| dc.description.abstract | This thesis discusses the positioning and literary value, and the cultural significance of ＂Hakka three-character tea-picking drama＂ in Taiwan. Here picks Mr. Zheng Rong-xing’s
re-edited collection of ＂Taiwan Hakka three-character tea-picking drama studies＂ as research material, expect that Hakka drama could get more attention and Hakka culture could
be an inheritance.
The first chapter explains the motive and purpose of this thesis, the collection of books,papers, audio-visual materials, and other relevant information of Hakka three-character tea-picking drama. Here used historical documents collect method, content analysis and field investigations for the research. The second chapter is about the formation and development of Taiwan three-character tea-picking drama. For Hakka migration, scholars have proposed many different views, only after moving to Taiwan. This chapter describes the origin region of Hakka three-character tea-picking drama, the form of performances, formation process, the
origin of the Hakka three-character tea-picking drama, incoming Taiwan pioneer, and literati’spoint of view. In the period of some one hundred years, the operation of the shows had moved from “Luodisao” to indoor stage drama, then to the radio station, medicine selling and recording. Around 1980, it began to change. Taiwan formed a ＂Ten big serial＂, the version,play out and plot of the story ＂Zhang San-lang selling tea＂ is different, the leading role’spersonality also vary. Third chapter, script analysis of Taiwan Hakka three-character tea-picking drama ＂Ten big serial＂. Explore the main characters personalities, cultural implications in drama such as the Hakka women's habits, religion, Hakka food preferences and etc., and also the characteristics and cultural implications of awning head. Chapter 4, the
literary ideographic rhetoric of ＂Ten big serial＂ including metaphor, ambiguity, antithesis,exaggeration, rhetorical questions, metonymy and so on. Chapter 5, the literary form rhetoric of ＂Ten big serial＂ including class stack, duality, parallelism, tiering and anadiplosis. Chapter iv 6, the folk literature and special vocabulary of ＂Ten big serial＂, explore the Hakka saying,Hakka master word, Hakka riddles—Liang Nge in the script. The ancient sound and words in
Hakka, the senses of word, special meaning, monosyllabic words and etc. are all in this discussion too. Chapter 7, the conclusion, Taiwan Hakka three-character tea-picking drama are full with entertainment and educational value, look forward to explore and understanding the depth of Hakka culture. Hope to attract audience at the same time, carry forward the tradition, opening up a new opportunity to preserve Hakka culture. | en_US |