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    Please use this identifier to cite or link to this item: https://ir.lib.ncu.edu.tw/handle/987654321/108842


    Title: Nadars photography of subterranean Paris: Mapping the urban body
    Authors: 曾少千;Tseng, Shao-Chien
    Contributors: 文學院藝術學研究所
    Keywords: catacombs;F�lix Nadar [Gaspard-F�lix Tournachon] (1820-1910);Georges-Eug�ne Haussmann (1809-91);Gustave Le Gray (1820-84);modernity;Paris;Romanticism;sewer system;Victor Hugo (1802-85)
    Date: 2014-07-03
    Issue Date: 2026-04-23 15:09:23 (UTC+8)
    Publisher: Taylor and Francis Ltd.;Routledge
    Abstract: 摘要: Félix Nadar, a renowned caricaturist, portrait photographer, and aeronaut, took nearly one hundred albumen prints of the Paris catacombs and sewers by electric light in the early 1860s. More than a demonstration of technical innovation in bringing the mythic underground to light, this crucial archive constitutes a metaphorical mapping of the metabolism of the urban body during Haussmannisation. Nadar's work articulates the city's relation to its exclusions - decay and filth - and its struggle to cleanse and regulate human remains and wastes. He not only engaged with historical memory, sanitary reform, and scientific development, but also expanded the aesthetics of the sublime and the uncanny by experimenting with different states of perceptibility and the psychological force of shadows. In the context of topographical photography in the mid nineteenth century, the underground series presents Nadar's meaningful elaboration of photographic Romanticism and reveals his attitudes toward the urban transformation and tourist spectacle of Paris.
    出版者: Routledge
    出版日期: 2014-08-01
    出處: History of photography, 2014-08, Vol.38 (3), p.233-254
    資源來源: Taylor & Francis Journals
    版權: 2014 Taylor & Francis 2014
    識別號: ISSN: 0308-7298
    識別號: EISSN: 2150-7295
    識別號: DOI: 10.1080/03087298.2014.881150
    Appears in Collections:[Graduate Institute of Art Studies] journal & Dissertation

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