《海上花列傳》的現代性感官圖譜;A Sensory Cartography of Modernity in The Sing-song Girls of Shanghai

NCUIR > College of Liberal Arts at National Central University > Graduate Institute of Chinese Literature > Electronic Thesis & Dissertation > Item 987654321/97333

Please use this identifier to cite or link to this item: https://ir.lib.ncu.edu.tw/handle/987654321/97333

Title:	《海上花列傳》的現代性感官圖譜;A Sensory Cartography of Modernity in The Sing-song Girls of Shanghai
Authors:	譚祖兒;Tam, Jo-Yi
Contributors:	中國文學系
Keywords:	海上花列傳;韓邦慶;現代性;感官;都市敘事;The Sing-song Girls of Shanghai;Han Bangqing;modernity;sensory perception;urban narrative
Date:	2025-07-31
Issue Date:	2025-10-17 11:09:05 (UTC+8)
Publisher:	國立中央大學
Abstract:	韓邦慶(1856-1894)所著《海上花列傳》誕生於晚清世變之際，專敘上海城市中妓女與狎客間的風流情事，是為晚清狹邪小說的經典之作。本文藉由「感官」為通孔，從城市與物質進步所構築的現代性背景切入，以上海租界作為感官經驗高度密集的城市場域出發，探討都市經驗中之時空感知，爾後進一步探討《海上花列傳》中個體間的人際互動、欲望展演與內心情感之索求。期望藉由此自外而內的回溯視察，勾勒出一幅由都市「奇觀」至個人「私情」之現代性感官圖譜。 ;The Sing-song Girls of Shanghai, written by Han Bangqing (1856–1894), is one of the classic novels of Brothel Literature in the Late Qing Dynasty. The novel vividly depicts the romantic entanglements between courtesans and their clients within Shanghai’s foreign concessions. This study approaches the text through the lens of sensory experience, with particular attention to the perception of time and space in the context of the treaty port. It further examines interpersonal dynamics, performances of desire, and emotional yearnings portrayed in the narrative. By moving from external environments to internal sensations, the study aims to sketch a modern sensory cartography that connects the public spectacle of the city to the private sentiments of the individual.
Appears in Collections:	[Graduate Institute of Chinese Literature] Electronic Thesis & Dissertation

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