跨界者的鄉愁：早期馬格里布法語文學對原生族群的呈現與對照;Être Transfuge Et Nostalgique : Écrire Ses Milieux D'Origine Dans La Littérature Maghrébine D'Expression Française De La Première Génération

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Please use this identifier to cite or link to this item: http://ir.lib.ncu.edu.tw/handle/987654321/82210

Title:	跨界者的鄉愁：早期馬格里布法語文學對原生族群的呈現與對照;Être Transfuge Et Nostalgique : Écrire Ses Milieux D'Origine Dans La Littérature Maghrébine D'Expression Française De La Première Génération
Authors:	徐佳華
Contributors:	國立中央大學法國語文學系
Keywords:	馬格里布法語文學;北非法語文學;互文性;陶絲．安路許;德里斯．沙依比;阿爾貝．梅米;尚．賽納克;North African Francophone Literature;Francophone literature in the Maghreb;intertextuality;Taos Amrouche;Driss Chraïbi;Albert Memmi;Jean Sénac
Date:	2020-01-13
Issue Date:	2020-01-13 14:26:47 (UTC+8)
Publisher:	科技部
Abstract:	本研究探討馬格里布法語文學第一代作家在自傳性小說中對原生族群文化的呈現，並藉此檢視此文學社群在書寫層次上的相互呼應，而這層關係是造就一片有別於法國文學之新文學地景的關鍵。主要分析文本包括：突尼西亞尤大作家梅米的《鹽柱》(La Statue de sel, 1966)、摩洛哥阿拉伯作家沙伊比的《簡單過去式》(Le Passé simple, 1954)、阿爾及利亞西班牙裔作家賽納克的《草擬父親》(Ebauche du père, 成書於1962)以及阿爾及利亞柏柏爾作家陶絲．安路許的《手鼓路》(Rue des tambourins, 1960)。 ;This study aims to examine how writers from different horizons of the Francophone literature of the Maghreb in its emerging phase (around the 1950s and the 1960s) represent the familial, ethical, cultural and social reality where they come from in their autobiographical novels. Texts such as Albert Memmi's La Statue de sel, Driss Chraïbi's Le Passé simple, Jean Sénac's Ebauche du père and Marguerite Taos Amrouche's Rue des tambourins will be examined and compared through a thematic approach. The intertextual dynamic within this corpus, which contributes to the emergence of this particular Francophone literature independent from French literature will be also investigated.
Relation:	財團法人國家實驗研究院科技政策研究與資訊中心
Appears in Collections:	[Department of French Language and Literature ] Research Project

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