The Politics of ��Blank Aesthetic��: Rethinking the Cultural Imaginary of the East and Techno Utopia in The Three-Body Problem

以作者查詢圖書館館藏

、以作者查詢臺灣博碩士

、以作者查詢全國書目

、勘誤回報

、線上人數：86

、訪客IP：3.147.85.11

姓名

何冠儀(Kuan-I Ho) 查詢紙本館藏

畢業系所

英美語文學系

論文名稱

(The Politics of "Blank Aesthetic": Rethinking the Cultural Imaginary of the East and Techno Utopia in The Three-Body Problem)

相關論文

★ 信仰科學－張之江的國術「治」國運動	★ 單身動物園: 強制性伴侶的代理分裂力量與親密想像
★ 《家》的冷戰記憶政治：印尼1965-66大屠殺與政治流亡的歷史形構	★ 女性主義的冷戰隱蔽性：亞洲基金會與台灣女性主義之發展
★ 反先知：黃華成〈青石〉與〈先知〉中的美學政治介入	★ 融入戰爭機器：《六月裡的玫瑰花》和《小寡婦》中的種族、性與軍事化勞動

檔案

[Endnote RIS 格式]

[Bibtex 格式]

[相關文章]

[文章引用]

[完整記錄]

[館藏目錄]

[檢視]

[下載]

本電子論文使用權限為同意立即開放。
已達開放權限電子全文僅授權使用者為學術研究之目的，進行個人非營利性質之檢索、閱讀、列印。
請遵守中華民國著作權法之相關規定，切勿任意重製、散佈、改作、轉貼、播送，以免觸法。

摘要(中)

本文從劉慈欣的科幻三部曲《三體》及對其的評論出發，我注意到大部分的評論皆對於他所打造的細緻的世界架構，及具有包容性的科技烏托邦（techno utopia）未來都表示高度的肯定。因此我試圖分析並指出他在《三體》世界中所刻意使用的一種「留白」技法，指出中國國畫中的「空白美學」如何作為一種東方特色。而劉慈欣以空白美學想像東方的無限可能性，是為了挑戰從歐洲（西方）殖民以來看似普世的知識生產及世界觀。然而隨著故事進展，劉慈欣的寫作逐漸呈現一種相對單一的未來想像：自由且高科技的烏托邦未來。我進一步檢視在這樣看似平等的科技烏托邦中，西方自由人文主義（modern liberalism）的概念是如何被當作一種普世價值，與高科技相輔相成，成為由東方主導的「更好的」人類未來範本。本文希望通過「空白美學」此一概念，說明並分析東方文化的想像意涵，是如何回應並提供對於未來世界可能的想像。最終在看似樂觀的且平等的「科學／科技」想像下，仍呈現對於未來世界想像中合格公民與「自由」之間的掙扎。

摘要(英)

Most of the commentaries on Liu Cixin’s The Three-Body Problem trilogy stress the remarkable details as well as inclusive humanitarian concerns in its world-building of techno utopia. My thesis critically examines the assumed thorough world-building with a particular focus on the discussion of how Liu characterizes the East with “blank aesthetics.” In this thesis, I analyze how Liu develops the “blank aesthetics” to create the infinite possibilities of
the East to challenge the West-centric epistemology. Offering a detailed reading of the literary narratives alongside critical cultural texts, I specifically discuss how Liu’s work imagines the unthinkable future with blank aesthetics to respond to the cultural imagery of the East as a possible future alternative. I argue that the infinite possibilities, however East-oriented, fall under the cultural logics of modern liberalism in which liberty, technology and citizenship are still privileged to imagine the promising future direction for the betterment of humanity.

關鍵字(中)

★ 劉慈欣
★ 留白
★ 科技烏托邦
★ 東方美學

關鍵字(英)

★ Liu Cixin
★ modern liberalism
★ techno utopia
★ Eastern aesthetics

論文目次

English Abstract………………………………………………………………………………..I
中文大綱……………………………………………………………………………................II
致謝辭………………………………………………………………………………………...III
Table of Contents……………………………………………………………………………...V
Chapter 1
Introduction…………………………………………………………………………1
Chapter 2
The “Blank Aesthetics” and Productivity of the East…………………...…………20
Chapter 3
The “Infinite Possibilities” of the East in the Liberal Myth……………………….36
Chapter 4
The “Right” Direction Within Infinite Possibilities—the Technological
Emancipation……………………………………………...……………………….51
Work Cited…………………………………………………………………………….……...67

參考文獻

In English
Atanasoski, Neda, and Kalindi Vora. “Surrogate Humanity: Posthuman Networks and the
(Racialized) Obsolescence of Labor.” Catalyst: feminism, theory, technoscience 1 (1):
1-40, 2015.
Bahng, Amiee. “On Speculation: Fiction, Finance, and Futurity.” Migrant Futures:
Decolonizing Speculation in Financial Times. North Carolina: Duke University Press
Books, 2018.
Cassauwers, Tom. “What our science fiction says about us?” BBC. Web. 4 Dec., 2018.
https://reurl.cc/Nrqmz9
Liu, Cixin. The Three-Body Problem. Google Books, 2008. 2 March, 2021.
https://play.google.com/books/reader?id=ZrNzAwAAQBAJ&pg=GBS.PA8
—-. The Dark Forest. Google Books, 2010. 2 March, 2021.
https://play.google.com/books/reader?id=WJfYBQAAQBAJ
—-. Death’s End. Google Books, 2011. 2 March, 2021. https://reurl.cc/3aOl8l
Lowe, Lisa. The Intimacies of Four Continents. Duke University Press, 2015, print.
Sakai, Naoki. “The West—A Dialogue Prescription or Proscription?” Social Identities:
Journal for the Study of Race, Nation and Culture, 11(3): 177-195.
Spade, Dean. “Demanding the Unthinkable.” Feminist@Law, 1 (1). 2011. Web. 6 Jan., 2020.
http://journals.kent.ac.uk/index.php/feministsatlaw/article/view/10/68
“Definition of SF.” The Encyclopedia of Science Fiction. Web. 10 Oct., 2020. http://www.sf-encyclopedia.com/entry/definitions_of_sf
“Pangu.” Wikipedia. 2019. Web. 3 Jan., 2019. https://en.wikipedia.org/wiki/Pangu
“The Three-Body Problem.” Wikipedia. 2019. Web. 3 Jan., 2019. https://en.wikipedia.org/wiki/The_Three-Body_Problem_(novel)#Plot
Todorov, Tzvetan. The Fantastic: A Structural Approach to a Literary Genre. US: Cornell University Press, 1975.
“Chinese Painting.” Wikipedia. 2019. Web. 3 Jan., 2019.
https://en.wikipedia.org/wiki/Chinese_painting
“Cultural Revolution.” Wikipedia. 2019. Web. 3 Jan., 2019.
https://en.wikipedia.org/wiki/Cultural_Revolution
“Japanese Tea Ceremony.” Wikipedia. 2019. Web. 3 Jan., 2019.
https://en.wikipedia.org/wiki/Japanese_tea_ceremony
“Ukiyo-e.” Wikipedia. 2019. Web. 22 April, 2021. https://en.wikipedia.org/wiki/Ukiyo-eg
Wolf, J. P. Mark. “Worlds within the World.” Building Imaginary Worlds. London: Routledge, 2012: 15-68. Print.
Yang, Nai-Nu. “Science as an Approach to World Literature: Hard Science Fiction and Post-Apocalyptic Dystopia in Cixin Liu’s Remembrance of Earth’s Past Trilogy.” Fiction and Drama 27.2: 82-109, 2018.

In Chinese
Wang David Der-wei 王德威. Cong lu xun dao Liu Cixin（〈從魯迅到劉慈欣〉）[“From Lu Xun to Lui Cixin”]. Wu tuo bang, e tuo bang, yi tuo bang《烏托邦，惡托邦，異托邦》[Utopia, dystopia, heterotopia], Peking University, May 17 2011.
Yang Nai-Nu 楊乃女. “Dang dai zhong guo ke huan yu hou ren lei de shen ti he ge ming”（〈當代中國科幻與後人類的身體和革命〉）[“Contemporary Chinese Science Fiction and the Revolution and Body of Post-human”]. Hou ren lei shi dai de ke ji yu wen xue（《後人類時代的科技與文學》）[The Technology and Literature of Post-human]. Taipei: National Taiwan University, June 8 2018. Web. 17 June, 2021. https://reurl.cc/YO8rga
Sung Ming-Wei 宋明煒. “Tan xing zhe yu mian bi zhe: Liu Cixin de ke huan shi jie”（〈彈星者與面壁者：劉慈欣的科幻世界〉）[“Star-Plucker and Wall-facer: The Science Fiction World of Lu Cixin”] Shanghai Culture 上海文化 3: 17-30, 2011.
Liu Cixin 劉慈欣. San ti: di qiu wang shi san bu qu（《三體：地球往事三部曲》）[The Three-Body Problem: Remembrance of Earth′s Past]. China: Zhong Qing Publisher 重慶出版社, 2008. Print.
—-. San ti II: hei an sen lin（《三體 II：黑暗森林》）[The Dark Forest]. China: Zhong Qing Publisher 重慶出版社, 2010. Print.
—-. San ti III: si shen yong sheng（《三體 II：死神永生》）[Death’s End]. China: Zhong Qing Publisher 重慶出版社, 2011. Print.
Liu Yung-Chun and Kao Chiang 劉永春、高強. “Lun san ti de ren wen nei han”（〈論三體的人文內涵〉）”[Discussion on the Humanitarian Spirit in The Three-Body Problem”]. China Literature and Art Criticism 中國文藝評論 3: 89-96, 2015.
Jan Ling 詹玲. “1980nian dai qian qi zhong guo ke huan xiao shuo de zhuan xing”（〈1980年代前期中國科幻小說的轉型〉）[“The Transformation of Chinese Science Fiction in Early 1980s”]. Twenty-First Century 二十一世紀月刊 144: 62-76, 2014.
“bo luan fan zheng”（「撥亂反正」）[“From turmoil to normalization”] Wikipedia. Web. 10 Oct., 2020.
“qing ming shang he tu” （「清明上河圖」）[“Along the River During the Qingming Festival”]. Wikipedia. 2019. Web. 3 Jan., 2019. https://reurl.cc/rgLb94
“sān tǐ 2: shè xián xìng bié qí shì”（〈《三体 2》涉嫌性别歧视？〉）[“The Sexism in The Three-Body Problem?”]The Paper 澎湃新聞. Web. 21, July. 2020. https://cul.qq.com/a/20150420/052771.htm
“sān tǐ lǐ miàn de nǚ rén zěn me dōu shì nà yàng de ā!”（〈《三體》裡面的女人，怎麼都是那樣的啊！〉）[“How Come the Representations of Women in The Three-BodyProblem Are the Same?”] Yī Dú 壹讀. Web. 21, July. 2020.
https://read01.com/zh-tw/3ORO75.html#.YP-dwY4zY2w
“shǐ shàng zuì qiáng de ‘miàn bì zhě’” (〈史上最強的「面壁者」〉) [The most powerfulwallfacer ever”] KKNews 每日頭條. Web. 21, July. 2020. https://kknews.cc/zh-tw/culture/m3l8qp.html

指導教授

林建廷

審核日期

2021-8-5

推文