DC 欄位 值 語言 DC.contributor 藝術學研究所 zh_TW DC.creator 馬千棣 zh_TW DC.creator Chien-ti Ma en_US dc.date.accessioned 2014-8-28T07:39:07Z dc.date.available 2014-8-28T07:39:07Z dc.date.issued 2014 dc.identifier.uri http://ir.lib.ncu.edu.tw:444/thesis/view_etd.asp?URN=971206007 dc.contributor.department 藝術學研究所 zh_TW DC.description 國立中央大學 zh_TW DC.description National Central University en_US dc.description.abstract 蘇格蘭藝術家愛德華多‧包洛奇（Sir Eduardo Luigi Paolozzi,1924-2005）作為50年代倫敦藝術圈獨立團體（Independent Group）中的要員，對普普藝術發展有深遠的影響。在1952年獨立團體成員的一場聚會中，包洛奇以幻燈片形式呈現了他自1947年以來的剪貼簿圖像蒐藏，圖像內容包括剪貼簿插圖、漫畫、明信片、雜誌、廣告等大眾文化圖像拼貼。這些圖像的展示引發了獨立團體成員們的議論，並被視為是最早的普普藝術先驅之一。包洛奇在1972年以絹印、平版、照相平版、拼貼等技法將這批拼貼圖像重製為版畫系列作，命名為Bunk。 本文首先從藝術家本人與獨立團體的重要展覽和團體成員們的藝術觀著手，探究英國普普與Bunk出現的背景、成因。其次，從Bunk由50年代到70年代的發展脈絡，試析Bunk的再製過程與丹托(Arthur Danto,1924-2013)所言藝術世界中藝術理論的氛圍、藝術歷史之間可能的關連與影響。最後，以前衛與大眾文化相關論述，探討藝術家本人的藝術觀點，並進一步討論Bunk關於原創性、複製性的問題。Bunk本身的作品歷史猶如在時空中延續伸展的文本，同時也是普普藝術家所致力藝術與生活的連結的起點，Bunk不僅是包洛奇的生活，也是包洛奇的藝術。 zh_TW dc.description.abstract A significant member of Independent Group, Scottish artist Eduardo Paolozzi (1925-2005) greatly influenced the development of Pop Art. Having kept a scrapbook of images since 1947, he reproduced the pages for viewing during a lecture to the Independent Group in 1952. He presented slides of collages made from images of popular culture such as scrapbook images, fragments from comic books, postcards, magazines and advertisements. The presentation of these collage images sparked a controversial debate among the Group′s members; these images are now considered amongst the earliest forerunners of Pop Art. The artist reproduced these early images as print series using screen printing, lithography, photolithography and collage techniques in 1972, named Bunk. This dissertation starts from the points of view on art of Paolozzi and his Independent Group fellows, discussing the background of British Pop Art, also makes further analysis on artworld which Arthur Danto have put forward, including atmospheres of artistic theory, knowledge of the history of art through the developing context of Bunk from 1950s to 1970s. In addition, this dissertation focuses on Paolozzi’s creative ideas through several avant-garde and popular culture discourses as well as originality/reproducibility issues on Bunk. The history of the artistic enfranchisement of Bunk is just like a text extended in time and space, a milestone that pop artists have been endeavored to. Bunk is, so to speak, not only life but also art for Paolozzi. en_US DC.subject 愛德華多‧包洛奇 zh_TW DC.subject 版畫系列 zh_TW DC.subject 拼貼 zh_TW DC.subject 英國 zh_TW DC.subject 獨立團體 zh_TW DC.subject 藝術與生活的並行 zh_TW DC.subject 這就是明天 zh_TW DC.subject 阿洛威 zh_TW DC.subject 新寫實主義 zh_TW DC.subject 粗獷主義 zh_TW DC.subject 普普藝術 zh_TW DC.subject 英國普普 zh_TW DC.subject 歐洲普普 zh_TW DC.subject 1950年代 zh_TW DC.subject 大眾文化 zh_TW DC.subject 前衛 zh_TW DC.subject 新前衛 zh_TW DC.subject 媚俗 zh_TW DC.subject 複製 zh_TW DC.subject 原件 zh_TW DC.subject 原創性 zh_TW DC.subject 藝術世界 zh_TW DC.subject Eduardo Paolozzi en_US DC.subject Bunk en_US DC.subject prints en_US DC.subject print series en_US DC.subject collage en_US DC.subject the UK en_US DC.subject Independent Group en_US DC.subject Parallel of Life and Art en_US DC.subject This is Tomorrow en_US DC.subject Lawrence Alloway en_US DC.subject New Realism en_US DC.subject Brutalism en_US DC.subject Pop Art en_US DC.subject British Pop Art en_US DC.subject Euro pop en_US DC.subject 1950s en_US DC.subject popular culture en_US DC.subject Avant-Garde en_US DC.subject Neo-Avant-Garde en_US DC.subject Kitsch en_US DC.subject reproduce en_US DC.subject reproduction en_US DC.subject originals en_US DC.subject originality en_US DC.subject artworld en_US DC.title 愛德華多．包洛奇Bunk系列作研究 zh_TW dc.language.iso zh-TW zh-TW DC.title Eduardo Paolozzi′s Bunk Series en_US DC.type 博碩士論文 zh_TW DC.type thesis en_US DC.publisher National Central University en_US