陳子龍為明末清初著名詞人，明末清初時代變遷，使其詞中情感亦產生變化。研究者多將陳子龍的詞依甲申國變分為二期，前期詞作以《江蘺檻》為主，後期以《湘真閣》為代表。在這些詞作中，多運用春意象營造詞境。本論文分為三方面研究「春意象」。首先由陳子龍的生平、交遊與著作談起，了解與柳如是的戀情與《江蘺檻》中詞作的關連；明亡後，詞作的情感背景。第二部分，藉由分析陳子龍的詞學主張，了解陳子龍論詞與創作的原則，依陳子龍提出填詞「四難」結合其詞作的分析，鑒賞陳子龍詞中「春意象」與辨析其詞學主張的關連。第三部分則是對陳子龍詞作中的春景進行比較，並細分春景中常使用的意象群，以明白陳子龍如何運用相似的春景，表達不同的情感。藉由此三部分的研究，使陳子龍詞中的春意象更為明確。 Chen Zilong is one of the famous writers in the late Ming Dynasty. He changed his emotions in literature in the transition of his times. The researcher divided Chen’s poetry into two stages – the preliminary stage is based on “Jiang Li Jian” and the latter stage is on “Xiang Zhen Ge”. Among these poetry,Chen used plenty images of spring to presen this poems. The present study analyzed “images of spring” by dividing it into three dimensions. The first part discussed Chen’s background, relationships, and writings. It also examined the connection between Chen’s relationship with Liu Ru-shi and “Jiang Li Jian” .The second part inspected Chen’s viewpoints about poetry and how he composed poems. In addition, Chen’s “four difficulties” and images of spring had been revealed. The last part compared the most common used spring scenes in Chen’s poems in order to better understand his feelings. By means of investigating the above three parts, Chen’s use of spring are more clear and evident.
