| 摘要: | 本文研究一九四九年以降臺灣文學中的酒，探討涉及飲酒書寫、話題、藉酒抒情、寓理、反映現實議題與文化現象，及結合各種主題的文本。
第一章述明研究動機、前人研究評述及研究範圍與方法，第二章專論文化層面，探討臺灣酒文化的形成因素、特色，藉由葡萄酒西潮關照臺灣酒文化的不足，以及台灣酒文化的展望，期許臺灣酒文化能更形精緻。第三章就詠酒、藉酒抒情、寓理、懷舊、思人等主題加以分類評析。第四章分析結合性別與族群認同、情慾書寫、關懷社會現象、世界議題以及具有去中心、顛覆權力結構創作意圖的酒文學。第五章為全文研究結論。
透過本文，期待能透視精采紛呈的表象文字，剖析當代作者在特殊的個人成長歷程與政治、社會、經濟、文化背景中，藉由酒文學所欲表達的深層意涵，突顯其價值，並促進臺灣酒文化的發展。; This paper seeks to probe into the topic of wine in Taiwanese literature since 1949. It discusses about wine writing, wine lyricism, topics and themes, philosophy moral , reflections on reality, and cultural phenomenon, and afterwards integrates the above-mentioned texts.
The first chapter states my motive, reviews on related topics of wine, the scope and methodology. The second chapter aims at the discussion of culture. It talks about how the culture of wine forms in Taiwan, and also the features of that. By comparing the western wine culture with the Taiwanese one, the paper show what the Taiwanese wine culture lacks and what it looks into the future, hoping it to be more refined. The third chapter analyzes and categorizes the expressions of wine, wine writings, philosophy moral, topics of nostalgia and recollections. The fourth chapter analyzes and integrates gender, ethnic identity, erotic writing, and social concern. It also includes the decentralized wine literature that subverts authority structure. The fifth chapter is the conclusion.
From the paper, I hope to see through the surface of words and to analyze the social, economical and cultural background of each writer to show their personal characteristics and politics. By making the hidden meaning of wine literature prominent and apparent, I hope to help promote the development of Taiwanese wine culture. |
