本論文探討了新秩序獨裁統治期間，印尼華裔女性所遭受的種族壓迫、性別壓迫和代際創傷，並分析了Soe Tjen Marching 的著作（包括《從古蘭經》小說和《沉默的終結：1965 年印尼種族滅絕事件敘述》）。小說透過菁菲、卡拉和艾拉的敘述，揭露了系統性的種族主義、強制同化和父權制壓迫。 分析強調了種族和性別認同同時被抹去，這一點從 Djing Fei 的沉默和被迫變身為 Lidya Maria 可以看出。它還探討了抵抗行為，例如 Djing Fei 隱藏的日記和 Ira 恢復她的家族歷史，這些行為打斷了痛苦的循環。本論文認為，這部小說挑戰了歷史上的不公正，同時強調了講故事在恢復代表性不足的觀點和解決結構性壓迫方面的重要性。 ;This thesis examines the combination of racial suppression, gendered oppression, and intergenerational trauma affecting Chinese Indonesian women during the New Order dictatorship, as analyzed in Soe Tjen Marching’s writings (including Dari Dalam Kubur novel and The End of Silence: Accounts of the 1965 Genocide in Indonesia). The novel exposes systematic racism, enforced assimilation, and patriarchal oppression through the narratives of Djing Fei, Karla, and Ira. The analysis highlights the simultaneous erasure of ethnic and gender identity, illustrated by Djing Fei’s silencing and forced metamorphosis into Lidya Maria. It also examines acts of resistance, such as Djing Fei’s hidden diary and Ira’s restoration of her family’s history, which interrupt the cycle of pain. This thesis argues that the novel challenges historical injustices while highlighting the significance of storytelling in recovering underrepresented viewpoints and addressing structural oppression.
