian and Barcelona, 1478-1700. Turnhout: Brepols, 2009.
Kramer, Heinrich & Sprenger, James. Mackay, Christopher S. ed. and trans. Malleus Maleficarum .Cambridge: Cambridge University Press, 2006.
Kramnick, Issack ed. The Portable Enlightenment Reader. NY: Penguin, 1995.
Levack, Brian P. The Witch-Hunt in Early Modern Europe. NY: Dutton, 1974.
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Lorenzi, Lorezo. Creagh, Ursula trans. Witches: Exploring the Iconography of the Sorceress and Enchantress. Firenze: Centro Di, 2005.
Lovett, Gabriel H., Romantic Spain. NY: Peter Lang, 1990.
Malraux, André, Goya. Paris: Gallimard, 1978.
Marmor, Michael F. & Ravin, James G. The Artist’s Eyes: Vision and the History of Art. NY: Abrams, 2009.
Matthis, Michael J. ed., The Beautiful, the Sublime, and the Grotesque: The Subjective Turn in Aesthetics from the Enlightenment to the Present. Newcastle upon Tyne: Cambridge Scholars Pub, 2010.
Maxwell-Stuart, P. G., Wizards: A History. Stroud: Tempus, 2004.
Mayne, Jonathan ed. & trans., The Painter of Modern Life and Other Essays. NY: Da Capo, 1986.
Mayor, Hyatt, Prints and People: A Socail History of Printed Pictures. N.J. : Princeton University, 1980.
McClelland, L. The Origins of the Romantic Movement in Spain: A Survey of Aesthetic Uncertainties in the Age of Reason. New York: Barnes & Noble Books, 1975.
McPhee, Constance C. & Orenstein, Nadine M., Infinite Jest: Caricature and Satire form Leonardo to Levine. NY: Metropolitan Museum, 2012.
Monter, William. Frontiers of Heresy: The Spanish Inquisition from the Basque Lands to Sicily. NY: Cambridge, 2002.
Paquette, Gabriel B. Enlightenment, Governance, and Reform in Spain and its empire, 1759-1808 .New York: Plagrave Macmillan, 2008.
Pérez, Joseph. Lloyd, Janet trans. The Spanish Inquisition: A History. New Haven: Yale University Press, 2005.
Pérez Sánchez, Alfonso E. & Valdés, Juan Antonio Meléndez & Sayre, Eleanor A. ed. Goya and the spirit of enlightenment. Boston : Museum of Fine Arts, 1989.
Rowan, Dana ed., Reason and Folly: The Prints if Francisco Goya. Aus: National Gallery of Victoria, 1998.
Sánchez, Alfonso Pérez & Gállego, Julián. Edwards, Wakelyn, Jenifer trans. Goya:
The Complete Etchings and and Lithographs. Munich, New York : Prestel, 1995.
Scarre, Geoffrey. Witchcraft and Magic in 16th and 17th Century Europe. London:
Macmillan Press, 1987.
Schulz, Andrew, Goya’s Caprichos: Aesthetic, Perception, and the Body. NY: Cambridge University, 2005.
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---. Goya. NY: Phaidon, 2006.
Tacey, David. How to Read Jung. NY: W.W. Norton & Co., 2007.
Tinterow, Gary ed., Manet/Velázquez: The French Taste for Spanish Painting. NY: The Metropolitan Museum of Art, 2003.
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Tomlinson, Janis A. Francisco Goya y Lucientes, 1746-1828. London: Phaidon, 1994.
---. Goya: Images of Women. Washington: National Gallery of Art, 2002.
Trevor-Roper, H.R. The European Witch-Craze of the Sixteenth and Seventeenth Centuries. London: Penguin, 1969.
Vallentin, Antonina & Woods, Katherine trans., This I Saw, the Life and Times of Goya, NY: Random, 1949.
Waldron, Ann. First Impressions: Francisco Goya. NY: Harry Abrams, 1992.
Waldron, David. The Sign of the Witch: Modernity and the Pagan Revival. Durham, N.C. : Carolina Academic Press, 2008.
Warner, Marina. No Go the Bogeyman: Scaring, Lulling & Making Mock. NY: Farrar, Straus, and Giroux, 1999.
Whitford, David M. ed. Reformation and Early Modern Europe: A Guide to Research. Kirksville, Mo: Truman State University, 2008.
Wilson-Bareau, Juliet. Goya: Truth and Fantasy: the small paintings. London: Yale University, 1994.
---. “Goya’s Album,” in Goya: Drawings from His Private Albums. London: Hayward Gallery, 2001.
Wright, Patricia, Goya. London: Dorling Kindersley, 1993.
Zika, Charles. Exorcising Our Demons: Magic, Witchcraft and Visual Culture in Early
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---. The Appearance of Witchcraft: Print and Visual Culture in Sixteenth-Century
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中文書目
劉俊蘭,《哥雅版畫研究》,國立台灣師範大學美術研究所碩士論文,1991年6月。
Paul-Laurent Assoun著,楊明敏譯,《佛洛伊德與女性》 (Freud et la Femme)台北:遠流,2002年。
Baticle, Jeannine著,廖慧貞譯,《哥雅:既華美浪漫又殘酷寫實》 (Goya, d’or et de sang)台北:時報文化,2006年。
Barstow, Anne Llewellyn著,嚴韻譯,《獵˙殺˙女˙巫:以女性觀點重現的歐洲女巫史》(Witchcraze: A New History of the European Witch Hunt)台北:女書,2006年。
Eco, Umberto著,彭淮棟譯,《醜的歷史》(History of Ugliness)台北:聯經,2008年。
方真真,方淑如,《西班牙史:首開殖民美洲的國家》,台北:三民,2006。
陳樹升、王婉如撰;洪伶慧、林曉瑜編輯,《曲判黑白:哥雅版畫展》,台中:國立台灣美術館,2009年。
西文期刊
Held, Jutta. ”Between Bourgeois Enlightenment and Popular Culture: Goya’s Festivals, Old Women, Monsters and Blind Men.“ History Workshop, No. 23, 1987: 39-58.
Helman, Edith F. “The Younger Moratín and Goya: On Duendes and Brujas.” Hispanic Review, Vol. 27, 1955: 200-22.
Jenkins, Richard, “ Disenchantment, Enchantment and Re-Enchantment: Max Weber at the Millennium” in Max Weber Studies, Vol. 1, No. 1, 2000: 11-32.
Mayor, Hyatt, “Goya’s Creativeness,” in The Metropolitan Museum of Art Bulletin, New Series, Vol. 5, No. 4, NY: The Metropolitan Museum of Art, 1946: 105-9.
中文期刊
曾曬淑,〈巫術、圖像、裸體:宗教改革前Baldung Grien的女巫繪畫〉,《視覺藝術年刊》第四期(2001 年4 月):8-12。
網路資料
Oxford English Dictionary Online.
<http://www.oed.com/view/Entry/229574?rskey=QSJ3LR&result=1#eid>. |