江戶時代開帳圖研究：以猿猴庵作品為核心;A Study on Paintings of Kaichō in the Edo Period: Focusing on the Works by Enkōan

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Title:	江戶時代開帳圖研究：以猿猴庵作品為核心;A Study on Paintings of Kaichō in the Edo Period: Focusing on the Works by Enkōan
Authors:	吳智晴;Wu, Chih Ching
Contributors:	藝術學研究所
Keywords:	開帳;展示空間;江戶時代圖繪;猿猴庵;Kaichō;Exhibition spaces;Paintings in the Edo Period;Enkōan
Date:	2019-07-26
Issue Date:	2019-09-03 17:03:48 (UTC+8)
Publisher:	國立中央大學
Abstract:	本文著重探討猿猴庵《泉涌寺靈寶拜見圖・嵯峨靈佛開帳志》中所描繪的，京都泉涌寺於天明四年（1784）舉行出開帳，嵯峨清涼寺於文政二年（1819）舉行之出開帳圖繪。透過分析其構圖，以了解猿猴庵對於展示空間之配置的呈現，以及觀者的參與和互動。隨後本文也將對於其中的文物進行初步的分析研究，以期還原當時開帳展示之樣貌。第一章概述何謂開帳，並簡述泉涌寺與清涼寺出開帳簡史與寺史背景。第二章著重處理猿猴庵所繪的圖像，並探討江戶開帳時的靈寶展示場，與現今博物館陳設之異同。第三章透過文獻、展覽等資料，聚焦於本書兩次開帳中，數件具代表性的文物之特色。;This study aims at discussing Enkōan’s illustrated books “Sennyu-ji Reihō Haikenzu” and “Saga Reibutsu Kaichōshi.” The two sets of paintings, combined and published as one volume by the Nagoya City Museum, record two De-Kaichō, one of Kyoto Sennyu-ji in 1784, and the other of Saga Seiryō-ji in 1819. Through analyzing the composition of the paintings, I try to understand how the painter presented the exhibited objects and the exhibition spaces in Kaichō, and how he depicted the audience involved in the exhibitions. What’s more, by analyzing the historical significance of some important objects in the exhibitions, I try to show various aspects of value in the Kaichō events in the Edo period. Chapter one discusses what Kaichō is, and provides a brief overview of the history of Sennyu-ji and Seiryō-ji. Chapter two focuses on analyzing Enkōan’s paintings, and also discusses how different the exhibition spaces are between Kaichō in the Edo period and the museum galleries nowadays. Chapter three looks at art-historical researches and discusses some objects especially significance in Enkōan’s paintings.
Appears in Collections:	[Graduate Institute of Art Studies] Electronic Thesis & Dissertation

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