參考文獻 |
英文參考書目
Anderson, John R.
Cognitive Psychology and Its Implications, New York : W.H. Freeman and Company Press, 1990.
Arnheim, Rudolf
Visual Thinking, Berkeley , Los Angeles, London : University of California Press, 1969.
Art and Visual Perception—A Psychology of the Creative Eye, Berkeley, Los Angeles, London : University of California Press, 1974.
Boone, Danièle
Picasso, Achevé d’imprimer en 1989 , par l’imprimerie Gea , Milan Printed in Italy.
Cezanne, Paul
Paul Cezanne, text by Mary Schapiro, published by Harry N. Abrams, Incorporated, New York, 1952.
Dufrenne, Mikel
The Phenomenology of Aesthetic Experience, trans. by Edward S. Casey, Northwestern University press, 1973.
In The Presence of The Sensuous : Essays In Aesthetics , ed. by Mark S. Robert and Dennis Gallagher , Humanities Press International, Inc. Atlantic Highlands, NJ 1990.
Gelman, Rochel and Kit-Fong Au, Terry(editor)
Perceptual and Cognitive Development, New York : Academic Press, 1996.
Gregory, Richard L.
Eye and Brain : The Psychology of Seeing, Oxford : Oxford University Press, 1998.
Husserl, Edmund
The Idea of Phenomenology, trans. by William P. Alston and George Nakhnikian, Dordrecht: Martinus Nijhoff Publishers Press, 1980.
Jarzombek, Mark
The Psychologizing of Modernity—Art, Architecture, and History, London : Cambridge University Press, 1999.
Kim, Jaegwon
Mind in a Physical World—An Eessay on the Mind-Body Problem and Mental Causation, Cambridge, Massachusetts, A Bradford Book The MIT Press, 1999.
Kockelmans, Joseph J.(editor)
Phenomenological Psychology, Dordrecht : Martinus Nijhoff Publishers Press, 1987.
Mach, Ernst
The Analysis of Sensation, London : Routledge / Thoemmes Press, 1996.
Margolis, Joseph (editor)
Philosophy Looks at the Arts—Contemporary Readings In Aesthetics, Philadephia : Temple University Press, 1987。
Mitias, Michael H.(editor)
Possibility of the Aesthetic Experience, Martinus Nijhoff Publishers Press, Dordrecht, 1986.
Merleau-Ponty, Maurice
The Merleau-Ponty Aesthetics Reader, ed. by Galen A. Johnson, Evanston, Northwestern University Press, 1993.
Phenomenology of Perceptipn, trans. by Colin Smith, New Jersey : The Humanities Press, 1962.
Parson, Michael J.
How We Understand Art—a cognitive developmental account of aesthetic experience, London : Cambridge University Press, 1987.
Reynolds, Allan G. and Flagg, Paul W.
Cognitive Psychology, Boston Toronto : Little,Brown and Company Press, 1983.
Scruton, Roger
Art and Imagination—A Study in the Philosophy of Mind, London : Routledge & Kegan Paul Ltd Press, 1974.
Solso, Robert L.
Cognitive and Visual Arts, London : Cambridge, Massachusetts, A Bradford Book The MIT Press, 1994.
Spiegelberg, Herbert
The Phenomenological Movement—A Historical Introduction, Hague : Martinus Nijhoff Publishers, 1982.
Tymieniecka, Anna-Teresa(editor)
New Queries in Aesthetic and Metaphysics—Time, Historicity, Art, Culture, Metaphysics, the Transnatural, Phenomenology in the World Fifty Years after the Death of Edmund Husserl book 4, Dordrecht / Boston / London : Klumwer Academic publishers, 1991.
Yve-Alain Bois
Matisse and Picasso, Paris : Flammarion, 1998.
英文論文與期刊
Allen, David Gordon
The Phenomenological Aesthetic of Mikel Dufrenne as A Critical Tool for Dramatic Literature, the University of Iowa, P.h.D.,1976.
Feezell, Randolf Mark
Mikel Dufrenne and the Ontological of the Phenomenology of Aesthetic Experience, State University of New York at Buffalo, Ph.D.,1977.
Aldrich, Virgil C.
‘Aesthetic Perception and Objectivity’ in The British Journal of Aesthetics Vol. 18, No. 3, Summer 1978, Oxford : Oxford University Press.
Brook, Donald
‘On Non-Verbal Representation’ in British Journal of Aesthetics Vol. 37, No. 3, July 1997, Oxford : Oxford University Press.
Crowther, Paul
‘Merleau-Ponty : Perception into Art’ in The British Journal of Aesthetics Vol. 22, No. 2, Spring 1982, Oxford : Oxford University Press.
Kemp, Gary
‘The Aesthetic Attitude’ in British Journal of Aesthetics Vol. 39, No. 4, October 1999, Oxford : Oxford University Press.
Matravers, Derek
‘Art and the Feelings and Emotions’ in British Journal of Aesthetics Vol. 31, No. 4, October 1991, Oxford : Oxford University Press.
Mitias, Michael H.
‘What Makes an Experience Aesthetic’in The Journal of Aesthetics and Art Criticism Vol. XLI, No. 2, winter 1982, Published quarterly by The American Society for Aesthetic at Temple University; and C. W. Post Center of Long Island University.
Osborne, Harold
‘Expressiveness : Where is the Feeling Found ?’ in British Journal of Aesthetics Vol. 23, No. 2, Spring 1983, Oxford : Oxford University Press.
Osborne, Richard
‘Aesthetic Perception’ in The British Journal of Aesthetics Vol. 18, No. 4, Autumn 1978, Oxford : Oxford University Press.
Price, Kingsley
‘What Makes an Experience Aesthetic ?’ in The British Journal of Aesthetic Vol. 19, No.2, Spring 1979, London : Published for the British Society of Aesthetics by Oxford University Press.
Slater, Hartley
‘Scare Quoted “Seeing”’ in American Philosophical Quarterly Vol. 32, No. 1, January 1995, University of Pittsburgh Press.
Sparshott, Francis
‘Imagination—the very Idea’ in The Journal of Aesthetics and Art Criticism Vol. 48, No. 1, Winter 1990, Madison, Wis., etc. : American Society for Aesthetics.
Ujlaki, Gabriella
‘The Logic of Representation’ in British Journal of Aesthetics Vol. 33, No. 2, April 1993, Oxford : Oxford University Press.
中文參考書目
吳錫民 譯,華諾克(G. J. Warnock)著,《柏克萊》,台北:遠景出版事業公司,1985。
徐代德譯,M.D.Vernon著,《知覺心理學》,台北:臺灣商務印書館,1980。
柴熙 著,《認識論》,台北:台灣商務印書館,1991。
孫非譯,Dufrenne , Mikel著,《美學與哲學》,台北:五洲,1987。
郭小平、翟燦譯,魯道夫.阿恩海姆著,《藝術心理學新論》,台北:臺灣商務印書館,1992。
陳文秀 譯,肯尼(Anthony Kenny) 著,《笛卡兒》,台北:遠景出版事業公司,1985。
陶東風等譯,Winner , Ellen著,《創造的世界─藝術心理學》,台北:田園城市文化,1997。
曾仰如 著,《亞里斯多德》,台北:東大圖書公司,1989。
傅佩榮 譯,Frederick Copleston 著,《西洋哲學史》第一卷 希臘與羅馬,台北:黎明文化事業公司,1986。
廖仁義譯,E. Pivcevic著,《胡賽爾與現象學》,台北:桂冠,1991。
劉思量著,《藝術心理學─藝術與創造》:藝術創作與欣賞之理論與實際,台北:藝術家出版社,1992。
熊偉編,《現象學與海德格》,台北:遠流出版社,1994。
蔡美麗著,《胡塞爾》,台北︰東大出版,1990。
羅達仁譯,Windelband , Wilhelm著,《西洋哲學史》,台北:臺灣商務印書館,1998。
中文學位論文及期刊
陳怡錦,《從杜弗蘭《美感經驗現象學》論藝術欣賞的意義與價值》,成功大學藝術研究所碩士論文,2001。
陳政仁,《梅洛龐蒂論藝術活動的基礎》,政治大學哲學研究所碩士論文,1998。
劉亞蘭,《梅洛龐蒂:身體主體的互為主體性意涵》,政治大學哲學研究所碩士論文,1995。
林文琪,〈禮樂活動的認識意涵初探〉錄在《華梵大學第四次儒佛會通學術研討會論文集》,華梵大學哲學研究所編印,2000。
林文琪,〈藝術活動的認識基礎─以《莊子》「庖丁解牛」為例的辨析〉,錄在《華岡研究學報》創刊號,中國文化大學編印,1996。
吳大光,<論視覺思維─「形、體、空間」>,《華岡藝術學報》第四期,1997。
吳大光,<「視覺思維」與「視覺語言」>,《現代美術》67期,1996.8。
葉素玲、劉慧珠,<人類的視覺型態>,《科學月刊》,28:7,1997.7。 |