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This study takes the “The Best Taiwanese Poetry” organized by Eryu Culture Publishing House as the object of study,and explores the poetic of Taiwan’s poems from 2003 to 2016.
The history of “Annual Collection of Poems” is so long, and it has been 34 years until now. It can be divided into three stages,and Eryu Culture is the third one. For Eryu Culture it has the responsibility of “inheriting” and the ambition of “extending”. At this stage, Xiang Tang, Chen Yi Zhi, Xiao Xiao,Jiao Tong and Bai Ling supervise the publication,being the editor-in-chief by turns. Five editors recommend the year’s annal poetry award after discussing; the compilation of the anthology is the sole responsibility of the editor-in-chief. Therefore,the point of view of the editor-in-chief would influence the style of the anthology. The focus of this paper is to proceed with the analysis of the text to explore the similarities and the differences among the five editors from the selected authors,work and sources. Try to observe the relationship between the editors’ prefaces and their points of view of the poems.
Now,In addition to the “Annual Collection of Poems” published by Eryu Culture Publishing House,there is “Taiwan Modern Collection of Poems” published by Chunhui Publishing House. After comparing the two versions of anthologies, there are only 76 authors in both anthologies,and we can know different editors pay close attention to different poets. There are only 17 poems selected in both two anthologies. Although it’s at small repetition rate, the content of the works selected by different editors also focuses on ”social events” obviously. This makes the meaning of the word ”annual” in “Annual Collection of Poems” more meaningful and vivid.
The version of Eryu Culture contains the “inclusive” feature in the annual collection of poems published by Erya Culture and also includes its news values and authenticity .The topics in the version of Eryu Culture are more multiple and open-minded than the previous period. | en_US |