| dc.description.abstract | This paper examines the narrative structure, gender roles, and Hakka cultural elements in the Hakka television film ＂ Dear Orange.＂ The film incorporates long-term care issues into its script, portraying the emotional complexities of a family and the impact of social change through the use of vivid imagery and multi-layered narrative techniques.
Furthermore, this paper examines the function of symbols such as the orange orchard in the film, which symbolizes the cultivation and harvest of familial emotions. Furthermore, it illustrates how non-linear narrative techniques convey the influence of past experiences on the present. Furthermore, the study examines the influence of Hakka cultural elements, particularly the the god of rock, on the characters′ psychological states and the development of the narrative.
In this study, the interactions of the main characters in the drama are analyzed, demonstrating the struggles and growth of gender roles within the family and workplace. In particular, the identity shifts and power dynamics of female characters in both public and private spheres are examined. As a central figure, A Mei exemplifies the ability to balance familial obligations with the pursuit of personal fulfillment. Concurrently, the film examines the transformation of gender roles and power dynamics, elucidating the influence of social structures on gender roles through an investigation of physical space and power.
This study employs structuralism theory to analyze narrative symbols, gender roles, and bodily discourses in film and television works, while also contextualizing them within the current social milieu. It aims to elucidate the philosophical reflections and social implications embedded in the films. This preliminary research endeavors to provide a more profound comprehension of Hakka culture and its representation in film and television works.
Key Words: Hakka Television Films, Narrative Studies, Body Discours | en_US |