博碩士論文 104757016 完整後設資料紀錄

DC 欄位 語言
DC.contributor客家語文暨社會科學學系客家研究碩士在職專班zh_TW
DC.creator魏秀梅zh_TW
DC.creatorWEIen_US
dc.date.accessioned2022-9-20T07:39:07Z
dc.date.available2022-9-20T07:39:07Z
dc.date.issued2022
dc.identifier.urihttp://ir.lib.ncu.edu.tw:444/thesis/view_etd.asp?URN=104757016
dc.contributor.department客家語文暨社會科學學系客家研究碩士在職專班zh_TW
DC.description國立中央大學zh_TW
DC.descriptionNational Central Universityen_US
dc.description.abstract摘要 本研究目的首先探討客家流行音樂中的客家山歌、客家小調之傳統元素。以傳統歌詞與曲調作為分類,探討翻唱或改編、新創流行歌曲中具有傳統山歌小調之元素,以語言聲調、音樂曲調以及表演形式作為分析。 以文本分析的方式,就1981~2021年間,金曲獎得獎或入圍作品為主,挑選樣本探討傳統山歌以翻唱或改編方式在流行歌曲中的運用,傳統歌詞取材民間或是現代創新歌詞,流行歌曲中新的曲風帶入傳統山歌小調,曲風的特色與創作人使用的音樂或喜好與傳統元素的關聯性。 以文本分析客家山歌、客家小調,歌詞及編曲在流行音樂中,除了傳統歌曲重新編曲後以及節奏變化在歌曲演唱方式的變化,虛襯字在改編後的運用,對於客家流行歌曲融入山歌的變化。本研究一共訪談四位受訪者,透過專家訪談資料蒐集,將資料整理後設計研究流程圖,以開放性譯碼與訪談內容分析結果得到結論:傳統元素的客家流行音樂,無論是改編或新創,曲調皆以傳統曲調為骨架,對於客家山歌的認同以及情感性連結,融入傳統歌謠的流行歌同時具有對客家文化的認同。 最後,期望客家文化保存及認同透過傳唱歌曲成為傳承客家文化的載具。在歌詞方面鼓勵創作者將歌詞作更多深入的研究,說唱方面提升全面通俗口語化。在表演方面期待能推廣全面化,達到寓教於樂的目的。zh_TW
dc.description.abstractAbstract The thesis focuses on the traditional elements such as Hakka folk songs, Hakka ditties in Hakka pop music. The covers, adaptations, and newly created pop songs which use the elements of Hakka folk songs and Hakka ditties are classified by traditional lyrics and tones, and analyzed by tonal language, melody, and the style of performance. The covers and adaptations which used the elements of Hakka folk songs and Hakka ditties that won or nominated by the GMA (Golden Melody Awards) from 1981 to 2021 are chosen as the samples of the thesis. The relationships among of the genre, the style, and the Hakka folk songs in these Hakka pop songs are impacted by the preference of the creators The thesis also focuses on the variations and the differences of the composing, singing styles, the using of empty words/function words after involving Hakka folk songs into Hakka pop songs. There are four interviewees in the research. The data and information are collected after the interviews and designed into a research flow chart. After open coding and interview content analysis, the result is that both covers and adaptations of Hakka pop music with traditional elements, the traditional melody is the frame. In addition, the pop music that applied the Hakka folk songs helps people to identify with Hakka culture. Finally, I hope that these Hakka folk songs can be a way to preserve and convey the Hakka culture. I hope the thesis can encourage creators to develop and produce more ways of lyrics, making the songs easier for people to get to know, allowing more and more people to know the culture, and making learning the Hakka culture more entertaining.en_US
DC.subject客家zh_TW
DC.subject客語zh_TW
DC.subject傳統歌謠zh_TW
DC.subject流行歌曲zh_TW
DC.subject金曲獎zh_TW
DC.title臺灣客家傳統歌謠的再生與運用研究: 以1981至2021金曲獎流行歌曲為例zh_TW
dc.language.isozh-TWzh-TW
DC.type博碩士論文zh_TW
DC.typethesisen_US
DC.publisherNational Central Universityen_US

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