行走與觀看：台灣當代藝術地理測繪實踐之研究;Walking and Watching: The Geographical Mappings of Taiwan Contemporary Art

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题名:	行走與觀看：台灣當代藝術地理測繪實踐之研究;Walking and Watching: The Geographical Mappings of Taiwan Contemporary Art
作者:	程芝儀;Cheng, Chih-Yi
贡献者:	藝術學研究所
关键词:	地理測繪實踐;地物;製圖學;地理資訊系統;身體移置;觀看方法;Geographical Mappings;Geographical Feature;Cartography;GIS;Displacement of Body;Methods of Looking
日期:	2025-08-28
上传时间:	2025-10-17 13:04:57 (UTC+8)
出版者:	國立中央大學
摘要:	近年台灣本土意識興起，關於地方論述的藝術作品有了更好的舞台，許多藝術家透過在作品中展現各地特色，以表達對社會與環境的關心，而其中部份作品，關乎一個特殊的概念：地理測繪實踐。它牽涉到對資料的蒐集與呈現、觀眾的參與、或是對地理技術的實驗。地理資訊的置入，使得作品在離鄉背井時仍能傳達出它的空間性，以充分傳達定位及提高辨認度，同時能夠突顯地區的概念，說到對在地人文歷史、景觀的踏查，製圖學也成為藝術家測繪人與周遭環境關係的工具，關於這點，台灣也擁有許多「藝術家作為製圖學者」相關的作品及在地脈絡。故本論文從當代藝術挑選有地理相關屬性資料之作品作為研究對象，從作品呈現的方式出發，由簡至繁地自點位式的檔案蒐羅、以平面地圖作為敘事、乃至於結合GIS技術之作品，並從「身體移置」與「觀看方法」兩大主題展開本論文之相關討論。首先，從具有辨識性的地物開始，聚焦於在藝術作品中出現的天然景觀、人造物等地理象徵，從原址和展覽場域兩個面向討論作品與物件之間的迴向關係，並分析地理資訊在檔案編排上的運用。接續第二章，選擇代表台灣的三種主題，以城市、山林、信仰三種不同的視角，著重於藝術家如何將他們的行動、以及對空間的認識，透過地圖等媒介，幫助觀眾或參與者形塑新的感知經驗。第三章以當前地理資訊技術作為延伸，提出應用較新穎之地理技術或數位科技的作品案例，從檔案建置、感知方式與資料延續性三個層面，探討科技在當代藝術的地理實踐中扮演的角色與影響力。;In recent times, a newer and more advanced platform has emerged for artworks that focus on local discourse. Many artists express their concerns for society and the environment by showcasing the unique features of various regions in their works. Certain artworks are based on a special concept known as geographic mapping practice, which involves collecting and presenting documents, engaging with audiences, or experimenting with geographic technologies. The integration of geographic information makes it possible for artworks to convey their spatiality even when they are displayed away from their original location. This enhances the positioning and recognition of the artwork, making it more effective. Cartography has now become a tool for artists to explore their relationship with the environment, including the cultural history and landscape of the local area. In Taiwan, there are several works related to "artists as cartographers" and local contexts. This thesis focuses on contemporary artworks with geographic attributes, starting with the presentation of works and gradually moving towards more complex topics, including the sampling of documents by point-type, using planar maps as narratives, and those that combine GIS technologies. It also explores the related topics of "displacement of body" and "methods of looking." The first chapter concentrates on recognizable geographical features, such as natural landscapes and artificial objects that appear in artwork. It discusses the relationship between the artwork and the objects from two aspects - the original site and the exhibition site - and analyzes the use of geographic information in document arrangement. The second chapter selects three themes that represent Taiwan, and uses three different perspectives: city, forest, and faith, to focus on how artists use their actions and understanding of space through media such as maps to help audiences or participants shape new perceptual experiences. The third chapter extends the discussion by current geographic information technology, proposes examples of works that use relatively new geographic technology or digital technology. Through the three aspects: construction of archive, ways of perception, and sustainability of data, to explore the role and influence of technology in the geographical practice of contemporary art.
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