| 摘要: | 摘要 本論文以「女性．家族．地方──季季的作品的探析」為題，探討活躍於六○年代，如今仍創作不輟的季季，作品中如何呈現女性？探看家族？書寫地方？ 本論文嘗試剖析季季以女性獨特的視角，來呈現當代女性所遭受到的困境，在父權體系的夾縫中生存的婦女面貌，以及女性意識的覺醒，探討女性如何從自覺自愛自立以至於自我成長，分成三個面向深究，分別為「普遍困境」、「進城血淚」、「意識的覺醒」。 其次，季季出生於大家族，有極親密的家族網絡，面對滔滔逝去的光陰，凋零的長者，作家更已屆耳順之年，感嘆歲月的淘洗，擔憂記憶會隨之隱沒淡去，遂提筆書寫家族，藉由將腦海中的影像、記憶化為文字的過程，梳理與家族成員間的情感，記錄那一世代的幸或者不幸，悲傷或者欣喜，梳理自己潛藏的情緒，由家族史窺之地方史，由「小歷史」帶出「大時代」，在「大歷史」書寫的縫隙中補足女性探看時代的視角，並由家族史的確立，建構自我及家族的認同。 此外，「地方是一個人生命地圖裡的經緯。它是時間與空間的、個人與政治的。充盈著人類歷史與記憶的層次區位，地方有深度，也有寬度」，本文梳爬整理季季地方書寫的方式，分析她的文本如何再現地方與地景，呈現獨特的個人書寫特色，以此形塑雲林西螺、永定的風景與氛圍。 盼望透過這樣的探討，能呈現季季思想的深度和廣度，了解他書寫的內涵與特色，肯定他在當代台灣文學史的評價與定位。 Summary The article takes “female • family • locality—analysis of Jiji’s work” as a subject to discuss Jiji who was active in 1960s and currently still continues creations. How does she represent female by her works? By observing the family? By writing about locality? The article attempts to analyze Jiji’s female unique point of view to represent contemporary female’s suffered difficulties, the situation female struggled for surviving under the patriarchal system, awareness of female consciousness and discuss how female self-awaked, self-respected, self-sustained and then to develop themselves. This could be separately discussed as three aspects of “general difficulty”, “tragic history of going into town” and “the awareness of consciousness. Secondly, Jiji was born in a big family which has extremely closed family network. Facing incessantly elapsed times, withered elder members of family, the writer who has been 60 years old sighed for those eventful years and worried her memory will be disappeared gradually; therefore, she started to write down history of her family for combing out relationship with family members through the process of transferring images and memories of her mind into words and recorded the happiness or misery, sadness and delight of that generation for combing out her hidden emotion; moreover, she observed local history from family history and brought out “the big times” from “the micro history”. She complemented the angle of view that female looked upon the times and constructed self and family identity from establishing family history. In addition, “locality represents longitude and latitude of individual’s life map. It is for time, space, individual and politics, which are filled with level and location of human history and memory. Locality is wide and deep; therefore, the article clarifies Jiji’s way of writing about locality, analyzes how her paragraphs recreated locality and landscape to represent her unique individual writing style and to use this feature to fashion the scenery and atmosphere of Hsiluo of Yulin county and Yongding. We hope to represent the depth and width of Jiji’s concept by this discussion, understand her writing’s connotation and features and recognize evaluation and position of her literature in the contemporary history of Taiwan literature. |
