花蓮太平洋詩歌節之研究

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Please use this identifier to cite or link to this item: https://ir.lib.ncu.edu.tw/handle/987654321/97325

Title:	花蓮太平洋詩歌節之研究
Authors:	張媛晴;Zhang, Yuan-Qing
Contributors:	中國文學系
Keywords:	太平洋詩歌節;文化節慶;詩歌;花蓮;Pacific Poetry Festival;Cultural Festival;Poetry;Hualien
Date:	2025-07-24
Issue Date:	2025-10-17 11:08:24 (UTC+8)
Publisher:	國立中央大學
Abstract:	「太平洋詩歌節」從2006年至2022年總共舉辦了十五屆，本研究旨在探討其發展歷史、展演及活動空間、相關詩歌文本的特色。作為臺灣歷時第二長的詩歌節，太平洋詩歌節不僅展現了花蓮獨特的地方文化特色，也成為連結本土與國際的重要平台。在歷史發展方面，太平洋詩歌節與美崙山的詩歌淵源甚深，從日治時期「紫陽花歌會」到現代詩歌活動，展現了文化的傳承與創新。而松園別館作為舉辦場地，不僅承載著從日軍指揮中心到文化空間的轉變，其獨特的光影、聲響與空間氛圍，更與詩歌的流動性特質形成和諧共鳴。在空間運用方面，本研究分析了詩歌節如何善用其室內外場域，進行不同類型的展演活動。從戶外松樹下草地的「樹下說詩」到室內展場的「圓桌詩會」，空間與詩的交織創造出獨特的文化體驗。特別是「詩人之夜」活動，發展出詩與啤酒結合的特色，更展現了花蓮在地文化的融入。在相關詩歌文本的分析上，本論文梳理了太平洋詩歌節三個階段的主題變化：從初期聚焦於地方環境，到中期拓展國際視野，再到近期融入當代元素。圓桌詩會與詩人談詩活動中，本土詩人與國際詩人的作品交流，不僅呈現了詩歌節的文化多樣性，也反映了當代社會議題的關注。本研究同時指出太平洋詩歌節面臨的挑戰，包括場地維護、策展人接班與經費取得等實際問題，以及如何在保持核心價值的同時實現創新。未來可朝向與教育深度連結、完善數位平台、跨域合作等方向發展。 ;The Pacific Poetry Festival, held for fifteen editions from 2006 to 2022, is the focus of this research, which aims to explore its developmental history, performance and event spaces, and the characteristics of related poetic texts. As Taiwan′s second longest-running poetry festival, the Pacific Poetry Festival not only showcases Hualien′s unique local cultural features but has also become an important platform connecting the local and the international. In terms of historical development, the Pacific Poetry Festival has deep poetic connections with Mount Meilun, from the "Hydrangea Poetry Society" during the Japanese colonial period to modern poetry activities, demonstrating cultural inheritance and innovation. As the hosting venue, Pine Garden not only embodies the transformation from a Japanese military command center to a cultural space, but its unique play of light and shadow, sounds, and spatial atmosphere create a harmonious resonance with the fluid qualities of poetry. Regarding spatial utilization, this research analyzes how the poetry festival makes good use of its indoor and outdoor venues for different types of performances. From "Poetry Under the Trees" on the outdoor lawn beneath the pine trees to "Poetry Roundtables" in indoor exhibition spaces, the interweaving of space and poetry creates a unique cultural experience. Particularly noteworthy is the "Poets′ Night" event, which has developed the distinctive feature of combining poetry with beer, showcasing the integration of Hualien′s local culture. In analyzing related poetic texts, this thesis traces the thematic evolution of the Pacific Poetry Festival through three stages: from an initial focus on the local environment, to expanding international perspectives in the middle period, and then incorporating contemporary elements in recent years. During the poetry roundtables and poet discussion activities, the exchange of works between local and international poets not only presents the cultural diversity of the poetry festival but also reflects attention to contemporary social issues. This research also identifies challenges facing the Pacific Poetry Festival, including practical problems such as venue maintenance, succession of curators, and funding acquisition, as well as how to innovate while maintaining core values. Future development directions could include deeper connections with education, improving digital platforms, and cross-disciplinary collaboration.
Appears in Collections:	[Graduate Institute of Chinese Literature] Electronic Thesis & Dissertation

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