| dc.description.abstract | In this paper, based on content analysis, ecocriticism and parsing surface structure/deep structure to analyze Sheng-Xiang & Band’s lyrics.
In chapter two, the purpose of this chapter was to introduce the process of Taiwanese Hakka pop songs.There are three sections,in the first section, the writer defined Hakka pop songs and other related nouns in order to clarify similar nouns. In the second section, the writer described diachronically the process of Taiwanese Hakka pop songs.At last,in the third section, the writer sum up every period of the process of Taiwanese Hakka pop songs.
There are four sections in chapter three. In the first section, the writer described separately the life course of Lin Sheng-xiang and Zhong Yong-feng to analyze the connection between movements and Lin Sheng-xiang and Zhong Yong-feng. In the second section, the writer started with the Meinong Anti-Dam Movement works and Lin Sheng-xiang and Zhong Yong-feng’s early collaboration works. In the third section, the writer analyzed the working class’ problem in the album ＂Getting Dark＂. In the fourth section,the writer mainly discussed the refusing to win the Golden Melody Award issues and environmental issues in the album ＂Planting Trees＂.
In chapter 4, the writer focused on the analysis of works related to the gender issue of Hakka women among the works released by Sheng-Xiang & Band.
chapter 5 is about the problem faced by modernization process in the the rural areas of the three albums ＂I-Village＂, ＂Notes from Besieged Village ＂, and ＂Water Snowflake Goes to Market＂, including the wave of globalization, petrochemical industry pollution, environmental protection, and Hakka food culture and homesickness issues.
Their works not only affect several age groups, cross the ecological environment, emotional depiction and other issues, but are also important creators among local creators who are dedicated to maintaining the land of Taiwan and the inheritance and protection of Hakka culture. | en_US |