https://ir.lib.ncu.edu.tw/handle/987654321/44 Search the Channel s https://ir.lib.ncu.edu.tw/simple-search https://ir.lib.ncu.edu.tw/handle/987654321/99468 title: 民國時期的睡眠文化：從失眠症狀到安眠方法之探究 abstract: 本文旨在探討民國時期源自西方的睡眠醫學於近代中國之萌興與流變。從失眠症狀的展現與其演化為起點，進而分析治療方式的多元化與安眠途徑的更迭，以觀察社會對新興睡眠觀念的詮釋，以及「失眠」與「安眠」之間的互動脈絡。 隨著洋行設立、報刊印刷與商業廣告的盛行，民初的現代化氣息漸次顯現。在摩登都市的建築與節奏之中，中產階層、工商人士乃至政醫從業者，皆因精神緊繃與生活壓力而產生心理負荷，導致睡眠障礙頻繁出現，進一步影響休息品質與身心狀態。 文章以文化史為切入視角，梳理當時人們應對失眠的實際作法與對睡眠衛生的觀點，並蒐集各類安眠之法及其背後所蘊之醫理與社會意涵。從西藥、中藥、補方、食品乃至偽藥，探究其如何形塑大眾對此類「文明病」的認識與實踐。同時，結合華人「虛弱補精」的思維與當時盛行的「神經衰弱」論述，以釐清失眠由症狀轉化為病名的歷史進程。 西方安眠藥的輸入，大幅改變了治療與預防失眠的途徑，並揭開服藥助眠的新篇章。首批上市的巴比妥類（Barbiturates）藥物頻繁出現於報章雜誌間，深刻影響市民生活。然而，其濫用亦衍生多重社會問題，如自盡事件、過度鎮靜與成癮依賴等現象，促使官方制定規範以管制抑制中樞神經之藥品。 在醫療常識尚未普及、精神醫學體系仍待建構的年代，失眠與安眠形成緊密交織的睡眠樣態。西方醫理的介入與中醫觀點的並行，逐漸孕育出兼具雙重特質的睡眠論述，呈現中國睡眠醫學的初步雛形。 本文將上述歷史脈絡歸納為三大層面加以探討：第一，釐清睡眠研究之起源，並梳理睡眠衛生的多元視角；第二，分析失眠現象與安眠手段於民國時期的演變模式，探討相關藥物的類別與功效；第三，整理民間自然療法的差異與實際效用，觀察民眾面對失眠的反應與社會面貌，以勾勒出民國時期睡眠文化的大致圖景。;This study investigates the emergence and transformation of Western sleep medicine in modern China during the Republican era. Beginning with the manifestation and evolution of insomnia, it examines the diversification of treatments and the changing approaches to inducing sleep, revealing how society interpreted new notions of sleep and how “insomnia” and “restful sleep” interacted within this historical context. With the establishment of foreign enterprises, the expansion of print media, and the popularity of commercial advertisements, the atmosphere of modernisation gradually took shape in early Republican China. Within the fast-paced urban environment, members of the middle class, professionals, and entrepreneurs often suffered from psychological strain and mental fatigue, leading to frequent occurrences of sleep disorders that affected both rest and overall health. Adopting a cultural-historical perspective, this paper explores how people in that period responded to insomnia and conceived of sleep hygiene. It collects various methods of achieving sleep and analyses their medical rationales and social implications. From Western and Chinese medicines to food therapy and patent or pseudo-drugs, these practices shaped public understanding of insomnia as a “disease of civilisation.” The study further considers how traditional Chinese notions of “replenishing weakness and essence” intersected with the discourse on “neurasthenia,” clarifying the process through which insomnia evolved from a symptom into a recognised medical condition. The introduction of Western sleeping pills marked a turning point in the treatment and prevention of insomnia. The arrival of barbiturate drugs, such as Veronal, transformed sleep practices and were widely promoted through newspapers and advertisements, but their misuse also led to social problems—suicide, over-sedation, and addiction—prompting official regulations on central nervous system depressants. In a time when psychiatry was still nascent and medical knowledge limited, insomnia and sleep became interwoven experiences. The coexistence of Western medical theories and traditional Chinese views produced a hybrid discourse, signifying the early formation of Chinese sleep medicine. This study organises these developments into three dimensions: 1. To trace the origins of sleep research and delineate diverse perspectives on sleep hygiene. 2. To analyse the transformation of insomnia phenomena and sleeping methods during the Republican era, including drug types and their effects. 3. To examine the variation and efficacy of popular natural therapies and the public’s responses to insomnia, thereby outlining the broader landscape of sleep culture in Republican China. <br> Fri, 06 Mar 2026 11:04:08 GMT https://ir.lib.ncu.edu.tw/handle/987654321/98644 title: 明代沿海衛所研究-以南直隸金山衛為例 abstract: 南直隸金山衛屬於明代眾多衛所之一，依地理位置及制度分類屬於沿海衛所，是一處保障明帝國富庶的蘇松及浙江等地的重要衛所。沿海衛所設置的目的為防禦「倭寇」，因此金山衛亦為海防體制的一部份。 從金山衛所城池歷朝修建到軍士官兵人數消長，可見金山衛所的基本狀態。並由居住於衛所城的軍民的生活，得以窺見軍民從軍兵操練、衛學教育、軍屯賦稅及漕運生產等，此種種事項不但是其日常生活，亦為服務並完備帝國的義務，也影響著帝國的國防安全。金山衛的防衛成效，以海防為主要任務，金山衛在海防策略及官制變革中，持續發揮其效用。明末受到清軍侵略時，金山衛城指揮使等將官仍積極抵抗，展現其應有的防衛職責及對明朝的忠勇之心。 終明一代，衛所制度及海防制度均因應時間及社會變動，不斷做出應對及變革，金山衛則在兩個制度相互影響下做出反應。本文以金山衛所為研究對象，以制度史及軍事史視角交互探析，為明代衛所制及海防體制的縮影，但不論各項制度如何改變，金山衛仍為重要的國防單位。 ;Jinshan Guard（金山衛） in Southern Zhili（直隸） was one of the many weisuo（衛所） (military guard posts) established under the Ming dynasty. Classified as a coastal garrison, it played a vital role in defending the empire’s prosperous regions of Suzhou（蘇州）, Songjiang（松江）, Zhejiang（浙江）. The coastal guard system was created primarily to counter the threat of wokou（倭寇） (“Japanese pirates”), and Jinshan Guard functioned as an integral part of this maritime defense network. The development of Jinshan Guard can be traced through the construction of its fortress, fluctuations in troop strength, and the everyday lives of its military households. Activities such as training, education in the guard school, military farming, taxation, and grain transport reveal how the soldiers and their families not only sustained their livelihoods but also fulfilled obligations to the empire, directly shaping its defensive capacity. Maritime defense remained the guard’s primary mission, and despite ongoing institutional reforms, it continued to serve as an active component of coastal strategy. At the end of the Ming, Jinshan’s commanders resisted the Qing invasion, embodying both their defensive duty and loyalty to the dynasty. Throughout the Ming period, the weisuo system and maritime defense system evolved in response to shifting political and social conditions, and Jinshan Guard adapted accordingly. Viewed through the lenses of institutional and military history, it stands as a microcosm of these broader systems, while consistently remaining an important unit of national defense. Keywords: Jinshan Guard, weisuo system, maritime defense, military households, Southern Zhili <br> Fri, 17 Oct 2025 05:02:29 GMT https://ir.lib.ncu.edu.tw/handle/987654321/98641 title: 香消玉殞：民國女星阮玲玉之研究 abstract: 阮玲玉（1910－1935）是中國默片時代最具代表性的女性演員之一，她的 銀幕形象、人生經歷與身後影響，不僅構成近代影史上一個極具張力的個案， 也成為現代性、性別政治與文化記憶交錯之下的一種「悲劇性符號」。本論文從 歷史與影像的交會處出發，試圖重返這位民國女星的生命現場與銀幕敘事，探 討她如何在電影作品中塑造出兼具階級悲情與情感厚度的角色形象，又如何在 現實中成為輿論獵殺與文化操控下的犧牲者。 論文內容共分為伍章，首先從阮玲玉的生平與情感歷程切入，釐清她成長 過程中的社會背景與演藝軌跡，再進一步分析其在《新女性》、《神女》等代表 作中所扮演角色的社會意涵與性別象徵。隨後，論文將探討當時上海媒體如何 以新聞敘事方式參與她形象的塑造與毀壞，並深入分析她與張達民、唐季珊的 情感關係如何成為公眾談資與媒體商品。1991 年關錦鵬導演的電影《阮玲玉》， 則是本文另一個重點文本，透過後設電影的手法，再現一位已故女星的歷史軌 跡，也重新辯證影像再現與歷史真實的關係。 此外，本論文亦將阮玲玉與同時期另一位著名女星胡蝶進行比較，觀察兩 人所代表的不同政治與文化路線對其銀幕形象與歷史評價的影響。最後，本文 亦將延伸至更長遠的文化記憶場域，探討阮玲玉如何被後人不斷重寫、懷念與 再現，成為中國近代影史上一個始終難以安放的名字。 本研究透過文本分析、歷史考證、媒體解構與文化記憶等方法，嘗試勾勒 出一幅關於「阮玲玉」的多層次文化圖像，並回應一個更深的問題：在一個過 渡時代裡，一位女性如何被歷史塑造，又如何反過來成為歷史的鏡子？;Ruan Lingyu（1910–1935）stands as one of the most iconic actresses of China′s silent film era. Her screen image, personal experiences, and posthumous legacy offer a compelling lens through which to examine the intersections of modernity, gender politics, and cultural memory. This thesis approaches Ruan not only as a historical figure but as a symbol shaped by cinematic narrative, social commentary, and media representation. By returning to her life and film work, this study seeks to explore how she was constructed as a tragic female figure—on screen and off. The thesis is organized into five chapters. It begins with Ruan’s biographical context and her emotional entanglements, tracing her path from a working-class background to cinematic stardom. It then moves into a detailed analysis of her major films, such as New Woman and The Goddess, investigating how her roles reflect societal views on class, gender, and modernity. A core section addresses how Shanghai’s media environment contributed to both her myth-making and ultimate downfall, particularly in relation to her romantic involvements with Zhang Damin and Tang Jishan, which were widely exploited by the press. Special attention is given to Stanley Kwan’s 1991 film Ruan Lingyu, a postmodern reimagination that blurs the lines between biography, fiction, and critique. The thesis further compares Ruan to her contemporary Hu Die, revealing the differing political and cultural narratives that shaped their images and legacies. Finally, the study examines how Ruan Lingyu’s figure continues to be reinterpreted, remembered, and revived in contemporary culture, making her a persistent—and unsettled—presence in the history of Chinese cinema. Using film analysis, historical documents, media theory, and cultural memory frameworks, this study seeks to reconstruct a layered portrait of Ruan Lingyu and reflect on the broader question of how a woman, in a time of social upheaval, is simultaneously made by and makes history. <br> Fri, 17 Oct 2025 05:02:21 GMT https://ir.lib.ncu.edu.tw/handle/987654321/98638 title: 書寫另一種抗戰史： 李友邦（1906-1952）的抗戰組織與社會活動;Writing another history of the War of Resistance: Li Youbang′s (1906-1952) anti-Japanese war organization and social activities abstract: 本研究以臺灣近代史重要人物李友邦（1906-1952）帶領閩北崇安縣臺胞前往浙江金華參與中國抗戰為主要研究宗旨，思想上的轉變與左傾友人林木順（1906-1934失蹤）、廖仲愷（1877-1925）等人有關係、加入新臺灣文化協會之後的抗戰思想，與當時臺灣革命同盟會提出的抗戰是為了脫離日本殖民統治而達到臺灣獨立自由；1942年臺灣革命同盟會的南方執行部在福建漳州成立「中正醫院」。在檔案上找到臺灣義勇隊的成員中，有不少來自在廈門的旭瀛公學校，畢業之後擔任教職，到博愛醫院擔任醫生、護士、務農、經商、政府單位等，藉此知道他們雖留在日組織又為何會跟隨李友邦一起抗戰。此外，本研究在檔案文獻中發現除了四間「臺灣醫院」之外，臺灣義勇隊在當時有許多中國人加入，所以在各地增設醫院，如雲南、四川、貴州、河南等地區的「臺灣醫院」，與當時國民政府的移動路線是有關係的；在文本當中有兩位新安旅行團的成員到臺灣少年團擔任指導員，教導抗戰的歌舞劇表演等訓練並有書信往來，顯示國共合作時期李友邦與中國共產黨人是有合作的。中國共產黨在臺灣義勇隊和臺灣少年團中起到了承先啟後的作用，臺灣義勇隊裡的中共黨員也有把小孩交給團隊，例如朱倬就是由母親朱諶之（朱楓）送來受訓練的。不論是政治活動亦或是文藝宣傳，都有著中國共產黨的足跡，所以在國共合作時期，的確是有中國共產黨滲透進入國民黨的組織。;This study focuses on Lee You-pang (1906-1952), who was one of the most important figures in modern history of Taiwan leading his comrades to Chong’an County, China to participate in the Second Sino-Japanese War. His change of thinking was correlated with his left-wing friends, including Lin Mu-shun (1906-1934, missing), and Liao Chung-kai (1877-1925). He began cultivating the attitude against Japan after joining Neo-Taiwanese Cultural Association, and he founded the Taiwan Revolution Society and proposed resistance against Japan’s colonial rule, aiming at the independence and freedom of Taiwan. In 1942, the southern executive office of the Society established the “Jhong Jheng Hospital” in Zhongzhou, Fujian. Among the members of Taiwan Volunteer Corps, it is found from the files that many of them came from Hsu Ying Academy in Xiamen; after graduation, they served as teachers, doctors, nurses, farmers, politicians, businessmen, or government staff members. With this, I came to know why they stood by Lee’s side despite staying in Japanese organizations. In addition, I also discovered from the files that, besides the four “Taiwan Hospitals,” there were also many Chinese people joining the Volunteers. That’s why there were Taiwanese hospitals established in Yunnan, Sichuan, Guizhou, and Henan, and they were related to the maneuvering routes of the Nationalist Government. In the texts, two members of the Xinan Troupe went to Taiwan Youth Group as the instructors for stage performance training about Sino-Japanese War musicals, along with communications via letters, showing that Lee was cooperating with the Chinese Communist Party. The CCP serves as the intermediary agent of the Volunteers as well as the Youth Group, and there were even CCP members sending their kids to the Group; for example, Zhu Zhuo was sent by his mother Zhu Chenzhi (also known as Zhu Feng) for training. Whether it’s political activities or artistic promotions, there were signs of the CCP. Therefore, we can see that the CCP did infiltrate the Kuomintang during their cooperation. <br> Fri, 17 Oct 2025 05:02:04 GMT