穆路菲哈翁(Mouloud Feraoun)共出版了三本小說：《窮人之子》(Le Fils du pauvre)、《大地與鮮血》(La Terre et le sang)以及《昇華之路》(Les Chemins qui montent)。其中，於1950年出版的半自傳小說《窮人之子》(Le Fils du pauvre)獲得了阿爾及利亞文學獎(Le Grand Prix littéraire de l’Algérie)，1953年出版的《大地與鮮血》(La Terre et le sang)獲得尤金達彼特民粹主義小說獎(Eugène-Dabit du roman populiste)。他的作品主要敘述阿爾及利亞的卡比爾民族在殖民背景下所發生的故事，透過人物彼此不同的眼光與觀點描繪出卡比爾社會的面貌，以及由於法國文化滲透的關係，在這個傳統農業社會中所造成的影響。本論文將著重在文本上來分析菲哈翁筆下人物所遭遇到的情感上或是自我認同上的介於兩者之間的進退維谷之處境。論文首先解釋阿爾及利亞文學的脈絡，並梳理出在眾多阿爾及利亞作家當中，鮮少被人提起的卡比爾–阿爾及利亞作家的作品中所呈現出的卡比利亞地區之風貌。接著，透過菲哈翁在他的半自傳小說中的主人翁視角來分析卡比爾社會的價值觀，以及法國教育對該人物的影響。第二章分析菲哈翁的第二本小說的主人公從法國工作回國後，帶著全新的視角重新看待自己的家鄉以及點出傳統社會中所遇到的人與人彼此之間的連結所引發的問題。第三章則是探討菲哈翁的第三本小說中，傳統社會制度如何影響擁有雙重身份(double identité)以及經歷文化揉雜(hybridité)的人物在傳統社會中的處境，以及身處在該制度下的人物面對傳統以及西方文化所產生的矛盾情結與衝突。透過菲哈翁的三本小說，不僅讓我們得以一窺書中所呈現的卡比爾社會之樣貌，同時也藉由書寫讓該群體能夠被世界所看見。;Mouloud Feraoun, the Algerian-kabyle writer, is known for his three novels: Le Fils du pauvre, La Terre et le sang, and Les Chemins qui montent. His semi-autobiographical novel Le Fils du pauvre, published in 1950, recived the prestigious literary award, Le Grand prix littéraire de l’Algérie. In 1953, his novel La Terre et le sang was honored with the Eugène-Dabit du roman populiste award. Feraoun’s works primarily depict the stories of the Kabyle people in Algeria under colonial rule. Through diverse perspectives and viewpoints of the characters, he portrays the Kabyle society and explores the influence of French culture penetration on this traditional agricultural community. This thesis focuses on analyzing the emotional and self-identity dilemmas faced by Feraoun’s characters. The first chapter explain the context of Algerian literature and highlights the portrayal of the Kabylia region which is rarely discussed among the various Algerian writers. And then we followed by an analysis of the values in Kabyle society through the protagonist’s perspective in Feraoun’s semi-autographical novel and the impact of French education on the character. The second chapter examines the protagonist of Feraoun’s second novel, who returns to his homeland after working in France, providing a fresh perspective on his native land and exploring the complexities of interpersonal connections within the traditional society. The third chapter delves into the influence of the traditional social system on characters with double identity and cultural hybridity, as well as the conflicts and contradictions they face between tradition and Western culture. Through Feraoun’s three novels, not only do we gain insight into the portrayal of Kabyle society, but also through his writing the society becomes visible to the broader public.
