隨著清代女性詩詞作品出版的數量增多，許多女性也多有為自己創作或編纂的詩集詞集作序文和題辭的習慣。多首詩題、詞題和文章標明「自題詩集」、「自題詞集」、「自序」的作品，將清代女性的創作理念、創作的態度、作為創作主體的意義和價值，選擇作品的標準，透過自我表述的方式，展現清代女性個人的創作自覺。 本計畫擬探討清代女性如何看待自我書寫和文學創作，文學創作在女性的生 命中占有甚麼樣的地位？具有何種意義？透過清代女性自題詩集詞集系列的詩詞和序文，有意識的呈現清代女性創作主體的本位思考、女性在才與德之間的對立與取捨，為清代女性自我書寫/自我定位的議題上做更進一步的拓展。 ;With the increasing number of Shi and Ci poems by women in the Qing Dynasty published, it has been found that many women were in the habit of writing preface and inscription for the poetry collections wrote or composed by themselves. In many Shi and Ci poems with their inscriptions and texts indicated with “self-inscribed collection of Shi poems”, “self-inscribed collection of Ci poems” and “preface”, the creation consciousness of women in the Qing Dynasty was expressed through self-expression, and by regarding the creation concept and attitude of women in the Qing Dynasty as the significance and value of the creation subject and the standard of selecting works. In the plan, the views of women in the Qing Dynasty on self-writing and literary creation, and the status as well as the significance of literary creation in their life were discussed. Noumenal thinking of the creation subject of women in the Qing Dynasty and the conflict and choice between talent and virtue faced by them were represented consciously through Shi and Ci poems and preface in the self-inscribed poetry collections by women in the Qing Dynasty, to facilitate further studies on the topics of self-writing/ self-positioning of women in the Qing Dynasty.
