反先知：黃華成〈青石〉與〈先知〉中的美學政治介入

以作者查詢圖書館館藏

、以作者查詢臺灣博碩士

、以作者查詢全國書目

、勘誤回報

、線上人數：94

、訪客IP：18.221.220.229

姓名

王浚仰(Jyun-yang Wang) 查詢紙本館藏

畢業系所

英美語文學系

論文名稱

反先知：黃華成〈青石〉與〈先知〉中的美學政治介入
(Anti-Prophet: The Aesthetical-Political Engagement in Hua-cheng Huang′s Bluestone and The Prophet)

相關論文

★ 信仰科學－張之江的國術「治」國運動	★ 單身動物園: 強制性伴侶的代理分裂力量與親密想像
★ 《家》的冷戰記憶政治：印尼1965-66大屠殺與政治流亡的歷史形構	★ The Politics of "Blank Aesthetic": Rethinking the Cultural Imaginary of the East and Techno Utopia in The Three-Body Problem
★ 女性主義的冷戰隱蔽性：亞洲基金會與台灣女性主義之發展	★ 融入戰爭機器：《六月裡的玫瑰花》和《小寡婦》中的種族、性與軍事化勞動

檔案

[Endnote RIS 格式]

[Bibtex 格式]

[相關文章]

[文章引用]

[完整記錄]

[館藏目錄]

[檢視]

[下載]

本電子論文使用權限為同意立即開放。
已達開放權限電子全文僅授權使用者為學術研究之目的，進行個人非營利性質之檢索、閱讀、列印。
請遵守中華民國著作權法之相關規定，切勿任意重製、散佈、改作、轉貼、播送，以免觸法。

摘要(中)

本論文旨在探討台灣前衛藝術家黃華成在其文學作品中的美學政治介入意義。具體而言，我將分析他的兩部重要作品：短篇小說〈青石〉和舞台劇劇本〈先知〉。透過將這兩部作品作為其藝術表達的互補方面進行解讀，我旨在說明黃華成在文學中的獨特美學表現如何內在地體現了他的政治觀點，並反映了冷戰時代的文化伏流。為了說明黃華成的立場，我回顧了現代主義的形成過程，特別是黃華成與《劇場》雜誌的關係，以及一九六零年代台灣由國民黨政府和美國控制的文化體制。通過黃華成的「反」精神和他的「現代」美學概念，我將黃華成定位在有別於主流現代主義的位置。在我的分析中，我仔細探討了兩部作品中的性和浪漫主題並揭露了其中隱含的政治內涵。我採用跨學科的文化研究方法，透過歷史政治的框架來審視這兩部作品，並同時考慮黃華成的舞台設計和幕後筆記。最後，我將這兩部作品與我對「五四」精神的觀察連結起來，揭露黃華成如何挑戰冷戰分斷並對當時盛行的文化體制提出質疑。透過這篇論文，我的貢獻在於闡明黃華成在台灣現代主義文學及其相關論述中經常被忽視的重要位置。

摘要(英)

This thesis aims to discern the significance of Taiwanese avant-garde artist Hua-cheng Huang’s (黃華成) aesthetical-political engagement within his literary works. Specifically, I analyze two of his notable works: the short novel Bluestone (〈青石〉), and the playscript The Prophet（〈先知〉）. By interpreting these two pieces as complementary aspects of his art expression, I aim to demonstrate how Huang’s distinctive aesthetic performance in literature inherently embodies his political convictions, reflecting the cultural undercurrents of the Cold War era. To contextualize Huang’s position, I review the formation of Modernism, particularly examining Huang’s affiliation with the Theatre Quarterly magazine (《劇場》), and the cultural institutions controlled by KMT government and the United States during the 1960s in Taiwan. Through the lens of Huang’s “anti”-spirit and his conception of “modern” aesthetics into my review of these formations, I position Huang as distinct from mainstream Modernism. In my analysis, I closely examine the sexual and romantic tropes present in both works, uncovering the implicit political connotations. I adopt interdisciplinary cultural studies approaches to examine both works through a historical-political framework, considering Huang’s stage design and off-script note. Lastly, I draw connections between these two works to my observation of the “May Fourth” spirit, revealing how Huang challenged Cold War divisions and interrogated the prevailing cultural institutions of his time. Through this thesis, my contribution is to illuminate the often-overlooked critical position held by Huang in the discourse surrounding literary Modernism and its related debates in Taiwan.

關鍵字(中)

★ 黃華成
★ 現代主義
★ 「五四」
★ 「反」
★ 「現代」
★ 《劇場》

關鍵字(英)

★ Hua-cheng Huang
★ Modernism
★ "May Fourth"
★ "anti-"
★ "modern"
★ Theatre Quarterly

論文目次

Abstract I
摘要 II
誌謝辭 III
Table of Contents V
Chapter 1 Introduction 1
Theatre Quarterly and Modernism 2
Hua-cheng Huang’s Various Creations and His “Anti-” Spirit 12
Taiwanese Art and Literature under Cold-War Dynamic 22
Chapter Layout 39
Chapter 2 The Loneliness, Impotence, and “Waiting” in Hua-cheng Huang’s Bluestone 41
The Sexual Trope and Castration Complex in Bluestone 44
Writing/Creation and the Struggle with Anxiety and Social Reality 49
The Identity Complex, the Impotence, and The Criticism Toward Institutions 54
Chapter 3 Hua-cheng Huang’s Criticism Lurking Beneath Political Restrictions in The Prophet 62
Hua-cheng Huang’s Experiment of “Antiplay” and “Metatheatre” 64
The Political Engagement Implied in the Trope of Endangered Marriage 67
“May Fourth” and Hua-cheng Huang’s Concern with “China” 74
Impotence, “China,” and “Modern” 81
Conclusion 88
Work Cited 92

參考文獻

Chang, Shih-Lun 張世倫. Xian shi de tan qiu─Tai wan she ying shi xing gou kao (《現實的探求─台灣攝影史形構考》) [Reclaiming Reality: On the Historical Formation of Taiwanese Photography]. Taipei: VOP BOOKS影言社. 2021. Print.
---, ed. Wei wan cheng．Huang hua cheng (《未完成．黃華成》) [An Open Ending: Huang Hua-Cheng]. 3 vols. Taipei: Taipei Fine Arts Museum 臺北市立美術館. 2020. Print.
---, ed. Lun Shu (《論述》) [Arguments]. Vol. 1 of Wei wan cheng．Huang hua cheng. Taipei: Taipei Fine Arts Museum 臺北市立美術館. 2020. Print.
---, ed. Wen Gao (《文稿》) [Manuscripts]. Vol. 2 of Wei wan cheng．Huang hua cheng. Taipei: Taipei Fine Arts Museum 臺北市立美術館. 2020. Print.
---, ed. Tu Xiang (《圖像》) [Images]. Vol. 3 of Wei wan cheng．Huang hua cheng. Taipei: Taipei Fine Arts Museum 臺北市立美術館. 2020. Print.
Camus, Albert. Le Mythe de Sisyphe (《薛西弗斯的神話》). Translated by Hui-ying Yan (嚴慧瑩). Taipei: Locus Publishing 大塊文化, 2017. Print.
Chen, Chien-Chun 陳建忠. Dao yu feng sheng: Leng zhan fen wei xia de tai wan wen xue ji qi wai (《島嶼風聲：冷戰氛圍下的臺灣文學及其外》) [Wind Over the Island: Taiwan Literature and Beyond Under the Atmosphere of Cold War]. Taipei: Cross Publishing 南十字星. 2018. Print.
Chen, Fang-Ming 陳芳明. Xian dai zhu yijiqibu man (《現代主義及其不滿》) [Modernism and its Discontents]. Taipei: Linking Publishing 聯經出版. 2013. Print.
Freud, Sigmund, Introductory Lectures on Psycho-analysis: A Course of Twenty Eight Lectures Delivered at the University of Vienna. Translated by Shun Peng (彭舜), 左岸文化出版, 2006. Print.
Lu, Zheng-hui 呂正惠. Jhan hou tai wan wun syueh jing yan (《戰後台灣文學經驗》) [The Literary Experience in Post-war Taiwan ]. Taipei: New Land Literature 新地文學. 1995. Print.
Chang, Li-hsuan 張俐璇. “Shuang Mian Yi Jiou Ba San: Shih Lun Chen Ying Jhen Yu Guo Song Fen Siao Shuo De Wun Syueh Shih Yi Yi” (〈雙面一九八三—試論陳映真與郭松棻小說的文學史意義〉) [Double-faceted 1983: Exploring the Significance of the Fiction by Chen Ying-Zhen and Kuo Sung-Fen in Literary History] Journal of Taiwan Literary Studies台灣文學研究學報 25 (2017): 219-249.
Chen, Man-hua 陳曼華. “Guo zu yu xiang tu: Cong wen hua zao xing yun dong kan 1970 nian dai yi shu chang yu zhong de tai wan gai nian” (〈國族與鄉土：從文化造型運動看1970年代藝術場域中的「臺灣」概念〉) [Nation and Hometown: The “Cultural Modeling Movement” and the Image of the Taiwaneseness in Taiwanese Art in the 1970s.] Fine Arts in Taiwan 臺灣美術 115 (2019): 21-62.
Chen, Ying-Zhen 陳映真. “Xian dai zhu yi di zai kai fa: Yan chu deng dai guo tuo di sui xiang.” (〈現代主義底再開發：演出〈等待果陀〉底隨想〉) [“The Redevelopment at the Bottom of Modernism: An Essay After the Performance of Waiting for Godot”]. Chen ying zhen quan ji (《陳映真全集》) [The Complete Writings of Chen Yingzhen]. Vol. 1. Ed. Yu-wen Song et al. 宋玉雯等. Taipei: Renjian Publishing 人間出版社. 2017. Print.
Gemes, Ken. “Freud and Nietzsche on Sublimation.” Journal of Nietzsche Studies, no. 38, 2009, pp. 38–59. JSTOR, http://www.jstor.org/stable/20717974. Accessed 11 June 2024.
Guo, Song-Fen 郭松棻. “Tan tan tai wan de wen xue.” (〈談談台灣的文學〉) [“Talking About Taiwanese Literature”]. Hui wang xian shi．Ning shi ren jian: Xiang tu wen xue lun zhan si shi nian xuan ji (《回望現實．凝視人間：鄉土文學論戰四十年選集》) [Retrospecting the Reality, Gazing the Humanity: A Collection of The Fortieth Year of the Nativist Literature Polemic]. Ed. Chih-Ming Wang, et al. 王智明等. Taipei: UNITAS Publishing 聯合文學出版社. 2019. Print.
Han, Wei-Jyun 韓維君. Deng dai guo tuo ji qi ta- Cong ju chang za zhi tan 1960 nian dai xian dai zhu yi zai tai wan zhi fa zhan (〈等待果陀及其他-從[劇場]雜誌談1960年代現代主義在台灣之發展〉) [ Waiting for Godot and Others: Talking About the Development of Modernism in Taiwan from Theatre Quarterly Magazine]. 1998. National Institute of the Arts, MA thesis.
Hu, Quan-zhang 胡全章. “Zhong guo xiao shuo guan nian de ‘shi ji zhi bian’―Yi liang qi chao, wang guo wei, hu shi, lu xun, wei zhong xin” (〈中國小說觀念的「世紀之變」―以梁啟超、王國維、胡適、魯迅為中心〉) [The “Centennial Change”:
A Study of the Concept of Chinese Novel Focusing on Liang Qichao, Wang Guowei, Hu Shi and Lu Xun.] Bulletin of the Department of Chinese Literature政大中文學報 36 (2021): 223-252.
Kure, Motoyuki 吳孟晉. “Deng dai guo tuo yu zhan hou tai wan de qian wei mei shu: Lun ju chang za zhi yu huang hua cheng zhi zhuang zhi yi shu zuo pin.” (“《等待果陀》與戰後台灣的前衛美術：論《劇場》雜誌與黃華成之裝置藝術作品”) [“Waiting for Godot and Avant-Garde Art in Postwar Taiwan: A Discussion on Theatre Quarterly Magazine and Hua-Cheng Huang’s Installation Artworks”]. Trans. 林暉鈞 Hun-Jyun Lin. ACT: Art Critique of Taiwan藝術觀點. Web. 30, May, 2023. http://act.tnnua.edu.tw/?p=464
Lai. Ying-Ying 賴瑛瑛. Fu heyi shu: Liu ling nian dai tai wan fu he yi shu yan jiu (《複合藝術：六〇年代臺灣複合藝術研究》) Taipei: Guotai Wenhua 國泰文化. 1996. Print.
Li, Na 李娜. “Shi xi 1950-60 nian dai tai wan qing nian de 「xu wu」，zhong xin li jie 「xian dai zhu yi yu zuo yi 」—yi chen ying zhen、wang shang yi wei xian suo” (“試析1950-60年代台灣青年的「虛無」，重新理解「現代主義與左翼」 —以陳映真、王尚義為線索”) [“Analyzing the ‘Nothingness’ of Taiwan Youth in the 1950s and 1960s, and Re-understanding ‘Modernism and the Left Wing’ -Taking Ying-chen Chen and Shang-yi Wang as the Clues”]. New International 新國際. Web. 30, May, 2024. https://www.newinternationalism.net/?p=3442
Liao, Shu-Fang; Bao, Ya-Wen 廖淑芳、包雅雯. Tan suo de nian dai-zhan hou tai wan xian dai zhu yi xiao shuo ji qi fa zhan (《探索的年代－戰後台灣現代主義小說及其發展》) [The Age of Exploration: Modernist Novel and Its Development in Postwar Taiwan]. Tainan: National Museum of Taiwan Literature 國立臺灣文學館. 2013. Print.
Lin, Xiao-xin 林孝信. “Bao diao li shi de yuan yuan gen dui hai xia liang an de she hui de yi.” (〈保釣歷史的淵源跟對海峽兩岸的社會的意義〉) [“The Origin of the Baodiao History and its Significance to the Societies on Both Sides of the Taiwanese Strait”]. Qi meng．kuang biao．fan si: Bao diao yun dong si shi nian (《啟蒙．狂飆．反思：保釣運動四十年》) [Enlightenment．Rampage．Reflection: Forty Years of Baodiao Movement]. Vol. 1. Ed. Xiao-qin Xie et al. 謝小芩等. Hsinchu: National Tsing Hua University Press 國立清華大學出版社. 2010. Print.
Liu, Da-Ren. “Ju chang na liang nian” (《劇場》那兩年) [“Those Two Years in Theatre Quarterly”]. China Times 中時新聞網. https://www.chinatimes.com/amp/newspapers/20130829000776-260115 Accessed 30 May 2023.
Ozturk, Orhan M. "Ritual Circumcision and Castration Anxiety." Psychiatry, vol. 36, no. 1, 1973/02/01/, pp. 49. ProQuest, https://ezproxy.lib.ncu.edu.tw/login?url=https://www.proquest.com/scholarly-journals/ritual-circumcision-castration-anxiety/docview/1301436611/se-2.
Shih, Shu 施淑. “Cong di san guo ji dao di san shi jie: Tai wan xiang tu wen xue lun zhan de xing si” (〈從第三國際到第三世界：台灣鄉土文學論戰的省思〉[“From Third International to Third World: A Reflection Upon Taiwanese Nativist Literature Polemic”]. Wen xue lun zhan yu ji yi zheng zhi: Ya ji shi ye (《文學論戰與記憶政治：亞際視野》) [Literary Debates and the Politics of Memory: Toward an Inter-Asia Perspective]. Ed. 王智明等 Chih-Ming Wang et, al. Taipei: UNITAS Publishing 聯合文學出版社. 2023. Print.
Shan, Te-hsing 單德興. Cong wen hua leng zhan dao leng zhan wen hua: Jin ri shi jie de wen xue chuan bo (《從文化冷戰到冷戰文化：《今日世界》的文學傳播》) [From the Cultural Cold War to the Cold War Culture: The Literary Communication and Cultural Politics of World Today]. Taipei: Bookman Books 書林出版. 2022. Print.
Tsai, Meng-Wen 蔡孟文. Ju chang za zhi yu wu liu ling nian dai tai wan xian dai zhu yi si chao (〈《劇場》雜誌與五、六０年代台灣現代主義思潮〉) [Theatre Quarterly Magazine and the Trend of Taiwanese Modernism from the 1950s to 1960s]. 2007. Providence University, MA thesis.
Yang, Chia-Hsuan 楊家璇. Huang hua cheng (1935-1996) chuang zuo yan jiu (〈黃華成（1935-1996）創作研究〉) [The Study on the Works of HUANG, Hua-Cheng, 1935-1996]. 2011. Tainan National University of the Art, MA thesis.
“An Open Ending: Huang Hua-Cheng.” Taipei Fine Arts Museum. https://www.tfam.museum/Exhibition/Exhibition_page.aspx?id=668&ddlLang=en-us. Accessed 30 May 2023
Coordinate | Definition in the Cambridge English Dictionary.” Cambridge Dictionary. dictionary.cambridge.org/us/dictionary/english/coordinate. Accessed 7 April 2024.
“EXPANDED CINEMA.” TATE.
https://www.tate.org.uk/art/art-terms/e/expanded-cinema. Accessed 30 May 2023.
"Eugène Ionesco." Wikipedia, The Free Encyclopedia. https://en.wikipedia.org/wiki/Eug%C3%A8ne_Ionesco. Accessed 26 March 2024.
"May Fourth Movement." Wikipedia, The Free Encyclopedia. https://en.wikipedia.org/wiki/May_Fourth_Movement. Accessed 30 May 2023.
"Modernism." Wikipedia, The Free Encyclopedia.
https://en.wikipedia.org/wiki/Modernism. Accessed 26 March 2024.
"Shanghai French Concession." Wikipedia, The Free Encyclopedia. https://en.wikipedia.org/wiki/Shanghai_French_Concession. Accessed 18 March 2024.
"Stream of consciousness." Wikipedia, The Free Encyclopedia.
https://en.wikipedia.org/wiki/Stream_of_consciousness. Accessed 27 March 2024.
“What is Live Cinema?” Live Cinema UK. https://livecinemauk.com/about/what-is-live-cinema/. Accessed 30 May 2023.

指導教授

林建廷(Chien-ting Lin)

審核日期

2024-6-20

推文