大眾教育與藝術史研究的交會：以十九世紀英國《一便士雜誌》〈論傑出畫家們的一生〉契馬布埃、喬托篇為例

以作者查詢圖書館館藏

、以作者查詢臺灣博碩士

、以作者查詢全國書目

、勘誤回報

、線上人數：65

、訪客IP：3.142.119.182

姓名

金瑞茵(Jui-Yin Chin) 查詢紙本館藏

畢業系所

藝術學研究所

論文名稱

大眾教育與藝術史研究的交會：以十九世紀英國《一便士雜誌》〈論傑出畫家們的一生〉契馬布埃、喬托篇為例
(The Intersection of Mass Education and Art Historical Research: A Case Study of the Cimabue and Giotto Section in The Penny Magazine, 19th Century Britain)

相關論文

★ 論卡拉瓦喬羅馬時期公共祭壇畫的世俗形式與宗教理念	★ 論Grosvenor Gallery展覽對於英國藝術的推展，1877-1890
★ 公共理念的實踐：1824至1865年早期倫敦國家畫廊的定位與革新	★ Mark Catesby 《自然史》插圖在十八世紀西方博物學圖像中的創新與意義
★ 收藏家的自我形象塑造：嘉德納夫人與其同代繪畫收藏	★ 從「被遺忘」到「典範」之形塑─ 維梅爾藝術史地位變遷探討
★ 由建築圖到風景畫：十八世紀英國威爾頓莊園圖像的變遷	★ 走出莎劇：維多利亞時期精靈畫的轉變
★ 在欺眼之外——John Frederick Peto 的文件架畫與貼片畫	★ 法式品味在英國：倫敦華勒斯典藏館藝術收藏與展示發展
★ 再現「海克力斯的選擇」：十五到十八世紀的圖像傳統與創新	★ 菲利普典藏館1918－1960年代的美國現代藝術收藏與推展
★ 湯瑪斯．瓊斯（Thomas Jones, 1742-1803）藝術史定位的轉變——論其風景油彩速寫再發現的契機與影響	★ 泰特藝廊對William Blake的形塑與推廣，1913至今
★ 羅馬名利場：喬凡尼?巴里歐內（Giovanni Baglione）藝術聲譽與誹謗圖像之研究	★ 西洋藝術教育的接受與推動——奇美博物館的角色與功能

檔案

[Endnote RIS 格式]

[Bibtex 格式]

[相關文章]

[文章引用]

[完整記錄]

[館藏目錄]

[檢視]

[下載]

本電子論文使用權限為同意立即開放。
已達開放權限電子全文僅授權使用者為學術研究之目的，進行個人非營利性質之檢索、閱讀、列印。
請遵守中華民國著作權法之相關規定，切勿任意重製、散佈、改作、轉貼、播送，以免觸法。

摘要(中)

《一便士雜誌》（The Penny Magazine）是1832年至1845年間由實學推廣社（Society for the Diffusion of Useful Knowledge）在英國倫敦出版的插圖週報。該雜誌於1843至1845年刊登藝術史學家詹森（Anna Brownell Jameson, 1794-1860）撰寫的專欄〈論傑出畫家們的一生〉（“Essays on the Lives of Remarkable Painters”），介紹25位義大利文藝復興時期的藝術家。本文將從該專欄的開頭——契馬布埃（Giovanni Cimabue, c. 1240-1302）、喬托（Giotto di Bondone, c. 1267-1337）篇出發，探究十九世紀中葉的英國大眾為何及如何認識義大利文藝復興早期的畫家與繪畫。
本文分為三章。第一章整理詹森在〈論傑出畫家們的一生〉描述契馬布埃、喬托的角度以及她參考的二手文獻，並比較其觀點和英國十九世紀上半葉的藝術文獻有何異同。第二章探討詹森的學術養成歷程、寫作策略如何造就她筆下的契馬布埃與喬托。第三章圍繞在《一便士雜誌》的編輯奈特（Charles Knight, 1791-1873）和詹森的大眾教育理念及方法，分析十九世紀中葉的英國公眾透過《一便士雜誌》認識契馬布埃、喬托的目的、方式與成效。

摘要(英)

The Penny Magazine was a weekly illustrated publication published in London by the Society for the Diffusion of Useful Knowledge from 1832 to 1845. From 1843 to 1845, it featured a column titled “Essays on the Lives of Remarkable Painters,” written by art historian Anna Brownell Jameson (1794-1860), which introduced 25 Italian Renaissance artists. This thesis focuses on the beginning of Jameson’s column——specifically the sections on Cimabue (c. 1240-1302) and Giotto (c. 1267-1337) to explore why and how the British public in the mid-19th century should be familiar with early Italian Renaissance painters and their works.
This thesis is divided into three chapters. The first chapter examines Jameson’s perspectives on Cimabue and Giotto as described in her “Essays on the Lives of Remarkable Painters,” and the literature she referred to. It also compares her thoughts to other early 19th century British art writings. The second chapter delves into how Jameson’s academic background and writing strategies shaped her viewpoints on Cimabue and Giotto. The third chapter centres around Charles Knight (1791-1873), the editor of The Penny Magazine, and Jameson’s aims and methods of mass education. It also analyses the purposes, methods, and effectiveness of introducing Cimabue and Giotto to the mid-19th century British public through The Penny Magazine.

關鍵字(中)

★ 《一便士雜誌》
★ 〈論傑出畫家們的一生〉
★ 契馬布埃
★ 喬托
★ 詹森
★ 奈特
★ 實學推廣社
★ 大眾藝術教育
★ 印刷文化

關鍵字(英)

★ The Penny Magazine
★ “Essays on the Lives of Remarkable Painters”
★ Cimabue
★ Giotto
★ Anna Jameson
★ Charles Knight
★ The Society for the Diffusion of Useful Knowledge
★ public art education
★ print culture

論文目次

緒論 1
研究動機 1
文獻回顧與探討 6
問題意識、章節概述與研究材料 13
第一章形象的流變：〈論傑出畫家們的一生〉與英國十九世紀上半葉其他藝術文獻中的契馬布埃、喬托 14
第一節誰才是「現代繪畫之父」？〈論傑出畫家們的一生〉中對契馬布埃、喬托的描述與觀點 14
一、假的「現代繪畫之父」？詹森眼中的契馬布埃 14
二、真的「現代繪畫之父」！詹森眼中的喬托 20
三、誰弄錯了「現代繪畫之父」？瓦薩里與十九世紀藝術史學者的看法 24
第二節本土的視角：英國十九世紀前半葉對契馬布埃、喬托的認識與研究 31
一、小眾的愛好：英國關注契馬布埃與喬托的起源 31
二、簡樸中的宏偉：1810至1830年代英國知識份子眼中的契馬布埃和喬托 37
三、歷史教育的一環：1840、1850年代英國公眾認識的契馬布埃與喬托 47
小結 50
第二章跨國思潮的激盪：詹森的藝術史觀與她眼中的契馬布埃、喬托 51
第一節詹森從「德國主義」視角看到的契馬布埃和喬托 51
一、跨越文化的國界——詹森如何變得「德國」？ 52
二、〈論傑出畫家們的一生〉契馬布埃、喬托篇中的「德國主義」 59
三、「德國主義」視角的矛盾性 62
第二節「詩歌」的濾鏡：詹森對契馬布埃和喬托作品宗教性的再詮釋 63
一、從「宗教」到「詩歌」的觀點轉換 65
二、「詩歌」濾鏡下的契馬布埃和喬托 73
小結 80
第三章品味的普及：英國大眾為何以及如何認識契馬布埃、喬托？ 81
第一節奈特與詹森的大眾教育理念 81
第二節圖像觀看之於奈特、詹森的重要性 88
小結 99
結論 100
引用書目 103
表格目錄 112
表格 113
圖版目錄 129
圖版 134

參考文獻

引用書目
文獻史料
[Kingsley, Charles]. “The Poetry of Sacred and Legendary Art.” Fraser’s Magazine 39 (Mar. 1849): 283-298.
[Knight, Charles]. “Standards of Living of the Working Classes during the Industrial Revolution.” Population and Development Review 11:4 (Dec. 1985): 737-756.
[Knight, Charles]. “Wages and Prices.” The British Almanac Companion. London: Charles Knight, 1834: 33-61.
Anonymous. “A Brief History of the Fine Arts.” The Saturday Magazine 20: 625 (Mar. 1842): 121-128.
Anonymous. “Mrs. Jameson.” The Athenaeum Journal of Literature, Science, and the Fine Arts 1691 (Mar 24, 1860): 408-409.
Brigstocke, Hugh transcribed and edited, “Flaxman: The Fitzwilliam Journal. John Flaxman: An Italian Journal (Florence and Rome) from the Library of Charles Fairfax Murray & Presented to the Fitzwilliam Museum, Cambridge 1916 (Inv. No. 832.5).” The Volume of the Walpole Society 72 (2010): 89-117.
Bryan, Michael. A Biographical and Critical Dictionary of Painters and Engravers: from the Revival of the Art under Cimabue, and the Alledged Discovery of Engraving by Finiguerra, to the Present Time, vol. 1. London: Printed for Carpenter and Son; J. Booker; and Whittingham and Arlissm, 1816.
Callcott, Maria. Description of the Chapel of the Annunziata dell′ Arena, or Giotto′s Chapel, in Padua. London: Maria Callcott, 1835.
Cooper, Ashley, 3rd Earl of Shaftesbury. “Discouragements in Art.” In Second Characters: or, the Language of Forms, ed. Benjamin Rand. Cambridge: Cambridge University Press, 1914: 116-120.
Cunningham, Allan. The Life of Sir David Wilkie, vol. 2. London: John Murray, 1843.
Eastlake, Charles Lock and Elizabeth Eastlake. Contributions to the Literature of the Fine Arts, second series. London: John Murray, 1870.
Elmes, James. “The Father of Modern Painters.” In The Arts and Artists, or Anecdotes & Relics, of The Schools of Painting, Sculpture & Architecture. London, J. Knight & H. Lacey, 1825: 20-21.
Erskine, Steuart ed. Anna Jameson: Letters and Friendships (1812-1860). London: T. Fisher Unwin, 1915.
Fuseli, Henry. “Advertisement of the Editor.” In Matthew Pilkington and Henry Fuseli, A Dictionary of Painters: From the Revival of the Art to the Present Period. London: T. Tegg, 1829: XXI.
Hazlitt, William. “Fine Arts. Whether They Are Promoted by Academies and Public Institutions.” In The Complete Works of William Hazlitt, vol. xiii. Ed. P. P. Howe. London, J. M. Dent and Sons, 1933: 37-51.
Hazlitt, William. Table Talk: Or, Original Essays on Men and Manners, vol. 2. London: H. Colburn, 1822.
James, John Thomas. The Italian Schools of Painting: With Observations on the Present State of the Art. London: John Murray, 1820.
Jameson, Anna and Elizabeth Eastlake. The History of Our Lord as Exemplified in Works of Art: With That of His Types; St. John the Baptist; and Other Persons of the Old and New Testament, 2 volumes. London, Longman, 1864.
Jameson, Anna. “Essays on the Lives of Remarkable Painters—No. I. Giovanni Cimabue, Born at Florence, 1240, Died about 1302.” The Penny Magazine XII-E (1843.1.28): 25-27.
Jameson, Anna. “Essays on the Lives of Remarkable Painters—No. II. Giovanni Cimabue—(Concluded).” The Penny Magazine XII-I (1843.2.18): 59-60.
Jameson, Anna. “Essays on the Lives of Remarkable Painters—No. III. Giotto, Born 1276, Died 1336.” The Penny Magazine XII-N (1843.3.11): 89-91.
Jameson, Anna. “Essays on the Lives of Remarkable Painters—No. IV. Giotto.” The Penny Magazine XII-O (1843.3.18): 103-104.
Jameson, Anna. “Essays on the Lives of Remarkable Painters—No. V. Giotto and His Scholars.” The Penny Magazine XII-R(1843.4.1): 121-122.
Jameson, Anna. “Essays on the Lives of Remarkable Painters—No. VII. Giotto and His Scholars—The Campo Santo.” The Penny Magazine XII-U (1843.4.22): 145-147.
Jameson, Anna. “Essays on the Lives of Remarkable Painters—No. VI. Giotto and His Scholars.” The Penny Magazine XII-S (1843.4.8): 131-133.
Jameson, Anna. “Essays on the Lives of Remarkable Painters—No. VIII. Giotto and His Scholars.” The Penny Magazine XII-X(1843.4.29): 155-156.
Jameson, Anna. “Essays on the Lives of Remarkable Painters—No. X. Masaccio.” The Penny Magazine XII-2F (1843.6.10): 217-218.
Jameson, Anna. “Essays on the Lives of Remarkable Painters—No. XVI. Domenico dal Ghirlandajo: b.1451, d.1495.” The Penny Magazine XII-3A (1843.9.23): 364-366.
Jameson, Anna. “Essays on the Lives of Remarkable Painters—No. XXXI. Raphael Sanzio d′ Urbino.” The Penny Magazine XIII-3K (1844.11.9): 436-438.
Jameson, Anna. “Some Thoughts on Art, Addressed to the Uninitiated.” The Art Journal (1849.3.1): 69-71.
Jameson, Anna. “Some Thoughts on Art, Addressed to the Uninitiated——II.” The Art Journal (1849.4.1): 103-105.
Jameson, Anna. Characteristics of Women; Moral, Poetical, and Historical, 2 volumes. London: Saunders and Otley, 1832.
Jameson, Anna. Diary of an Ennuyée. London: H. Colburn, 1826.
Jameson, Anna. Handbook to the Public Galleries of Art in and near London: With Catalogues of the Pictures Accompanied by Critical, Historical, and Biographical Notices, and Copious Indexes to Facilitate Reference. London: J. Murray, 1842.
Jameson, Anna. La Peinture et les Peintres Italiens. Paris: Hachette et Cie, 1862.
Jameson, Anna. Legends of the Madonna, as Represented in the Fine Arts. London: Longman, Brown, Green & Longmans, 1852.
Jameson, Anna. Legends of the Monastic Orders, as Represented in the Fine Arts. London: Longman, Brown, Green & Longmans, 1850.
Jameson, Anna. Memoirs of the Early Italian Painters. Boston: James. R. Osgood and Co., 1875.
Jameson, Anna. Memoirs of the Early Italian Painters. Boston: Ticknor and Fields, 1859.
Jameson, Anna. Memoirs of the Early Italian Painters. Boston: Ticknor and Fields, 1866.
Jameson, Anna. Memoirs of the Early Italian Painters: And of the Progress of Painting in Italy. From Cimabue to Bassano, 2 volumes. London: Charles Knight & Co., 1845.
Jameson, Anna. Sacred and Legendary Art, 2 volumes. London: Longman, Brown, Green & Longmans, 1848.
Jameson, Anna. Visits And Sketches at Home and Abroad, 4 volumes. London: Saunders and Otley, 1834.
Knight, Charles. “The Commercial History of a Penny Magazine——No. 1. Introduction.” The Penny Magazine II-3C (Sep. 1833): 377-384.
Knight, Charles. “The Commercial History of a Penny Magazine——No. 2. Wood-cutting and Type-founding.” The Penny Magazine II-3H (Oct. 1833): 417-424.
Knight, Charles. Passages of a Working Life During Half a Century: With a Prelude of Early Reminiscences. London: Bradbury & Evans, 1864.
Kugler, Franz. A Handbook of the History of Painting—Part 1 The Italian School of Painting. Ed. Charles Eastlake. Trans. a Lady [Margaret Hutton]. London: Murray, 1842.
Lanzi, Luigi and George William David Evans. Lanzi′s History of Painting in Upper and Lower Italy, 2 volumes. London: J. Hatchard, 1831.
Lanzi, Luigi and George William David Evans. The Classic And Connoisseur In Italy And Sicily: With an Appendix Containing an Abridged Translation of Lanzi′s Storia Pittorica, 3 volumes. London: Longman, Rees, Orme, Brown, Green, & Longman, 1835.
Lanzi, Luigi. The History of Painting in Italy, from the Period of the Revival of the Fine Arts to the End of the Eighteenth Century, 6 volumes. Trans. Thomas Roscoe. London: W. Simpkin and R. Marshall, 1828.
Lindsay, Alexander. Sketches of the History of Christian Art, 3 volumes. London: John Murray, 1847.
Needler, G. H. ed. Letters of Anna Jameson to Ottilie Von Goethe. London; New York; Torento: Oxford University Press, 1939.
Ottley, William Young. A Series of Plates, Engraved after the Paintings and Sculptures of the Most Eminent Masters of The Early Florentine School; Intended to Illustrate the History of the Restoration of the Arts of Design in Italy; And Dedicated to John Flaxman, Esq. R.A. Professor of Sculpture to the Royal Academy. London: W. Y. Ottley, 1826.
Ottley, William Young. The Italian School of Design Being a Series of Fac-Similes of Original Drawings. London: Taylor and Hessey, 1823.
Patch, Thomas. “Thomas Patch to the Reader.” In Pitture di Giotto nella Chiesa del Carmine. Firenze: Publisher Unknown, 1772: 無頁碼。
Patch, Thomas. Life of the Celebrated Painter Masaccio: With Some Specimens of His Works in Fresco at Florence. Firenze: Publisher Unknown, 1770.
Phillips, Thomas. “Lecture I. Introduction.—The History of Painting. 1827.” In Lectures on the History and Principles of Painting. London: Longman, Rees, Orme, Brown, Green & Longman, 1833: 1-44.
Reynolds, Joshua. Discourses on Art. Ed. Robert R. Wark. New Haven: Yale University Press, 1997.
Rio, Alexis-François. The Poetry of Christian Art. Trans. [Miss Wall]. London: T. Bosworth, 1854.
Roscoe, William. The Life of Lorenzo de′ Medici, Called the Magnificent, 2 volumes. Liverpool: J. M’Creery, 1795.
Tresham, Henry and William Young Ottley, Peltro William Tomkins. The British Gallery of Pictures: Selected from the Most Admired Productions of the Old Masters, in Great Britain; Accompanied with Descriptions, Historical and Critical. London: Longman, Hurst, Rees, Orme, and Brown, 1818.
Uwins, Thomas and Mrs. Uwins. A Memoir of Thomas Uwins, R. A, 2 volumes. London: Longman, Brown, Green, Longmans, & Roberts, 1858.
Vasari, Giorgio. Lives of the Most Eminent Painters, Sculptors and Architects, vol.1. Trans. Mrs. Jonathan Foster. London: H. G. Bohn, 1850.
Vasari, Giorgio. Le Vite de′ Più Eccellenti Pittori, Scultori e Architettori. Fiorenza: Apresso i Giunti, 1568.
Waagen, Gustav Friedrich. Peter Paul Rubens, His Life And Genius. Trans. Robert Ralph Noel. Ed. Anna Jameson. London: Saunders and Otley, 1840.
Walpole, Horace. “Introduction.” In Aedes Walpolianae, or, A Description of the Collection of Pictures at Houghton-Hall in Norfolk, the Seat of the Right Honourable Sir Robert Walpole, Earl of Orford. London: John Hughs, 1752: vii-xxxv.
中文文獻
修．歐納（Hugh Honour）、約翰．弗萊明（John Fleming）著，吳介禎等譯，《世界藝術史》，臺北縣：木馬文化事業公司，2001。
宮布利希（Ernst H. Gombrich）著，雨云譯，《藝術的故事》，臺北：聯經，2008。
萊茨（Rosa Maria Letts）著，錢乘旦譯，《劍橋藝術史：文藝復興》，臺北市：桂冠，2000。
黃韻璇，〈公共理念的實踐：1824至1865年早期倫敦國家畫廊的定位與革新〉，桃園：國立中央大學藝術學研究所碩士論文，2010。
劉宗智，〈十九世紀英國的勞工教育——以實學推廣社為例（1826-1846）〉，臺南：國立成功大學歷史學研究所博士論文，2011。
謝佳娟，〈「看見」藝術品：十八世紀後期至十九世紀初英國圖解藝術書籍的發展〉，《國立臺灣大學美術史研究集刊》50期（2021.3）: 221-290。
謝佳娟，〈十八世紀英國「宗教藝術」重建的契機：從對拉斐爾圖稿及二則宗教圖像的論辯談起〉，《歐美研究》42: 3 (2012.9)，頁535-590。
謝佳娟，〈設計的化身、繪畫的文法――十七至十八世紀中葉英國素描概念的演變與意義〉，《新史學》21:4 (2010.12)，頁57-139。
謝佳娟，〈萊辛之《拉奧孔：詩與畫的界限》――「詩畫同律」在十八世紀美術概念中的轉變〉，桃園：國立中央大學藝術學研究所碩士論文，2000。
西文文獻
Anderson, Antje. “Gendering Art History in the Victorian Age: Anna Jameson, Elizabeth Eastlake, and George Eliot in Florence.” MA Thesis, University of Nebraska-Lincoln, Nebraska, 2020.
Anderson, Patricia. The Printed Image and the Transformation of Popular Culture, 1790-1860. Oxford: Clarendon Press, 1991.
Austin, April Louise. “Illustrating Animals for the Working Classes: The Penny Magazine (1832-1845).” Anthrozoös 23:4 (2010): 365-382.
Bennett, Scott. “The Editorial Character and Readership of ‘The Penny Magazine’: An Analysis.” Victorian Periodicals Review 17: 4 (Winter, 1984): 127-141.
Brigstocke, Hugh. “William Young Ottley in Italy.” The Volume of the Walpole Society 72 (2010): 341-367.
Bullen, J. B. The Pre-Raphaelite Body: Fear and Desire in Painting, Poetry, and Criticism. Oxford: Clarendon Press, 1998.
Carletti, Lorenzo and Francesca Polacci. “Transition between Life and Afterlife: Analyzing The Triumph of Death in the Camposanto of Pisa.” Signs and Society 2: S1 (Supplement 2014): S84-S120.
Childe-Pemberton, William Shakespear. The Earl Bishop: the Life of Frederick Hervey, Bishop of Derry, Earl of Bristol. New York: E.P. Dutton and company, 1924.
Chun, Dongho. “‘Democratic Principles and Aristocratic Tastes’: William Roscoe′s Patronage and Art Collecting.” Transactions of the Historic Society of Lancashire and Cheshire 162 (Jan. 2013): 107-136.
Collier, Carly and Caroline Palmer. “Discovering Ancient and Modern Primitives: The Travel Journals of Maria Callcott, 1827-28.” The Volume of the Walpole Society 78 (2016): 1-66.
Collier, Carly. “Maria Callcott, Queen Victoria and the ‘Primitives’.” Visual Resources 33 (2017): 27-47.
Dabby, Benjamin. “Anna Jameson and the Claims of Art Criticism in Nineteenth-Century England.” In Precarious Professionals: Gender, Identities and Social Change in Modern Britain. Eds. Heidi Egginton and Zoë Thomas. London: University of London Press, 2021: 41-62.
Ernstrom, Adele M. “‘Why Should We Be Always Looking Back? ‘Christian Art’ in Nineteenth-Century Historiography in Britain.” Art History 22: 3 (Sep. 1999): 421-435.
Evans, Eric J. The Birth of Modern Britain: 1780-1914. Harlow: Longmen, 1997.
Figgis, Nicola F. “The Roman Property of Frederick Augustus Hervey, 4th Earl of Bristol and Bishop of Derry (1730-1803).” The Volume of the Walpole Society 55 (1989/1990): 77-103.
Fletcher, Stella. Roscoe and Italy: the Reception of Italian Renaissance History and Culture in the Eighteenth and Nineteenth Centuries. Farnham: Ashgate, 2012.
Fraser, Hilary. The Victorians and Renaissance Italy. Oxford: Blackwell, 1992.
Gray, Valerie. Charles Knight: Educator, Publisher, Writer. Aldershot; Burlington: Ashgate Pub., 2006.
Hale, John. England and the Italian Renaissance: The Growth of Interest in Its History and Art. 4th ed., Malden: Blackwell Pub, 2005.
Haskell, Francis. Rediscoveries in Art: Some Aspects of Taste, Fashion, and Collecting in England and France. Ithaca: Cornell University Press, 1976.
Haynes, Clare. “The Culture of Judgement: Art and Anti-Catholicism in England, c.1660-c.1760.” Historical Research 78: 202 (Nov. 2005): 483-505.
Holcomb, Adele M. “Anna Jameson: the First Professional English Art Historian.” Art History 6: 2 (Jun. 1983): 171-187.
Irwin, David. “Flaxman: Italian Journals and Correspondence.” The Burlington Magazine 101: 675 (Jun. 1959): 212, 215-217.
Johns, Alessa. “Anna Jameson in Germany: ‘A.W.’ and Women′s Translation,” Translation and Literature 19: 2 (2010): 190-195.
Johnston, Judith. “Invading the House of Titian: The Colonisation of Italian Art. Anna Jameson, John Ruskin and the ‘Penny Magazine’.” Victorian Periodicals Review 27: 2 (1994): 127-143.
Johnston, Judith. Anna Jameson: Victorian, Feminist, Woman of Letters. Aldershot; Brookfield: Scolar Press, 1997.
Kanwit, John Paul M. “Seers as Writers: Art Criticism and Victorian Visual Literacy.” PhD Dissertation, Indiana University, Indiana, 2004.
Kennedy, William F. “Lord Brougham, Charles Knight, and The Rights of Industry.” Economica 29: 113 (1962): 58-71.
Kinraide, Rebecca Brookfield. “The Society for the Diffusion of Useful Knowledge and the Democratization of Learning in Early Nineteenth-Century Britain.” PhD Dissertation, University Of Wisconsin-Madison, Wisconsin, 2006.
Klonk, Charlotte. “Mounting Vision: Charles Eastlake and the National Gallery of London.” The Art Bulletin 82: 2 (Jun. 2000): 331-347.
Macpherson, Gerardine. Memoirs of the Life of Anna Jameson. Boston: Roberts, 1878.
Mainardi, Patricia. Another World: Nineteenth-Century Illustrated Print Culture. New Haven: Yale University Press, 2017.
McCue, Maureen. British Romanticism and the Reception of Italian Old Master Art, 1793-1840. Burlington: Ashgate, 2014.
Neff, Amy. “Byzantine Icons, Franciscan Prayer: Images of Intercession and Ascent in the Upper Church of San Francesco, Assisi.” In Franciscans at Prayer. Ed. Timothy J. Johnson. Leiden: Brill, 2007: 357-384.
Palmer, Caroline E. “Women Writers on Art and Perceptions of the Female Connoisseur, 1780-1860.” PhD Thesis, Oxford Brookes University, Oxford, 2009.
Palmer, Caroline. “‘A Fountain of the Richest Poetry’: Anna Jameson, Elizabeth Eastlake and the Rediscovery of Early Christian Art.” Visual Resources 33: 1-2 (2017): 48-73.
Palmer, Caroline. “‘I Will Tell Nothing That I Did Not See’: British Women′s Travel Writing, Art and the Science of Connoisseurship, 1776-1860.” Forum for Modern Language Studies 51: 3 (Jul. 2015): 248-268.
Phillips, John. The Reformation of Images: Destruction of Art in England, 1535-1660. Berkeley: University of California Press, 1973.
Robertson, David Allan. Sir Charles Eastlake and the Victorian Art World. Princeton: Princeton University Press, 1978.
Robertson, Jean et al. The History of Art: A Global View. New York: Thames & Hudson, 2021.
Sherman, Claire Richter and Adele M. Holcomb eds. Women as Interpreters of the Visual Arts, 1820-1979. Westport: Greenwood Press, 1981.
Steegman, John. “Lord Lindsay′s History of Christian Art.” Journal of the Warburg and Courtauld Institutes 10 (1947): 123-131.
Thomas, Clara. “Anna Jameson: Art Historian and Critic.” Woman’s Art Journal 1: 1 (1980): 20-22.
Thomas, Clara. Love and Work Enough: The Life of Anna Jameson. London: MacDonald, 1967.
Tweedale, Geoffrey. “‘Days at the Factories’: A Tour of Victorian Industry with the Penny Magazine.” Technology and Culture 29: 4 (Oct. 1988): 888-903.
Vaughan, William. German Romanticism and English Art. New Haven: Yale University Press, 1979.
Walker, Martyn. The Development of the Mechanics’ Institute Movement in Britain and Beyond: Supporting Further Education for the Adult Working Classes. Abingdon; New York: Routledge, 2017.
網頁資料
“Jacob′s Dream,” Dulwich Picture Gallery，網址：<https://www.dulwichpicturegallery.org.uk/explore-the-collection/101-150/jacobs-dream/>（2023年1月4日檢索）。
Avery-Quash, Susanna. “Illuminating the Old Masters and Enlightening the British Public: Anna Jameson and the Contribution of British Women to Empirical Art History in the 1840s.”19: Interdisciplinary Studies in the Long Nineteenth Century 28 (2019). 網址：<https://19.bbk.ac.uk/article/id/1516/>（2022年6月9日檢索）。
Bernabei, Franco. “Lanzi, Luigi,” Grove Art Online (2004.1.9), 網址：<https://doi-org.ezproxy.lib.ncu.edu.tw/10.1093/gao/9781884446054.article.T049229>（2022年7月29日檢索）。
Bindman, David. “Flaxman, John.” Grove Art Online (2008.6.15), 網址：< https://doi.org/10.1093/gao/9781884446054.article.T028539>（2022年9月6日檢索）。
Gordon, Dillian. “Duccio (di Buoninsegna).” Grove Art Online (2014.6.28), 網址：<https://doi.org/10.1093/gao/9781884446054.article.T023857>（2022年7月3日檢索）。
Lightbown, R. W. “Rio, Alexis-François.” Grove Art Online (2003), 網址：<https://doi.org/10.1093/gao/9781884446054.article.T072230>（2022年7月20日檢索）。
Smiles, Sam. “Thomas Patch (1725-1782) and Early Italian Art." British Art Journal 14: 1 (Spring-Summer 2013), 網址：<link.gale.com/apps/doc/A343363964/AONE?u=googlescholar&sid=googleScholar&xid=7a334e90>（2023年2月20日檢索）。

指導教授

謝佳娟(Chia-Chuan Hsieh)

審核日期

2023-7-13

推文