| 摘要: | 鍾曉陽身為香港第二代本土作家，以《停車暫借問》崛起於文壇。她的作品多以婚戀為主題，看似對社會的關懷較少，但透過她的作品，我們卻發現她具有近似三三集團的文學情懷。在具有質感的文字書寫之下，鍾曉陽選擇了最通俗的男歡女愛作為題材，其背後的寓意正是企圖反應香港文化：既古典又現代，既唯美又現實的兼容並蓄。本文希望經由她筆下情愛紅塵的細細描寫，發掘她所傳達的思鄉憂國之主題。因此，本文首先談論香港的文學環境，探究香港特殊而複雜的都市樣貌帶給鍾曉陽的影響；既而深入探究鍾曉陽小說創作的因緣，包含其個人的成長背景、愛情觀及寫作觀，並觸及中國古典文學、張愛玲及三三集團對其寫作之影響；進而探究其創作歷程，以明其創作風格之轉變。由於人物是小說的靈魂，因此接著討論文本中的人物，從父母對子女的影響，女性、男性對感情態度的異同，探討鍾曉陽藉由人物塑造所傳達之寓意；並從疏離的人際關係、腐朽與死亡及國族意識三方面來談論其主題思想，最後在結論部分，歸納出鍾曉陽小說中所呈現的特色，即以細膩、傳神而典雅的文字，描寫無情的現實、缺陷的婚戀、扭曲的人性及鬼魅的風格，並說明個人研究之侷限，以作為全文之總結。 As the second generation local writer of Hong Kong, Hsiao-yang Chung established her reputation by her “A Pinwheel Without Wind”. Her works are focused on marriage and love, and seldom on social issues. However, through her writing, we could recognize her literature feeling similar with that of Sansan Group. With characteristic writing, Chung chose the most popular subject matter – love, to reflect the Hong Kong culture in classic yet modern, esthetic yet realistic style. This study aims to explore her concerns over her motherland through detailed writing about love. This paper begins with discussion over the literary environment of Hong Kong, and the influences of the unique and complicated urban features on Chung. Then it explores the origins of her novel creation, including her personal background, perspectives on love, style of writing, and influences of Chinese classic literature, Eileen Chang, and Sansan Group on her writing, and then probes into the characters in the novels, including the influences of parents on children, differences in views on relationship between men and women, so as to discuss the implied meanings conveyed by Chung through those characters, and the motif from perspectives of interpersonal distance, decay and death, and national consciousness. The conclusion generalizes the feature of using delicate and vivid writing to illustrate ruthless reality, flawed marriage, twisted human nature, and eerie style presented in Chung’s novels. The research limitations are also discussed. |
