| dc.description.abstract | This thesis treats about landscape and pastoral poetry of Ch’’ien Ch’’i, a poet of the T’’ang. To find he is at thought emotion and technique, to know he is in poetry of landscape and pastoral in position. Although the life documents and materials that Ch’’ien Ch’’i is recorded less, but from the textual criticism of works and many scholars, can understand that he’’s life course can divide into three stages: before the officer, the officer of Lantian, enter the palace and hold a post, to landscape and pastoral poetry of Ch’’ien Ch’’i having great influence at the last two stages.
In the idea of creating intension, Ch’’ien Ch’’i with regards to Taoism and Buddhism, it keep in touch to some extent all. To be an officer or live in seclusion entangled with as pastoral scene because he like. And one’’s own visit experience where travel, make development with much one of intension of his poetry. In the idea of technique, from travel the imagination letting him construct wonderland. Because immortal and Taoism, privacy, pastoral idea multi-purpose the imaginary land of joy and plenty. Ch’’ien Ch’’I focus on vision make describe in order to scenery, the landscape space is peaceful and vast and far, the hue is bright and clean, and it have the “spirit and rhyme” of “the clear” “the far”.
In origin of the poem, Ch’’ien Ch’’i with regards to the pastoral poetry and landscope poetry of T’’ao Ch’’ien, Hsieh Ling-yun and Hsieh T’’iao. In spirit rely on and technique on, in fact Ch’’ien Ch’’i succeeds the three poets’’ some extent each, so that he have some characteristics of the three poets. Besides, the way to make use of comparative analysis, the special appearance that in order to appear the landscape and pastoral poetry of Ch’’ien Ch’’i, so choose the T’’ang Dynasty Wang wei, Meng Hao-jan, Wei Ying-wu and Liu Ch’’ang-ch’’ing the poetry of four poets, similarities and differences between comparing Ch’’ien Ch’’i and them.
Finally, having concurrently the technique of Hsieh Ling-yun and Hsieh T’’iao technique, and the spirit of T’’ao Ch’’ien spirit, and approach Wang Wei in the landscape and pastoral poetry of Ch’’ien Ch’’i. He and Meng Hao-jan, Wei Ying-wu and Liu Ch’’ang-ch’’ing in the landscape and pastoral poetry, more different in emotion, form, technique. Therefore, the landscape and pastoral poetry of Ch’’ien Ch’’i, in form and technique on, he succeeds Hsieh Ling-yun and Hsieh T’’iao more close to Wang Wei; at being at spirit, he is follow T’’ao Ch’’ien and Wang Wei. | en_US |