摘要： By re-reading one of the most important modernist works in Taiwan's post-war literary history, Wang Wen-hsing'sFamily Catastrophe(1972), I rethink the binary of realism and modernism articulated in Taiwan's Nativist Literary Debate (1977–1978). Taking the 1960s and 1970s as a historical reference point thatFamily Catastropheidentifies, responds to, and reflects on, my reading of the change in the parent-child relationships shows the connectedness between Taiwan's modernism and the island's social and economic modernization. Rather than reading modernism in Taiwan solely in terms of its formal and linguistic innovation and its investment in modern Western philosophies, I see the novel as an attempt to redefine the dynamics within and between modernism and social criticism. 出版者： Indiana University Press 出版日期： 2015-07-01 出處： Journal of modern literature, 2015-07, Vol.38 (4), p.126-146 資源來源： JSTOR Arts and Sciences V 版權： 2015 Indiana University Press 識別號： ISSN: 0022-281X 識別號： EISSN: 1529-1464 識別號： DOI: 10.2979/jmodelite.38.4.126
