| 參考文獻 |
一手文獻
官方報告
1. “ART. II. Report from the Select Committee on Arts and their Connexion with Manufactures; with the Minutes of Evidence, Appendix, and Index. Ordered by the House of Commons to be printed, August 16. 1836,” The Architecture Magazine, and Journal of Improvement in Architecture, Building, and Furnishing, and in the Various Arts and Trades Connected Therewith, Vol. 3, London: Longman, Ress, Orme, Brown, Green, &Longman, Paternoster-Row; and Weal, Architectural Library, High Holborn, 1836: 546-555.
2. Foggo, George, Report of the Proceedings at a Public Meeting Held at the Freemason’s Hall on the 19th of May, 1837, London, 1837.
3. Minute Book, Royal National Gallery: Minutes of the Boarding Meetings 7/2/1828-2/12/1847, vol. 1, National Gallery Archive.
4. Nash, John, First Report to His Majesty’s Commissioners for Wood, Forests and Land Revenues, London, 1812.
5. Parliamentary Debates (Commons), 2nd ser., 10, 23 Feb. 1824.
6. Report, Proceedings and Minutes of Evidence of the Select Committee on Arts and their Connexion with Manufactures, London, 1836.
7. Report, Proceedings and Minutes of Evidence of the Select Committee Appointed to Consider the Best Mode of Providing Additional Room for Works of Art Given to the Public, or Purchased by Parliamentary Grants, London, 1848.
8. Report, Proceedings and Minutes of Evidence of the Select Committee Appointed to Consider the Present Accommodation Afforded by the National Gallery; and the Best Mode of Preserving and Exhibiting to the Public, the Works of Art Given to the Nation or Purchased by Parliamentary Grants, London, 1850.
9. Report, Proceedings and Minutes of Evidence of the Select Committee Appointed to Inquire into the Management of the National Gallery; also to Consider in what Mode the Collective Monuments of Antiquity and Fine Art Possessed by the Nation may be most Securely Preserved, Judiciously Augmented, and Advantageously Exhibited to the Public, London, 1853.
10. Select Committee on National Monuments and Works of Art: With the Minutes of Evidence, and Appendix, London, 1841.
館藏目錄
1. A Catalogue of the Pictures in the National Gallery, Pall Mall, London: William Nicol, Cleveland-Row, St. James’s, 1826.
2. A Catalogue of the Pictures in the National Gallery, Pall Mall, London: William Nicol, Cleveland-Row, St. James’s, 1831.
3. A Catalogue of the Pictures in the National Gallery, Pall Mall, London: William Nicol, 1834.
4. A Catalogue of the Pictures in the National Gallery, Pall Mall, London: William Clowes and Sons, 1842.
5. Hazlitt, W., Descriptive Catalogue of the National (Late the Angerstein) Gallery. Now Open to the Public in Pall Mall, London, 1824.
6. Mrs. Jameson, Handbook to the Public Galleries in and near London with Catalogues of the Pictures, Accompanied by Critical, Historical, and biographical Notices and Copious Indexes to Facilitate Reference, London: John Murrey, 1845.
7. Landseer, John, A Descriptive, Explanatory, and Critical, Catalogue of Fifty of the Earliest Pictures Contained in the National Gallery of Great Britain, London: Richard Glynn, 1834.
8. Ottley, William Young, Descriptive Catalogue of the Pictures in the National Gallery with Critical Remarks on Their Merits, London: W. Nicol, 1835.
9. Summerly, Felix, Hand-Book for the National Gallery: Containing 1. A Numerical Catalogue of the Pictures, and Remarks; 2. Alphabetical List of the Painters, Their Chronology, Their Schools, and References to Their Pictures, London: Bell and Wood, 1843.
10. Wornum, R. N. and Eastlake, C. L., Descriptive and Historical Catalogue of the Pictures in the National Gallery, London, 1847.
11. Wornum, R. N. and Eastlake, C. L., Descriptive and Historical Catalogue of the Pictures in the National Gallery, London, 1863.
一手書目
1. Anon., A Letter to the members of the Society for the Encouragement of Arts, Manufactures, and Commerce: containing, some remarks on the pictures to which the premiums were adjudged; with some cursory observations on History Painting, London: R. Griffiths, 1761.
2. Bacon, Francis, Gesta Grayorum, London, 1594.
3. Barry, J., The Works of James Barry, Esq., Historical Painter, 2 vols., London: T. Cadle and W. Davies, Strand, 1809.
4. Brown, John, An Estimate of the Manners and Principles of the Times, 2 vols., London: L. Davis, and C. Reymers, 1757.
5. Dallaway, James, Anecdotes of the Arts in England; or, Comparative Remarks on Architecture, Sculpture, and Painting, Chiefly illustrated by Specimens at Oxford, London: T. Cadle and W. Davies, Strand, 1800.
6. Dyce, William, The National Gallery: Its Formation and Management, Considered in A Letter Addressed, by Permission, to H. R. H. the Prince Albert, K. G., London, 1853.
7. Eastlake, C. L., Contributions to the Literature of the Fine Arts, London: John Murray, Albemarle Street, 1870.
8. Eastlake, C. L., The National Gallery: Observations on the Unfitness of the Present Building for the Purpose, in a Letter to the Right Hon. Sir Robert Pell, Bart, London: W. Clowes and Sons, 1845.
9. Gwynn, John, An Essay on Design: Including Proposals for Erecting a Public Academy to be Supported by Voluntary Subscription (Till a Royal Foundation can be obtain’d) for Educating the British Youth in Drawing , and several Arts depending thereon, London: I. Brindley, 1749.
10. Jameson, Anna, A Companion to the Most Celebrated Private Galleries of Art in London, London: Saunders and Otley, Conduit Street, 1844.
11. Jameson, Anna, A Handbook to the Public Galleries in and near London with Catalogues of the Pictures, Accompanied by Critical, Historical, and Biographical Notices, and Copious Indexes to Facilitate Reference, London: John Murray, Albemarle Street, 1842.
12. Kingsley, Charles, “The National Gallery,” Politics for the people, London: John W. Parker, West Strand, 1848, pp. 5-6.
13. Macleod, John, “Letter from West, 16 October 1814,” Address to the People of England on the Projected Building of a Palace for the Sovereign, and of a National Gallery, London: Warren, 1820.
14. Newton, Charles Thomas, “On the Arrangement of the Collections of Art and Antiquities in the British Museum. Letter to the Chairman of the Select Committee on the National Gallery. Rhodes, May 28, 1853,” Essays on Art and Archaeology, London: Cambridge University Press, 2010, pp. 39-72.
15. Northcote, James, The Life of Sir Joshua Reynolds, London: Henry Colbrun, Conduit Street, 1819.
16. Thackeray, W. M., Critical Papers in Art, London: Macmillan and Co. Ltd, 1904.
17. The Speeches of John Wilkes, One of the Knights of the Shire for the County of Middlesex, in Parliament Appointed to Meet at Westminster the 29th day of November 1774, to the Prorogation the 6th day of June 1777, John Almon (ed.), 3 vols., London, 1777.
18. Reynolds, Sir Joshua, Discourses on Art, R. R. Wark (ed.), New Haven and London: Yale University Press, 1975.
19. Waagen, G. F., Works of Art and Artists in England, Vol. 1, London: John Murray, Albemarle Street, 1838.
20. Wornum, R. N., The Epochs of Painting Characterized. A Sketch of the History of Painting, Ancient and Modern, showing its Gradual and Various Development from the Earliest Ages to the Present Time, London, 1847.
21. Wyse, Thomas, Education Reform; Or, The Necessity of a National System of Education, London: Longman, Ress, Orme, Brown, Green & Longman, Faternoster-Row, 1836.
一手期刊
1. Agar-Ellis, George, “Catalogue of the celebrated Collection of Pictures of the late John Angerstein, Esq.,”Quarterly Review, April, 1824: 210-215.
2. Dennistoun, James, “The National Gallery Report,” Edinburgh Review, Vol. 99, No. 202, April, 1854: 526-556.
3. William Hazlitt, “Mr. Angerstein’s Collection of Pictures,” The London Magazine, Vol. 6, No. 36, Dec., 1822: 489-494.
4. Morning Chronicle, 20 Nov., 1824 (unpaginated).
5. “National Galleries, Museums, Public Parks, and Gardens,” Fraser’s Magazine for Town and Country, Vol. 47, No. 282, June, 1853: 696-698.
6. “National Gallery,” Blackwoods Edinburgh Magazine, Vol. 74, No. 458, Dec., 1853: 645-662.
7. “Our Weekly Gossip,” the Anthenaeum, Vol. 763, June 11, 1842: 528-529.
8. “Report on a meeting,” The Spectator, Vol. 46, London, 1837: 517.
9. “The Site of the National Gallery Reconsidered,” Fraser’s Magazine for Town and Country, Vol. 74, No. 439, July, 1866: 53-71.
10. The Times, 11 April, 1837: 187.
二手文獻
書目
1. Avery-Quash, Susanna and Sheldon, Julie, Art for the Nation: the Eastlakes and the Victorian Art World, London: the National Gallery, 2011.
2. Bailey, P., Leisure and Class in Victorian England: Rational Recreation and the Contest for Control, 1830-1885, London: Routledge & Kegan Paul, 1978.
3. Broun, Francis, “Sir Joshua Reynolds’ Collection of Paintings,” unpubl. Ph. D. thesis, Princeton University, 1987.
4. Brown, Jonathan, Kings and Connoisseurs, Princeton University Press, 1995.
5. Cannadine, David, “The Context, Performance and Meaning of Ritual: The British Monarchy and the ‘Invention of Tradition’, c. 1820-1977,” The Invention of Tradition, Eric Hobsbawn and Terence Ranger (eds.), Cambridge, 1983, pp. 101-164.
6. Colley, Linda, Britons: Forging the Nation 1707-1837, New Haven and London, 2009.
7. Conlin, Jonathan, The Nation’s Mantelpiece: A History of the National Gallery, Pallas Athene Arts, 2006.
8. Duncan, Carol, Civilizing Rituals: inside public art museums, Routledge, 1995.
9. Elias, N., The Court Society, Oxford: Blackwell, 1983.
10. Girouard, Mark, Life in the English Country House, New York and Harmondsworth, 1978.
11. Goldstein, Carl, Teaching Art: Academies and Schools from Vasari to Albers, Cambridge University Press, 1996.
12. Hale, John, England and the Italian Renaissance: The Growth of Interest on its History and Art, Blackwell Publishing Ltd, 2005.
13. Haskell, Francis, Rediscoveries in Art: Some Aspects of Taste, Fashion and Collecting in England and France, Cornell University Press, 1976.
14. ---, The Ephemeral Museum: Old Master Paintings and the Rise of the Art Exhibition, Yale University Press, 2000.
15. Hendy, Philip, The National Gallery, London, New York: Harry N. Abrams, 1960.
16. Hill, Kate, Culture and Class in English Public Museums, 1850-1914, England: Ashgate, 2005.
17. Holmes, Sir Charles and Baker, C. H. Collins, The Making of the National Gallery 1824-1924, National Gallery London, 1924.
18. Hoock, Holger, “Reforming Culture: National Art Institutions in the Age of Reform,” Rethinking the Age of Reform, Arthur Burns and Joanna Innes (eds.), Cambridge University Press, 2003, pp. 254-270.
19. Hudson, K., A Social History of Museums: What Visitors Thought, London: Macmillan. Hudson, K., 1987.
20. Klonk, Charlotte, “The National Gallery in London and Its Public,” Consumers and Luxury, Maxine Berge and Helen Clifford (eds.), Manchester Eng.: Manchester University, Press, 1999, pp. 228-250.
21. ---, Spaces of Experience: Art Gallery Interiors from 1800-2000, Yale University Press, 2009.
22. McClellan, Andrew, Inventing the Louvre: Art, Politics, and the Origins of the Modern Museum in Eighteenth-Century Paris, London: University of California Press, 1999.
23. Mace, Rodney, Trafalgar Square: Emblem of Empire, Lawrence & Wishart Ltd., 1976.
24. MacGregor, A. The Late King’s Goods, Oxford University Press, 1989.
25. MacGregor, Neil, Britain’s Paintings: The Story of Art through Masterpieces in British Collections, London: Cassell Illustrated, 2003.
26. ---, Curiosity and Enlightenment: Collectors and Collections from the Sixteenth to the Nineteenth Century, New Haven and London: Yale University Press, 2007.
27. McClellan, Andrew L., Inventing the Louvre: Art, Politics, and the Origins of the Modern Museum in Eighteenth-Century Paris, University of California Press, 1994.
28. Minihan, Janet, The Nationalization of Culture: the development of state subsidies to the arts in Great Britain, New York University Press, 1977.
29. Newman, Gerald, The Rise of English Nationalism: A Cultural History 1740-1830, Houndmills, Basingstoke, Hampshire : Macmillan, 1997.
30. Palaces of Art: Art Galleries in Britain, 1790-1990, Giles Waterfield (ed.), Dulwich Picture Gallery,1991.
31. Pears, Iain, The Discovery of Painting: The Growth of Interest in the Arts in England, 1680-1768, Yale University Press, 1988.
32. Pearson, Nicolas, The State and the Visual Arts: A Discussion of State Intervention in the Visual Arts in Britain, 1760-1961, Milton Keynes: Open University Press, 1982.
33. Pevsner, Nikolaus, A History of Building Types, London: Thames and Hudson, 1976.
34. Potterton, Homan, The National Gallery, London, London: Thames & Hudson Ltd, 1990.
35. Prior, Nick, Museums and Modernity: Art Galleries and the Making of Modern Culture, Oxford: Berg, 2002.
36. Robertson, David, Sir Charles Eastlake and the Victorian Art World, New Jersey:
Princeton University Press, 1978.
37. Sheehan, James J., Museums in the German Art World: from the End of Old Regime to the Rise of Modernism, Oxford University Press, 2000.
38. Smith, Thomas, Recollections of the British Institution, for Promoting the Fine Arts in the United Kingdom, London: BiblioBazaar, 1860.
39. Solkin, David H., Painting for Money: The Visual Arts and the Public Sphere in Eighteenth-Century England, Yale University Press, 1992.
40. Stewart, Rachel, The Town House in Georgian London, New Haven and London, 2009.
41. Taylor, Brandon, Art for the Nation: Exhibitions and the London Public 1747-2001, Rutgers University Press, 1999.
42. The Evolution of English Collecting: the Reception of Italian Art in the Tudor and Stuart Periods, Edward Chaney (ed.), New Haven and London: Yale University Press, 2003.
43. The National Gallery：An Illustrated History, National Gallery London, 2009.
44. Tinniswood, Adrian, The Polite Tourist: Four Centuries of Country House Visiting, Harry N. Abrams, 1999.
45. Trodd, Colin, “Culture, Class, City: The National Gallery, London and the Spaces of Educations, ” Art Apart: Art Institutions and Ideology Across England and North America, M. Pointon (ed.), Manchester: Manchester University Press, 1994.
46. ---, “The Paths to the National Gallery,” Governing Cultures: Art Institutions in Victorian London, Paul Barlow and Colin Trodd (ed.), Ashgate, 2000.
47. G. A. Waterfield, “The Origins of the Early Picture Gallery Catalogue in Europe, and in Manifestation in Victorian Britain,” in S. Pearce (ed.), Art in Museums, London, 1995, pp. 42-73.
48. Whitehead, Christopher, The Public Art Museum in Nineteenth Century Britain: The Development of the National Gallery, Ashgate, 2005.
49. Whitley, William T., Art of England 1821-1837, Cambridge: Cambridge University Press, 1930.
50. Wood, Sir Henry Trueman, A History of the Royal Society of Arts, London: J. Murray, 1913.
期刊
中文期刊
1. 謝佳娟，〈設計的化身、繪畫的文法―十七至十八世紀中葉英國素描概念的演變與意義〉，《新史學》，第17卷4期，2010年12月，頁57-139。
西文期刊
1. Colley, Linda, “Whose Nation? Class and National Consciousness in Britain 1750-1830,” Past & Present, No. 113, Nov., 1986: 97-117.
2. Conlin, Jonathan G. W., “High Art and Low Politics: A New Perspective on John Wilkes,” Huntington Library Quarterley, Vol. 64, No. 3/4, 2001: 356-381.
3. Constable, W. G., “The Foundation of the National Gallery, ” The Burlington Magazine for Connoisseurs, Vol. 44, No. 253, Apr., 1924: 158-172.
4. Coope, Rosalys, “The Gallery in England: Names and Meanings,” Architectural History, Vol. 27, Design and Practice in British Architecture: Studies in Architectural History Presented to Howard Colvin, 1984: 446-455.
5. Hoock, Holger, “Old Masters and English School: The Royal Academy of Arts and the notion of a national gallery at the turn of the nineteenth century,” Journal of the History of Collections, Vol. 16, No. 1, 2004: 1-18.
6. Klonk, Charlotte, “Mounting Vision: Charles Eastlake and the National Gallery of London,” The Art Bulletin, Vol. 82, No. 2, June, 2000: 331-347.
7. Martin, Gregory, “Wilkins and the National Gallery,” The Burlington Magazine, Vol. 113, No. 819, Jun., 1971: 318-329.
8. McClellan, Andrew L., “The Musée du Louvre as Revolutionary Metaphor during the Terror,” Art Bulletin, Vol. 70, No. 2, June, 1988: 300–313.
9. Pomeroy, Jordana, “Creating a National Collection: The National Gallery’s origins in the British Institution,” Apollo, Vol. 148, 1998: 41-49.
10. Stone, Carmen, “Making Private Collections Public: Gustav Friedrich Waagen and the Royal Museum in Berlin,” Journal of the History of Collections, Vol. 10, No. 1, 1988: 61-74.
網路資料
1. “Badge of a Grand President of the Anti-Gallican Society,” The British Museum, http://www.britishmuseum.org/explore/highlights/highlight_objects/pe_mla/b/badge_of_a_grand_president_of.aspx (2011. 12. 27 accessed).
2. Bergvelt, Ellinoor “Are National Museums of Protestant Nations Different? The Process of Modernizing 19th-Century National Art Museums in Great Britain in 1800-1855,” Aronsson/ Hillström, 2007: 29-48, http;//www.ep.liu.se/ecp/022/004/ (2012. 6. 15 accessed).
3. “Library of the Late King-British Museum,” cols. 1121 (Sir James Mackintosh, 20 June 1823), Historic Hansard, http:// hansard.millbanksystems.com/commons/1823/jun/20/
library-of-the-late-king-british-museum (2011. 11. 6 accessed).
4. Matthews, Susan, “An Alternative National Gallery: Blake’s 1809 Exhibition and the Attack on Evangelical Culture,” Tate’s Online Research Journal (Autumn, 2010), http://www.tate.org.uk/research/tateresearch/tatepapers/10autumn/simpson.shtm (2011. 12. 1 accessed).
5. Meijers, D., Bergvelt, E., Tibbe, L., and Wezel, E. van, “National Museums and National Identity, Seen from an International and Comparative Perspective, c. 1760-1918,” Huizinga Instituut (23 Jan. 2012), http://www.huizingainstituut.nl/beheer/wp-content/
uploads/National-Museums-and-National-Identity.pdf (2012. 5. 10. accessed).
6. “The National Collections of Art and Science—Question,” cols. 151 (William Ewart, 14 March 1856), Historic Hansard, http://hansard.millbanksystems.com/commons/1856/
mar/14/the-national-collections-of-art-and#S3V0141P0_18560314_HOC_8 (2012. 11. 10 accessed).
7. Simpson, Philippa, ‘Blake’s 1809 Exhibition-Lost in the Crowd: Blake and London in 1809,’ Tate’s Online Research Journal (Autumn, 2010), http://www. tate.org.uk/
research/tateresearch/tatepapers/10autumn/simpson.shtm (2011. 12. 1 accessed).
8. “Supply-Miscellaneous Estimates” cols. 467 (Sir Robert Peel, 13 April 1832), Historic Hansard, http:// hansard.millbanksystems.com/commons/1832/apr/13/supply-
miscellaneous-estimates (2011. 11. 4 accessed).
9. “Supply-National Gallery,” col. 645 (Sir Robert Peel, 23 July 1832), Historic Hansard, http:// hansard.millbanksystems.com/commons/1832/jul/23/supply-national-gallery#
S3V0014P0_18320723_HOC_32 (2011. 11. 4 accessed).
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