| dc.description.abstract | Taiwan Hakka Ba Yin music is one of traditional music, but also one of the Hakka Public Culture, ordinary people, their functions attached to the Hakka ethnic group rituals and customs of life which plays an important role. However, with Hakka ethnic groups, Hakka Ba Yin music was introduced into Taiwan from the original town, with different geography and time of baptism, under the style of appearance of Hakka Ba Yin music in Taiwan, North and South off of their village development, have their own characteristics. Japanese occupation, the Japanese Government South Siadanshui River in a positive development, a large quantity of human labor, The North poor because of the land off the North case, the choice of the Kaohsiung-Pingtung Liu-dui region south to participate in the development of the Japanese government, the formation of a wave on the island re-immigration,Mr. Yang Geng -Cheng is Northern Hakka Migration of the crowd. People moved to different places in the lifestyle and culture have become necessary to adapt the process to the culture, Hakka Ba Yin music is also true, by the ＂human＂ communication, culture shock and adaptation, making the North and South Hakka Ba Yin music to exchanges and contacts, Mr.Yang Geng -Cheng, plays the intermediary’’s role in music culture to adapt to the process, the characteristics of the north into southern Hakka Ba Yin music Liudui region, but also to adapt and learn the characteristics of Hakka Ba Yin music in southern Liu-dui retain the characteristics of the north , but also an integration into the southern characteristics, and to teach at the younger generation, this is one of Hakka Ba Yin music was introduced into Taiwan because of the geographical and time under the same segment in the divergent, into two, again differences in seeking the same.
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