莫泊桑短篇小說中的女性外遇研究;L′adultère féminin dans les contes et nouvelles de Maupassant

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題名:	莫泊桑短篇小說中的女性外遇研究;L′adultère féminin dans les contes et nouvelles de Maupassant
作者:	董建華;Tung, Chien-Hua
貢獻者:	法國語文學系
關鍵詞:	莫泊桑;短篇小說;婚姻制度;女性外遇;厭女思想;Guy de Maupassant;Short stories;Marriage;Women’s infidelity;Misogyny
日期:	2025-01-20
上傳時間:	2025-04-09 16:56:43 (UTC+8)
出版者:	國立中央大學
摘要:	莫泊桑 (Guy de Maupassant, 1850-1893) 是法國十九世紀下半葉的寫實主義作家，在短短十餘年的寫作生涯中，他發表了六部長篇小說和近三百部短篇小說，其中許多作品的主題都攸關女性在婚姻、愛情與外遇中的處境。透過細膩的心理刻畫和深刻的社會批判，莫泊桑揭示了當時法國父權社會中婚姻制度對女性的種種不公不義。本論文以莫泊桑的短篇小說為研究對象，探討其中女性外遇現象的呈現及其背後的深層意義。全文分為三個章節。在第一章中，我們聚焦於十九世紀法國社會，探究莫泊桑如何在作品中揭露婚姻制度對女性的壓迫，摧毀她們追求幸福的幻想，進而促使她們將婚外情視為擺脫婚姻束縛的出口。第二章從敘事學的觀點來了解莫泊桑筆下女性出軌的不同動機以及與其他人事物如丈夫、情人等所形成的幽微關係，並剖析她們在行動過程中所面臨的選擇以及最終的結果。第三章重新審視莫泊桑對外遇女性的態度與立場。承襲了德國哲學家叔本華的厭女思想，莫泊桑時常將外遇女性塑造成既充滿誘惑又危險、狡猾的蛇蠍美人，但他也不時對這些女性角色展現出一定的理解與同情。這個矛盾性顯現出莫泊桑作品中超越傳統男性視角的可能性，甚至呈現了一種近似「女性凝視」(regard féminin)的書寫方式，對女性外遇的議題提供了更多面向的解讀。本研究除了解析莫泊桑作品中女性外遇的多重意涵，也希冀進一步揭示他對父權社會的質疑以及對女性主體性的思考，從而完整地勾勒出莫泊桑筆下的愛情、婚姻與女性身心自主的種種問題。;Guy de Maupassant (1850-1893) was a French realist writer of the late nineteenth century. During his brief writing career, he published six novels and nearly three hundred short stories. His writings usually rethink women’s roles and situations in marriage and their struggles and decisions to betray their husband. Through detailed psychological portrayals and social critiques, Maupassant unveils the injustices imposed on women under the overwhelming dominance of the patriarchal system. This thesis focuses on Maupassant’s short stories. We aim to explore the theme of female infidelity and its various manifestations and implications. The first chapter is centered on nineteenth-century marriage as an oppressive institution. We will study how, in Maupassant’s short stories, the marriage hinders women’s happiness and pushes them towards extramarital affairs as an escape. In the second chapter, by using several narratological approaches, we will analyze the motivations behind infidelity, the relationships between the characters, and the choices and consequences faced by the unfaithful women. Influenced by the misogyny ideas and sexist beliefs of Schopenhauer, Maupassant often describes the cheating wives as both seductive and morally degenerate. However, he also reveals his sympathy for their difficult situations and unsatisfied desires. Thus, the third chapter seeks to determine whether Maupassant’s works surpass traditional male perspectives as well as prejudices. In this regard, the concept of “female gaze” will give us a thorough understanding of his portrayal of women. This study not only analyzes the multifaceted representation of female infidelity but also reflects on female subjectivity. By reading and rereading the short stories of Maupassant, we hope to provide readers with new perspectives on women’s exploration of marriage, love, happiness and their pursuit of dignity and freedom.
顯示於類別:	[法國語文研究所 ] 博碩士論文

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