改革開放後《連環畫報》之轉變與革新——以1980年至1985年所發行之期刊為例;Transformation and Innovation of Liánhuánhuà Bào after the Reform and Opening-Up: A Case Study of Issues Published between 1980 and 1985

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Title:	改革開放後《連環畫報》之轉變與革新——以1980年至1985年所發行之期刊為例;Transformation and Innovation of Liánhuánhuà Bào after the Reform and Opening-Up: A Case Study of Issues Published between 1980 and 1985
Authors:	欒景志;Luan, Jing-Zhi
Contributors:	藝術學研究所
Keywords:	改革開放;《連環畫報》;敘事與畫面;畫式與話式;意識形態;Reform and Opening-Up;Lianhuanhua Bao;Narrative and Imagery;Market Feedback;Ideology
Date:	2025-07-28
Issue Date:	2025-10-17 13:04:14 (UTC+8)
Publisher:	國立中央大學
Abstract:	本研究聚焦1980至1985年間《連環畫報》的變遷與革新，旨在探討該刊如何於改革開放初期文化多元化與官方嚴格意識形態管控的夾縫中，以編輯自主性及圖文策略進行自我調整與創新。長期以來，中國大陸對《連環畫報》的研究多集中於1960年前刊物內容與作品本身，鮮少探討其在改革開放背景下內容與繪畫手法的轉變，及其與當時政治環境與國民意識的聯繫。本文以原刊72期畫報為研究材料，輔以同期政策檔案及相關文獻，透過試算表記錄結構性指標，結合歷史文本分析、圖像敘事解讀及政治制度發展史視角，從「話式」（主題選擇與敘事策略）及「畫式」（構圖技法與風格語言）兩方面展開分析，重描刊物於轉型期的掙扎求存。論文分三章展開：第一章回顧連環畫發展與《連環畫報》編輯出版策略；第二章分析其從「紅色主旋律」向日常關懷與個體敘事轉變的內容創新；第三章則探討西方漫畫技法的本土化轉譯。研究認為，《連環畫報》在此時期既為文藝政策多重變動的產物，亦為理解1980年代中國大眾傳媒與意識形態互動提供了新視角。 ;This study examines the transformations and innovations of Lianhuanhua Bao (Comic Pictorial) from 1980 to 1985, exploring how this prominent Chinese illustrated periodical navigated the tension between cultural diversification brought by the Reform and Opening-Up policy and stringent ideological control through editorial autonomy and innovative graphic strategies. Past scholarship has predominantly focused on the publication prior to its suspension in 1960, overlooking significant changes in its post-reform content, artistic approaches, and their relationship with the political and social environment. Based on archival materials, including 72 issues of Lianhuanhua Bao held by university libraries in Mainland China and Taiwan, supplemented by contemporary policy documents, this research employs historical textual analysis, visual narrative interpretation, and institutional historical approaches. It systematically examines thematic and narrative shifts ("discourse") alongside compositional techniques and artistic languages ("iconics"), to reconstruct the magazine’s struggle and adaptation in a period of dramatic transformation. This thesis is organized into three chapters: the first reviews the historical development and editorial strategies of Lianhuanhua Bao; the second analyzes shifts from revolutionary narratives toward everyday concerns and individual stories; the third investigates the local adaptation of Western comic techniques. The findings reveal that during the early years of Reform and Opening-Up, Lianhuanhua Bao served not only as a product of shifting cultural policies but also as a crucial lens for understanding the interactions between mass media and ideological discourse in 1980s China.
Appears in Collections:	[Graduate Institute of Art Studies] Electronic Thesis & Dissertation

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