參考文獻 |
參 考 資 料
一、 外文參考資料
Arewa, Olufunmilayo B.: “From J. C. Bach to Hip Hop: Musical Borrowing, Copyright and Cultural Contex”, in: North Carolina Law Review, Vol. 84, p. 547, 2006.
Baker, David J.: “Song at Twilight”, in: Opera News. 65 (July 2000): 32-36, 70.
Bañagale, R.P.: “Each Man Kills the Thing He Loves: Bernstein’s Formative Relationship with Rhapsody in Blue”, in: Journal of the Society for American Music. iii/1 (2009), 47–66.
Bekeny, Amanda Kriska: The trumpet as a voice of Americana in the Americanist music of Gershwin, Copland, and Bernstein. D.M.A. diss., Ohio State University, 2005.
Berg, Gregory: “The Archive of American Television Presents: Leonard Bernstein Omnibus”, in: Journal of Singing, 68 no 3, 2012.
Bernstein, Burton & Haws, Barbara B: Leonard Bernstein: American Original: How a Modern Renaissance Man Transformed Music and the World during his New York Philharmonic Years, 1943–1976. New York: Collins, 2008.
Bernstein, Leonard: The Joy of Music. New York: Amadeus Press, 1959. (此書有中譯本,詳中文參考資料)
: The Infinite Variety of Music. New York: Simon and Schuster, 1966.
: “The Principle of Hope “, in: Music Educators Journal. Vol. 59, No. 6 (Feb., 1973), pp. 32-37.
: The Unanswered Question - Six Talks at Harvard . New York: Harvard University press, 1981.
: Findings. New York: Anchor Press, 1982.(其中收錄伯恩斯坦哈佛大學畢業論文)
Blasffield , Jean : Leonard Bernstein: Conductor and Composer. Chicago: Ferguson Publishing Ccompany, 2000.
Block, Geoffrey: ” The Broadway Canon from Show Boat to West Side Story and the European Operatic Ideal,” in: The Journal of Musicology Volume XI. Regents of University California: November 4 (Fall, 1993): 531.
:Enchanted Evenings: The Broadway Musical from Show Boat to Sondheim and Lloyd Webber. New York: Oxford University Press, 1997..
: “Bernstein′s Senior Thesis At Harvard: The Roots of a Lifelong Search to Discover an American Identity”, in: College Music Symposium. Vol. 48, (2008), pp. 52-68.
Botstein, L.: ”The Tragedy of Leonard Bernstein”, in: Harper’s, cclxvi/May (1983), 38–40, 57–62.
Burkat, Leonard & Henry Cowell & Karl H. Wörner: “Current Chronicle”, in: The Musical Quarterly. Vol. 39, No. 1, 1953, pp. 94-106.
Burton, H.: Leonard Bernstein. New York: Doubleday, 1994.
Burton, William Westbrook : Conversations About Bernstein. New York: Oxford University Press, 1995.
Bushard, Anthony: “From On the Waterfront to West Side Story, or There’s Nowhere Like Somewhere”, in: Studies in Musical Theatre. iii/1 (2009), 61–75.
Butterworth, Neil: The American Symphony. Farnham, UK:Ashgate Publishing Company, 1998.
Carnahan, Cheryl: Leonard Bernstein: The Age of Anxiety. D.M.A. diss., Eastman School of Music of the University of Rochester, 1968.
Chapin, Schuyler: “Leonard Bernstein—The Television Journey”, in: Television Quarterly. Fall 99, Vol.30 Issue 2, p.66-72.
Cockrell, Dale & Miller, Hugh M.:History of Western music , New York:Harper Collins, 1991.
Copeland, Philip Larue: The Role of Drama and Spirituality in the Music of Leonard Bernstein. D.M.A. diss., Southern Baptist Theological Seminary, 1998.
Cott , Jonathan: Dinner with Lenny: The Last Long Interview with Leonard Bernstein. New York: Oxford University Press, 2013.
Crist, Elizabeth B.: ”Mutual Responses in the Midst of an Era: Aaron Copland′s The Tender Land and Leonard Bernstein′s Candide”, in: The Journal of Musicology. Vol. 23 No. 4, Fall 2006, pp. 485-527.
: “The best of all possible worlds: The Eldorado episode in Leonard Bernstein’s Candide”, in: Cambridge Opera Journal. Volume 19, Issue 03, November 2007, pp 223-248.
Everett, W. A.: ”Candide and the tradition of American operetta”, in: Studies in Musical Theatre. 3 no 1, 2009. pp. 53-59(7).
Finch, Scott Matthew: The Prominence of Hebrew Syntax in Leonard Bernstein′s "Chichester Psalms". D.M.A. diss., The University of Arizona, 2011.
Gargrave , Wayne Eric: The use of the saxophone in the dramatic music of Leonard Bernstein a guide for informed performance. D.M.A. diss., University of North Carolina, 2006.
Gelleny, S.A.: ”Leonard Bernstein on Television: Bridging the Gap between Classical Music and Popular Culture”, in: Journal of Popular Music Studies. xi–xii (1999–2000), 48–67.
Gentry, Philip: ”Leonard Bernstein′s The Age of Anxiety: A Great American Symphony during McCarthyism”, in: American Music. Vol. 29, No. 3 (Fall 2011), pp. 308-331.
Giger, Andreas: ”Bernstein′s The Joy of Music as Aesthetic Credo”, in: Music Journal of the Society for American Music. Volume 3 , Issue 03(2009), pp 311-339.
Gottlieb, Jack: The Music of Leonard Bernstein: A Study in Melodic Manipulations . Ph.D. diss., University of Illinois, 1964.
: ”Symbols of Faith in the Music of Leonard Bernstein”, in: The Musical Quarterly, Vol. 66, No. 2 (Apr., 1980), pp. 287-295.
Gow, David: “Leonard Bernstein: Musician of Many Talents”, in: The Musical Times. Vol. 101, No. 1409 (Jul., 1960), pp. 427-429.
Helgert, Lars Erik.: Jazz Elements in Selected Concert Works of Leonard Bernstein: Sources, Reception, and Analysis. Ph.D. diss., Catholic U. of America, 2008.
Hubbs, N.: “Bernstein: Homophobia, Historiography,” in: Women and Music. xiii (2009), 24–42.
Ikach, Yugo Sava: Study of selected songs by Leonard Bernstein which reflect his contribution to the evolution of art song in America. D.M.A. diss., West Virginia University, 2003.
Keathley, Elizabeth L.: Postwar Modernity and the Wife′s Subjectivity: Bernstein′s Trouble in Tahiti”, in: American Music. Vol. 23, No. 2 (Summer, 2005), pp. 220-256.
Keiler, Allan: ”Bernstein′s "The Unanswered Question" and the Problem of Musical Competence”, in: The Musical Quarterly. Vol. 64, No. 2 (Apr., 1978), pp. 195-222.
Kirk, Erin P.: Aaron Copland & Leonard Bernstein: Twentieth-Century Music through the Eyes of Masters. Ph.D. diss., The Claremont Graduate University, 2010.
Laird, Paul: “Leonard Bernstein: Eclecticism and Vernacular Elements in Chichester Psalms,” in: Bulletin of the Sonneck Society for American Music . v.25(1999), no.1.
: Leonard Bernstein’s Chichester Psalms. Ph.D. diss., Hillsdale, NY. 2010.
Lazo , Caroline Evensen : Leonard Bernstein: In Love With Music. New York : Baker & Taylor Books, 2002.
Lin, Hsun: Convergences Between Leonard Bernstein′s On the Town (1944) and Wonderful Town (1953) and His Contemporary Concert Music. Ph.D. diss., University of Kansas, 2013.
McNally, Terrence: ”Landmark Symposium: West Side Story”, in: Dramatist, 2008,p20-32.
Moura, Eli-Eri: ”Bernstein’s Kaddish Symphony: genesis and purpose”, in: Per Musi. (Belo Horizonte, 2002), v5/6. 2002, p141-150.
Myers , Paul : Leonard Bernstein. London: Phaidon Press, 1998.
Nash, Ethan: ”Understanding and Performing Bernstein’s Chichester Psalms”, in: Choral Journal.(2009).
Oja, Carol J.: ”West Side Story and The Music Man: Whiteness, Immigration, and Race in the US during the late 1950s”, in: Studies in Musical Theatre. iii/1 (2009), 13–30
Pearlmutter, Alan :“Bernstein′s Mass Revisited”, in: Music Educators Journal, Vol. 61, No. 1 (Sep., 1974), pp. 35-3
Peyser, Joan: ”The Bernstein Legacy”, in: Opera News. 65/1 (July 2000): 22–27, 71.
Rapf, Joanna E.: On the waterfront. New York : Cambridge University Press, 2003.
Ratner, Leonard G.: Classic Music.Expression, Form, and Style. New York: Schirmer, 1980.
Rorem, Ned: “Leonard Bernstein (An Appreciation)”, in: Tempo, New Series, No. 175 (Dec., 1990), pp. 6-9.
: A Ned Rorem Reader. New York : Yale University Press, 2001.
Ross , Alex:The rest is noise : listening to the twentieth century. New York: 2008.
Schiff, D.: ”Re-hearing Bernstein”, in: Atlantic. cclxxi/6 (1993), p.55–68.
:“Leonard Bernstein”, The New Grove Dictionary of Music and Musicians. Ed.by Stanley Sadie. London: Macmillan Press Limited, 2001. Vol. 3, p.444.
Schuman and Ned Rorem and Jerome Robbins and Adolph Green and Midori: “Leonard Bernstein Remembered by His Friends,” in: The New York Times(1990), section 2, p45.
Seldes, Barry: Leonard Bernstein: The Political Life of an American Musician. New York : University of California Press, 2009.
Sheppard, W. Anthony:”Bitter Rituals for a Lost Nation: Partch′s "Revelation in the Courthouse Park" and Bernstein′s "Mass"”, in: The Musical Quarterly. Vol. 80, No. 3 (Autumn, 1996), pp. 461-499.
Simeone, Nigel: Leonard Bernstein, West Side Story. UK: University of Sheffield, 2009.
Smith, Helen: ”Peter Grimes and Leonard Bernstein: An English Fisherman and His Influence on An American Eclectic”, in: Tempo. Volume 60, Issue 235(2006), pp 22-30.
: There’s A Place for Us: the Musical Theatre Works of Leonard Bernstein. New York : Ashgate, 2011.
Stempel, Larry: Showtime: A History of the Broadway Musical Theater. New York : W.W. Norton & Company, 2010.
Stith, Nathan: Creating "West Side Story": An Investigation of the Sociopolitical Backgrounds and Collaborative Relationships of Jerome Robbins, Arthur Laurents, Leonard Bernstein and Stephen Sondheim in the Creation of the Original Broadway roduction of "West Side Story" . B.F.A. diss., University of Colorado at Boulder, 2011.
Sullivan, Jack: Words on music: from Addison to Barzun. New York : Ohio University Press, 1990.
Swain, Joseph P.: The Broadway Musical. New York: Oxford University Press, 1990.
Talberg, Jonathan A.: A Conductor’s Guide to Leonard Bernstein’s Chirchester Psalms and an Introduction to and Analysis of Leonard Bernstein’s Missa Brevis. D.M.A. diss., University of Cincinnati, 2004.
Teachout, Terry: “How Good Was Leonard Bernstein?”, in: Commentary. 98/4 (October 1994): 49–54.
Venezia, Mike: Leonard Bernstein, New York : Children′s Press, 1997.
Wells , Elizabeth A.: West Side Story: Cultural Perspectives on an American Musical. UK: Scarecrow Press, 2011.
Woller, Megan Bolander : A place for West Side Story (1961): Gender, race, and tragedy in Hollywood′s adaptation. M.Mus. Thesis, 2011
Wörner, Karl H.: “Leonard Bernstein”, Die Musik in Geschichte und Gegenwart. Kassel Barenreiter-Verlag, Bd.1. 1989.
二、 中文參考資料
Bernstein, Leonard.:《音樂欣賞》(The Joy of Music),林聲翕譯。台北:新亞出版社,1968。
:《伯恩斯坦創見集》(Findings),林元譯。臺北市:智庫,1996。
:伯恩斯坦哈佛大學畢業論文《美國音樂汲取種族元素》(The Absorption of Race Elements into American Music)(收錄於《伯恩斯坦創見集》)
Burton, Humphrey:《伯恩斯坦傳上、下》(Leonard Bernstein)。黃星亮、魏慶龍、何勁松譯。台北:世界文物,1997。
Kamien, Roger:《音樂認識與欣賞》(Music: An Appreciation, 8th ed), 王美珠、陳美鸞等人譯。台北:麥格羅希爾(Mc Graw Hill),2002。
Kernfeld, B.:《新格羅夫爵士樂辭典》(The New Grove Dictionary of Jazz),任達敏譯。廣州:花城出版社,2009。
Michels, Ulrich :《音樂圖驥》(dtv - Atlas Musik),劉岠渭等譯。台北 : 小雅音樂,2006。
Szwed, John F.:《美國爵士樂全攻略》(Jazz 101),陳志宇譯。台北:左耳文化出版社,2007。
Tirro, Frank:《爵士音樂史》(Jazz: A History),顧連理譯,台北 : 世界文物 , 1998。
劉岠渭:《簡明音樂辭典》。台北市:世界文物出版社,2005。
蘇玟慧:《伯恩斯坦的音樂思想與成就》。台北:國立臺灣師範大學音樂學研究所碩士論文,1982年。
薛雅琦:《伯恩斯坦輕歌劇「憨第德」之音樂素材運用》。台北:國立臺灣師範大學音樂研究所碩士論文,2006年。
吳佳澐:《伯恩斯坦《西城故事》中的體育館場景舞蹈音樂探討》。台北:東吳大學音樂研究所碩士論文,2014年。
三、 網路資源
《西城故事》網站: www.westsidestory.com
伯恩斯坦網站: http://www.leonardbernstein.com/
免費樂譜網站http://www.free-scores.com/download-sheet-music.php?pdf=23862
由伯恩斯坦官方網站經營的臉書動態時報相片https://www.facebook.com/140646765284/photos/a.10150211953950285.455647.140646765284/10154873493140285/?type=1&theater
追學網: http://www.zhuixue.net/lunwen/yinyue/35914.html
百老匯音樂劇之家http://broadwaymusicalhome.com/shows/westside.htm
古典筆記網站: http://www.classicalnotes.net/features/bernstein.html
再創造網站: http://www.paulj.myzen.co.uk/blog/teaching/reinventions/lectures/1-musical-borrowing/
精選作品網站: http://works.bepress.com/o_arewa/5/
一個音樂劇的誕生:https://www.loc.gov/exhibits/westsidestory/westsidestory-exhibit.html
音樂劇演出“Prologue”---west side story: https://www.youtube.com/watch?v=YxvchTm3RFk
音樂劇演出 "The Rumble"---west side story
https://www.youtube.com/watch?v=S00aZzCBcY8&list=PLJdOJo8NhT52pwkWqYZKEdzzIOywNQZrQ&index=5
"Cool" from the musical West Side Story.
https://www.youtube.com/watch?v=f8dMZz4KkK8&list=PLJdOJo8NhT52pwkWqYZKEdzzIOywNQZrQ&index=9
四、 樂譜
Bernstein, Leonard.: West Side Story. Full Score. U.S.A.: Leonard Bernstein Music Publishing Co, 1994.
五、 影音資料(僅限《西城故事》)
《西城故事》 CD:卡列拉斯、卡娜娃主唱,發行出版: Deutsche Grammophon,廠號:4152532。
《西城故事》 DVD:娜妲麗.華、理查.貝瑪主演,導演:勞勃.懷斯、傑若米.羅賓斯,發行出版:新動國際多媒體有限公司。發行日期:2012 年 01 月 18 日。條碼:4714150251057。
《西城故事》 錄音過程DVD:卡列拉斯、卡娜娃主唱,發行出版:Deutsche Grammophon,發行日期:2005 年 08 月 01 日。廠號:DVDG1003072206-2 |