| 摘要: | 本專書寫作計畫將研撰現代藝術史中的運動圖像，探究創作者如何描繪運動的風 潮，揭示運動精神的複雜變化，再現身體經驗的深廣向度。十九世紀後半葉的寫 實主義、印象主義和現代藝術家，歷經運動的普及化和社會結構轉型，透過繪畫、 素描、版畫和海報等視覺媒介，對於運動的現代性，提出多重詮釋和衍繹。本計 畫選取「身體圖景」為核心，是基於運動的視覺再現，往往將身體置於自然風景 或城市地景中，並且銘刻著各種知覺經驗。本計畫針對五項作品系列的身體圖景 深入探討：杜米埃的泳浴者諷刺漫畫、庫爾貝的狩獵畫作、竇加的賽馬圖、卡意 伯特和席涅克的舟船水景、海報中的騎單車女性，將分析其藝術史涵義，以及所 觸發的情感迴響和倫理思辨。運動原屬貴族特權，在現代化進程中朝向民主和商 業化發展，並象徵著階級地位、性別認同和國族精神。運動現代性的身體圖景研 究，將能使我們透過藝術觀點和時代之眼，了解身體的解放和規訓，以及運動美 學的多重意義。 ;This book project will explore the images of modern sport in art history, focusing on the depictions of the sport vogue, changing sportsmanship, and intense corporeal experiences. In the second half of the nineteenth century, the Realist, Impressionist, and Modernist artists saw the popularization of sport and transformation of social structure. They made paintings, drawings, prints, and posters to explore the visual strategies of representing body movement and energy, and put forward multiple interpretations of sporting modernity. The study takes the embodied imagescape as the focal point, as the moving body is frequently placed in the natural landscape and cityscape and inscribed with sensual perceptions in the sporting pictures. This project will concentrate on the embodied imagescapes in the five series of artworks: Honoré Daumier’s bather caricatures, Gustave Courbet’s hunting scenes, Edgar Degas’s racecourse images, Gustave Caillebotte’s and Paul Signac’s boating waterscape, the female cyclists in posters. These works carry art historical significance, elicit emotional reactions, and invite ethical reflections. Sport, previously an aristocratic privilege, became increasingly democratic and commercial in the modernizing process, and symbolized class status, gender identity, and nationalism. Studying the embodied imagescape of sporting modernity will illuminate the artistic perspective and the period eye on the body’s liberation and discipline and the multivalent meanings of sporting aesthetics. |
