日常美學(everyday aesthetics)或日常生活的美學(aesthetics of everyday life)之相關論述雖不算新穎，但受到學者的重視並逐漸形成與藝術美學和自然美學這兩大美學下的主要領域有明顯區分的新研究領域，確實是相當晚近的事。分析美學不但多關注於藝術作品，很少注意到日常美感現象，而且它一方面從藝術語言和藝術體制等方式去切入，另一方面更試圖從非美感的東西去解釋美感經驗，日常美學則在這種作法中看到一種藝術和生活之間的斷裂，忽視了藝術與生活之間互相滋養的親密關係。本文主要循著湯瑪斯‧萊迪(Thomas Leddy)的著作 為主要的文獻整理並研究日常美學，介紹當今日常美學之發展，包括其範圍及相關理論。同時也會討論萊迪的靈光理論來解決這種斷裂，並提出理由說明解決該問題是如何有助於從美感方面改善我們的生活，最後進行檢討、反省並評論。;Although the discussion of everyday aesthetics or aesthetics of everyday life is not new, it is indeed quite recent that it has received the attention of scholars and gradually formed a new field of study that is clearly distinguishable from the two major fields under aesthetics, namely, art aesthetics and natural aesthetics. Analytical aesthetics not only focuses on works of art, but also pays little attention to everyday aesthetic phenomena. On the one hand, it approaches art in terms of art language and art institutions, and on the other hand, it tries to explain aesthetic experiences in terms of non-aesthetic things. Everyday aesthetics sees in this approach a disconnection between art and life, neglecting the intimate relationship between art and life that nourishes each other. This paper focuses on the work of Thomas Leddy as the primary reference and introduces the development of contemporary everyday aesthetics, including its scope and related theories. Also, Leddy’s theory of aura will be discussed to fix this disconnection, and this paper will also give reasons for how solving this problem can help improve our lives in terms of aesthetic. Finally, it will conclude with a review, reflection, and commentary.
