參考文獻 |
英文期刊
1. Barker, Emma, “Mme Geoffrin, Painting and Galanterie: Carle Van Loo’s Conversation Espagnole and Lecture Espagnole,” Eighteenth-Century Studies, vol. 40, no. 4 (2007): 587-614.
2. Goodman, Dena, “Filial Rebellion in the Salon: Madame Geoffrin and Her Daughter,” French Historical Studies, Vol. 16, No. 1 (Spring, 1989): 28-47.
3. Goodman, Dena, “Enlightenment Salons: The Convergence of Female and Philosophic Ambitions,” Eighteenth-Century Studies, 22:3 (Spring, 1989): 329-50.
4. Goodman, Dena, “Public Sphere and Private Life: Toward a Synthesis of Current Historiographical Approaches to the Old Regime,” History and Theory, Vol. 31, No. 1 (Feb., 1992): 1-20.
5. Gordon, Daniel, “Philosophy, Sociology, and Gender in the Enlightenment Conception of Public Opinion,” French Historical Studies, Vol. 17, No. 4 (Autumn, 1992): 882-911.
6. Gordon-Smith, Maria, “Jean Pillement at the Court of King Stanisłaus August of Poland (1765-1767),” Artibues et Historiae, Vol. 26, No. 52 (2005), pp.129-163.
7. Hyde, Melissa, “Confounding Conventions: Gender Ambiguity and François Boucher’s Painted Pastorals,” Eignteenth-Century Studies, Vol. 30, No. 1 (Fall, 1996), pp. 25-57.
8. Jacoby, Beverly Schreiber, “Boucher’s Late Brown Chalk Composition Drawings,” Master Drawings, Vol. 30, No. 3 (Autumn, 1992): 255-286.
9. Kale, Steven D., “Women, the Public Sphere, and the Persistence of Salons,” French Historical Studies, Vol. 25, No. 1 (winter 2002): 115-148.
10. Lough, John, “Lemonnier’s ‘UNE SOIRÉE CHEZ MADAME GEOFFRIN EN 1755’,” French Studies, 45, no. 3 (1991): 268-78.
11. Scott, Barbara, "Madame Geoffrin: A Patron and Friend of Artists," Apollo Magazine, Vol. LXXXV, No. 60 (February, 1967): 98-103.
外文書目
1. Aldis, Janet, Madame Geoffrin Her Salon and Her Times, 1750-1777, Putnam, 1905.
2. France in Russia: Empress Josephine's Malmaison collection, [editors, Frank Althaus and Mark Sutcliffe], London: Fontanka; Courtauld Institute of Art; Hermitage Rooms at Somerset House, 2007.
3. Andrew, Edward, Patrons of Enlightenment, University of Toronto Press, 2006.
4. Bailey, Colin B., Patriotic Taste: Collecting Modern Art in Pre-Revolutionary Paris, New Haven: Yale University Press, 2002.
5. Bailey, Colin B., The age of Watteau, Chardin, and Fragonard: masterpieces of French genre painting, New Haven [Conn.]: Yale University Press in association with the National Gallery of Canada, Ottawa, 2003.
6. Boime, Albert, Art in age of Revolution, 1750-1800, University of Chicago Press, 1987.
7. Boucher, François, Metropolitan Museum of Art (New York, N.Y.), Detroit Institute of Arts, Réunion des musées nationaux (France), François Boucher, 1703-1770: the Metropolitan Museum of Art, New York, February 17, 1986-May 4, 1986, the Detroit Institute of Arts, May 27-August 17, 1986, Reunion des musées nationaux, Grand Palais, Paris, September 19, 1986-January 5, 1987, Metropolitan Museum of Art, 1986.
8. Braham, Allan, The Architecture of the French Enlightenment, University of California Press, 1980.
9. Bryson, Norman, Word and Image: French painting of the Ancien Régime, Cambridge University Press, 1981.
10. Council, Greater London, The Iveagh Bequest; [catalogue by Philip Conisbee], Claude-Joseph Vernet, 1714-1789, London: The Council, 1976.
11. Chardin, Jean Baptiste Siméon, Rosenberg, Pierre, Galeries nationales du Grand Palais (France), Chardin, London: Royal Academy of Arts; New York: Metropolitan Museum of Art, c2000.
12. Craveri, Benedetta, The Age of Conversation, New York Review Books, 2005.
13. Crow, Thomas, Painters and Public Life in Eighteenth-Century Paris, New York: Yale University Press. 1985.
14. Diderot, Denis, Regrets sur ma vieille robe de chambre ou avis à ceux qui ont plus de goût que de fortune, s.n., 1772.
15. Dilke, Lady Emilia Francis Strong, French painters of the XVIIIth century, G. Bell and Sons, 1899).
16. Fontanel, Béatrice, Daily Life in Art, Abrams, 2006.
17. Fried, Michael, Absorption and theatricality: painting and beholder in the age of Diderot, University of California Press, 1980.
18. Goldsmith, Elizabeth C., Goodman, Dena, Going public: women and publishing in early modern, Cornell University Press, 1995.
19. Gordon, Daniel, Citizens without sovereignty: equality and sociability in French thought, 1670-1789, Princeton University Press, 1994.
20. Ed. and translated by Goodman, John, Diderot on Art: The salon of 1765 and Notes on painting, Yale University Press, 1995.
21. Ed. and translated by Goodman, John, Diderot on Art: The salon of 1767, Yale University Press, 1995.
22. Goldsmith, Elizabeth C., Exclusive conversations: the art of interaction in seventeenth-century France, Philadelphia: University of Pennsylvania Press, 1988.
23. Goodman, Dena, The Republic of Letters: A Cultural History of the French Enlightenment, Cornell University Press, 1996.
24. Goodman, Elise, The portraits of Madame de Pompadour: celebrating the femme savant, Berkeley, Calif.: University of California Press, 2000.
25. Hamon, Maurice, Madame Geoffrin: Femme d'influence, femme d'affaires au temps des Lumières, Paris: Fayard, 2010.
26. Harth, Erica, Ideology and Culture in Seventeenth-Century France, Cornell University Press, 1983.
27. Herbst, Susan, Politics at the margin: historical studies of public expression outside the mainstream, Cambridge University Press, 1994.
28. Hyde, Melissa, Making Up the Rococo: François Boucher and His Critics, Getty Research Institute, 2006.
29. Irwon, David, Neoclassicism, London Phaidon, 1997.
30. Jones, Colin, Madame de Pompadour: Images of a Mistress, Yale University Press, 2002.
31. Johnson, Dorothy, Jacques-Louis David: New Perspectives, Newark [Del.]: University of Delaware Press, 2006.
32. Kale, Steven D., French salons: high society and political sociability from the Old Regime to the Revolution of 1848, JHU Press, 2004.
33. Kiefer, Carol Solomon, The Empress Josephine: art & royal identity, Mead Art Museum, Amherst College, 2005.
34. Landes, Joan B., Women and the public sphere in the age of the French Revolution, Cornell University Press, 1988.
35. Ledbury, Mark, Sedaine, Greuze and the boundaries of genre, Voltaire Foundation, 2000.
36. Lilti, Antoine, Le monde des salons: sociabilité et mondanité à Paris au XVIIIe siècle, Fayard, 2005.
37. Lougee, Carolyn C., Le Paradis des Femmes: Women, Salons, and Social Stratification in Seventeenth-Century France, Princeton University Press, 1976.
38. May, Gita, Elisabeth Vigée Le Brun: the odyssey of an artist in an age of revolution, Yale University Press, 2005.
39. Maza, Sarah, The Myth of the French Bourgeoisie: An Essay on the Social Imaginary, 1750-1850, Harvard University Press, 2005.
40. Morellet, André, Éloges de Madame Geoffrin: contemporaine de Madame Du Deffand, par MM. Morellet, Thomas et d'Alembert, suivis de lettres de Madame Geoffrin et à Madame Geoffrin : et d'un essai sur la conversation, etc., etc, Paris, H. Nicolle, Librarie Stéréotype , MDCCCXII, 1812.
41. André Morellet (1727-1819) in the Republic of Letters and the French Revolution, edited by Jeffrey Merrick, Dorothy Medlin, P. Lang, 1995.
42. Outram, Dorinda, The Enlightenment, Cambridge University Press, 1995.
43. Outram, Dorinda, Panorama of the Enlightenment, J. Paul Getty Museum, 2006.
44. Pardailhé-Galabrun, Annik, The birth of intimacy: privacy and domestic life in early modern Paris, University of Pennsylvania Press, 1991.
45. Pekacz, Jolanta T., Conservative tradition in pre-revolutionary France: Parisian salon women, P. Lang, 1999.
46. Pomian, Krzysztof, Collectors and Curiosities: Paris and Venice, 1500-1800, Polity Press, 1990.
47. Rand, Richard, and Bianco, Juliette M., Intimate encounters: love and domesticity in eighteenth-century France, Princeton University Press, 1997.
48. Radisich, Paula Rea, Hubert Robert: Painted Spaces of the Enlightenment, Cambridge University Press, 1998.
49. Sainte-Beuve, C. A., Causeries du Lundi: April 1850-July 1850, London: George Routledge & Sons, Ltd, 19??, translated, with an introduction and notes, by E. J. Trechmann, Vol. III.
50. Schiebinger, Londa, The mind has no sex?: women in the origins of modern science, Harvard University Press, 1991.
51. Sheriff, Mary D., Fragonard: art and eroticism, University of Chicago Press, 1990.
52. Sheriff, Mary D., Moved by love: inspired artists and deviant women in eighteenth-century France, University of Chicago Press, 2004.
53. Sonenscher, Michael, Sans-Culottes: An eighteenth-century emblem in the French Revolution, Princeton University Press, 2008.
54. Stein, Perrin, Eighteenth-century French drawings in New York collections, New York: Metropolitan Museum of Art, 1999.
55. Thuiller, Jacques and Châtelet, Albert, French Painting from Le Nain to Fragonard, Geneva: Skira, 1964.
56. Vidal, Mary, Watteau’s Painted Conversations: art, literature, and talk in seventeenth- and eighteenth-century France, Yale University Press, 1992.
57. Wakefield, David, French Eighteenth Century Painting, Gordon Fraser, 1984.
58. Wolff, Larry, Inventing Eastern Europe: The Map of Civilization on the Mind of the Enlightenment, Stanford University Press, 1996.
59. Wyngaard, Amy S., From Savage to Citizen: The Invention of the Peasant in the French Enlightenment, Newark: University of Delaware Press, 2004.
中文書目
1. 陳振堯,《法國文學史》,臺北市:天肯,1995。
2. 馬里伏(Pierre Carlet de Marivaux)著,林志芸譯,《馬里伏劇作精選--雙重背叛與愛情與偶然狂想曲》,台北市:聯經,2002。
3. 彭鏡禧主編,《解讀西洋經典》,台北市:聯經,2002。
4. 哈伯瑪斯(Jürgen Habermas)著,曹衛東等譯,《公共領域的結構轉型》,臺北市:聯經,2002。
5. 斐蓮娜‧封‧德‧海登-林許(Verena von der Heyden-Rynsch)著,張志成譯,《沙龍:失落的文化搖籃》,臺北新店:左岸文化,2003。
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