參考文獻 |
參考資料
(一) 音樂工具書
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centennial ed., Vol 3. New York, 2001.
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.Companion to Baroque Music, edited by Julie Anne Sadie. New York, 1990.
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Massenkeil. Freiburg, 1981.
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Musik, begründet von Friedrich Blume, Zweite, neubearbeitete Ausgabe, hrsg.
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.Händel-Handbuch, begründet von Walter Eisen und Margret Eisen. Leipzig: VEB
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(二) 專書、專文及相關書目
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.Best, Terence: An Example of Handel Embellishment, in: The Musical Times,
Vol. 110, No. 1519 (Sep., 1969), p. 933.
.Blandford, W. F. H.: Handel’s Horn and Trombone Parts, in: The Musical
Times, Vol. 80, No. 1160 (Oct., 1939), pp. 697-699.
.Blandford, W. F. H.: Handel’s Horn and Trombone Parts (Continued), in: The
Musical Times, Vol. 80, No. 1161 (Nov., 1939), pp. 746-747.
.Blume, Friedrich: Renaissance and Baroque Music: a comprehensive Survey. New
York, 1967.
.Buelow, George J.: A History of Baroque Music. Bloomington, 2004.
.Bukofzer, Manfred F.: Music in the Baroque Era: from Monteverdi to Bach. New
York, 1947.
.Burney, Charles: A General History of Music. London, 1935.
.Burrows, Donald: Handel. New York, 1994.
.Burrows, Donald and Dunhill, Rosemary: Music and Theatre in Handel’s World:
The Family Papers of James Harris, 1732-1780. New York, 2002.
.Clausen, Hans Dieter: Händels Direktionspartituren. Hamberg, 1972.
.Cummings, Graham: Handel’s Compositional Methods in His London Operas of
the 1730s, and the Unusual Case of ’Poro, Re dell’ Indie’ (1731), in:
Music & Letters, Vol. 79, No. 3 (Aug., 1998), pp. 346-367.
.Cyr, Mary: Performing Baroque Music. Portland, 1992.
.Dean, Winton: Four Handel Operas, in: The Musical Times, Vol. 104, No. 1446
(Aug., 1963), pp. 564-566.
.───: Handel’s ‘Giulio Cesare’, in: The Musical Times, Vol. 104,
No. 1444 (Jun., 1963), pp. 402-404.
.───: Handel’s ‘Riccardo Primo’, in: The Musical Times, Vol. 105,
No. 1457 (Jul., 1964), pp. 498-500.
.───: Handel’s Amadigi, in: The Musical Times, Vol. 109, No. 1502 (Apr.,
1968), pp. 324-327.
.───: A Handel Tragicomedy, in: The Musical Times, Vol. 110, No. 1518
(Aug., 1969), pp. 819-822.
.───: Handel and the Opera Seria. Berkeley, 1969.
.───: Handel’s Wedding Opera, in: The Musical Times, Vol. 111, No. 1529
(Jul., 1970), pp. 705-707.
.───: Handel’s ‘Ottone’, in: The Musical Times, Vol. 112, No. 1544
(Oct., 1971), pp. 955-958.
.───: A French Traveller’s View of Handel’s Operas, in: Music & Letters,
Vol. 55, No. 2 (Apr., 1974), pp. 172-178.
.───: Handel. London, 1982.
.───: Handel’s First Italian Opera, in: Music & Letters, Vol. 63, No. 3/4
(Jul. - Oct., 1982), pp. 385-386.
.───: Essays on Opera. New York, 1990.
.───: Handel’s dramatic Oratorios and Masques. New York, 1990.
.───: The Making of Alcina, in: Con che soavità: Studies in Italian Opera,
Song, and Dance, 1580-1740, edited by Iain Fenlon and Tim Carter,
pp. 312- 319. New York, 1995.
.Dean, Winton and Knapp, John Merrill: Handel’s Operas, 1704 -1726. New
York, 1987.
.Deutsch, Otto Erich: Handel: A Documentary Biography. London, 1955.
.Donington, Robert: Baroque Music, Style and Performance: a Handbook. New
York, 1982.
.Emslie, Barry: Let’s misbehave- Barry Emslie argues for a change in our
attitudes to Handel, in: Opera, Vol. 54, No. 12 (Dec., 2003), pp. 1468-1476.
.───: Handel the Postmodernist, in: Cambridge Opera Journal, Vol. 15,
No. 2 (2003), pp. 185-198.
.Flower, Newman: George Frideric Handel: his personality and his times.
London, 1972.
.Franca, Ida: Manual of Bel Canto. New York, 1959.
.Fuller, Frederick: A History of Bel Canto. Translation of the original
Italian publication Storia del Belcanto; translated by Rodolfo Celletti. New
York, 1991.
.Gleason, Harold and Becker, Warren: Music in the Baroque. California, 1979.
.Grout, Donald Jay: A Short History of Opera. New York, 1947.
.Grout, Donald Jay and Palisca, Claude V.: A History of Western Music. New
York, 1996.
.Harnoncourt, Nikolaus: Baroque Music Today: Music as Speech: Ways to a new
Understanding of Music. Portland, 1995.
.Harris, Ellen T.: The Italian in Handel, in: Journal of the American
Musicological Society, Vol. 33, No. 3 (Autumn, 1980), pp. 468-500.
.───: Integrity and Improvisation in the Music of Handel, in: The Journal
of Musicology, Vol. 8, No. 3 (Summer, 1990), pp. 301-315.
.Hicks, Anthony: Handel’s Early Musical Development, in: Proceedings of the
Royal Musical Association, Vol. 103 (1976-1977), pp. 80-89.
.Hill, John Walter: Baroque Music: Music in Western Europe, 1580-1750. New
York, 2005.
.Hogwood, Christopher: Handel. New York, 1985.
.Hume, Robert D.: Handel and Opera Management in London in the 1730s, in:
Music & Letters, Vol. 67, No. 4 (Oct., 1986), pp. 347-362.
.Johnson, Claudia L.: “Giant Handel” and the Musical Sublime, in:
Eighteenth-Century Studies, Vol. 19, No. 4 (Summer, 1986), pp. 515-533.
.Knapp, John Merrill: Handel, the Royal Academy of Music, and Its First Opera
Season in London (1720), in: The Musical Quarterly, Vol. 45, No. 2 (Apr.,
1959), pp. 145-167.
.───: Handel’s Tamerlano: The Creation of an Opera, in: The Musical
Quarterly, Vol. 56, No. 3 (Jul., 1970), pp. 405-430.
.───: Handel’s Second Song on the London Stage, or, ‘Agrippina a
Londra’, in: The Musical Times, Vol. 123, No. 1670 (Apr., 1982),
pp. 250-251.
.Kubik, Reinhold: Händels Rinaldo, Geschichte, Werk, Wirkung. Stuttgart, 1982.
.Landon, H.G. Robbins: Handel and His World. London, 1984.
.Lang, Paul Henry: Handel. New York, 1966.
.LaRue, C. Steven: Metric Reorganization as an Aspect of Handel’s
Compositional Process, in: The Journal of Musicology, Vol. 8, No. 4 (Autumn,
1990), pp. 477-490.
.───: Handel and His Singers: The Creation of the Royal Academy Operas,
1720-1728. Oxford, 1995.
.Leichtentritt, Hugo: Handel’s Harmonic Art, in: The Musical Quarterly,
Vol. 21, No. 2 (Apr., 1935), pp. 208-223.
.Lewis, Anthony: Handel and the Aria, in: Proceedings of the Royal Musical
Association, 85th Sess. (1958-1959), pp. 95-107.
.Mainwaring, John: Memoirs of the Life of the Late George Frederic Handel.
London, 1760; rprt. Amsterdam, 1975.
.Manén, Lucie: Bel Canto: The Teaching of the Classical Italian Song-Schools,
its Decline and Restoration. New York, 1987.
.Marx, Hans Joachim: The Instrumentation of Handel’s Early Italian Works,
in: Early Music, Vol. 16, No. 4 (Nov., 1988), pp. 496-505.
.Meynell, Hugo: The Art of Handel’s Operas. New York, 1986.
.Michels, Ulrich: dtv-Atlas Musik. (in 2 Bde.) München: Deutscher Taschenbuch
Verlag GmbH&Co. KG, 1991.
.Monson, Craig: ‘Giulio Cesare in Egitto’: From Sartorio (1677) to Handel
(1724), in: Music & Letters, Vol. 66, No. 4 (Oct., 1985), pp. 313-343.
.Palisca, Claude V.: Baroque Music. Englewood Cliffs, 1991.
.Powers, Harold S.: “Il Serse trasformato”--Ⅰ, in: The Musical Quarterly,
Vol. 47, No. 4 (Oct., 1961), pp. 481-492.
.───: “Il Serse trasformato”--Ⅱ, in: The Musical Quarterly, Vol. 48,
No. 1 (Jan., 1962), pp. 73-92.
.Redlich, Hans: Handel in Our Time, in: Proceedings of the Royal Musical
Association, 80th Sess. (1953-1954), pp. 87-98.
.Roberts, John H.: Handel and Vinci’s ‘Didone Abbandonata’: Revisions and
Borrowings, in: Music & Letters, Vol. 68, No. 2 (Apr., 1987), pp. 141-150.
.Robinson, Percy: Handel, or Urio, Stradella, and Erba, in: Music & Letters,
Vol. 16, No. 4 (Oct., 1935), pp. 269-277.
.Rogers, Patrick J.: A Neglected Source of Ornamentation and Continuo
Realization in a Handel aria, in: Early Music, Vol. 18, No. 1, The Baroque
Stage Ⅱ (Feb., 1990), pp. 83-89.
.Rolland, Romain: Handel. London, 1916.
.Rudolph, Johanna: Händelrenaissance: Eine Studie. Berlin, 1960.
.Sawyer, John E.: Irony and Borrowing in Handel’s Agrippina, in: Music &
Letters, Vol. 80, No. 4 (Nov., 1999), pp. 531-559.
.Schulenberg, David: Music of the Baroque. New York, 2001.
.Smith, William C.: Handel’s First Song on the London Stage, in: Music &
Letters, Vol. 16, No. 4 (Oct., 1935), pp. 286-292.
.───: Handel’s First Visit to England, in: The Musical Times, Vol. 76,
No. 1105 (Mar., 1935), pp. 210-213.
.───: The 1754 Revival of Handel’s ‘Admeto’, in: Music & Letters,
Vol. 51, No. 2 (Apr., 1970), pp. 141-149.
.Spitzer, John: Improvized Ornamentation in a Handel Aria with Obbligato Wind
Accompaniment, in: Early Music, Vol. 16, No. 4 (Nov., 1988), pp. 514-522.
.Steinitz, Paul: Handel in Halle, in: The Musical Times, Vol. 104, No. 1446
(Aug., 1963), pp. 566-567.
.Stolba, K. Marie: The Development of Western Music. New York, 1998.
.Straeten, E. Van der: Handel’s Use of Uncommon Instruments and
Combinations, in: The Musical Times, Vol. 67, No. 1001 (Jul. 1, 1926),
pp. 607-610.
.Streatfeild, R. A.: Handel. London, 1964.
.Strohm, Reinhard: Essays on Handel and Italian Opera. Cambridge, 1985.
.───: Dramma per Musica: Italian Opera Seria of the Eighteenth Century.
New Haven, 1997.
.Trowell, Brian: Handel as a Man of the Theatre, in: Proceedings of the Royal
Musical Association, 88th Sess. (1961-1962), pp. 17-30.
.Uffenbach, Zacharias Conrad von: London in 1710 from the Travels of
Zacharias Conrad von Uffenbach. London, 1934.
.Weinstock, Herbert: Handel. New York, 1959.
.Winemiller, John T.: Recontextualizing Handel’s Borrowing, in: The Journal
of Musicology, Vol. 15, No.4 (Autumn, 1997), pp. 444-470.
.Wlaschin, Ken: Encyclopedia of Opera on Screen: a guide to more than 100
years of opera films, videos, and DVDs. New Haven, 2004.
.Wolff, Hellmuth Christian: Die Händel-Oper auf der modernen Bühne. Leipzig,
1957.
.───: Oper in: Musikgeschichte in Bildern (系列叢書). Leipzig: VEB
Deutscher Verlag für Musik, 1968.
.Zeffirelli, Franco: Thoughts on Producing Alcina, in: The Musical Times,
Vol. 103, No. 1429 (Mar., 1962), pp. 166-167.
.Wiener Volksoper:1986年5月2日的節目手冊 (當日演出為《Giustino》),內有
Johanna Rudolph、Hans Jochen Genzel與Manfred Angerer的文章。Wien:
Volksoper,1986。
.Barzun, Jacques:《From Dawn to Decadence: 1500 to the Present, 500 Years of
Western Cultural Life》,有兩個中譯本:1.《從黎明到衰弱:西方文化生活五百
年》,林華譯。北京,2002;2.《從黎明到衰頹:五百年來的西方文化生活》,鄭明萱
譯。台北,2004。
.Bourne, Joyce:《歌劇人物的故事》(Who’s who in opera),張馨濤譯。台北,
2003。
.凡爾農 (Jean Pierre Vernant):《宇宙、諸神、人:為你說的希臘神話》。台北,
2003。
.木村点:《希臘神話圖解》,黃碧君譯。台北,2006。
.田可文:《亨德爾》。北京,1998。
.皮埃羅.米奧里:《歌劇史》(Storia dell’opera Lirica),張宇靖譯。四川,2000。
.里夏德.弗里登塔爾 (Richard Friedenthal):《亨德爾》。北京,2005。
.尚家驤:《歐洲聲樂發展史》。香港,1986。
.邵義強:《巴洛克樂曲賞析》。台北,2001。
.杰拉爾德.亞伯拉罕 (Gerald Abraham):《簡明牛津音樂史》,顧犇譯。上海,1999。
.亞利歐斯多 (Ludovico Ariosto):《瘋狂奧蘭多》(Orlando Furioso),吳雪卿譯。
台中,2004。
.唐納德.杰.格勞特 (Donald Jay Grout)、克勞德.帕利斯卡 (Claude V.
Palisca):《西方音樂史》(A History of Western Music)。北京,1996。
.曾瀚霈:〈歌劇音樂與歌劇類型〉,刊於《中央大學社會文化學報》創刊號 (1994/5),
頁79~103。
.───:《音樂認知與欣賞》。台北,2001。
.黃晨淳:《希臘羅馬神話故事》。台中,2001。
.塔西佗 (Cornelius Tacitus):《塔西佗編年史》(The Annals),王以鑄、崔妙因譯。
台北,1998。
.翟學鳳:《韓德爾:神劇的先驅》。台北,2001。
.劉志明:《西方歌劇史》。台北,2000。
.───:《西洋音樂史與風格》。台北,2000。
.錢苑、林華:《歌劇概論》。上海,2003。
.顏綠芬:《音樂評論:歷史、人物、理論、實例》。台北,2003。
.羅曼.羅蘭 (Romain Rolland):《亨德爾》。北京,1979。
.顧家鈞:〈論韓德爾的歌劇〉,刊於《音樂與音響》143期 (1985/5),頁97~102。
.讓.加盧瓦 (Jean Gallois):《亨德爾畫傳》(Haendel),楊晶、馮壽農譯。北京,
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(三) 譜源
.Hallische Händel-Ausgabe, hrsg. von der Georg- Friedrich- Händel-
Gesellschaft, Serie II: Opern. Kassel: Bärenreiter-Verlag, 1993.
.Handel, George Frideric: Almira. New York, 1900s.
.───: Rodrigo. New York, 1900s.
.───: Agrippina. New York, 1900s.
.───: Rinaldo. New York, 1900s.
.───: Il Pastor Fido. New York, 1900s.
.───: Teseo. New York, 1900s.
.───: Silla. New York, 1900s.
.───: Amadigi. New York, 1900s.
.───: Radamisto. New York, 1900s.
.───: Floridante. New York, 1900s.
.───: Ottone. New York, 1900s.
.───: Flavio. New York, 1900s.
.───: Rodelinda. New York, 1900s.
.───: Scipione. New York, 1900s.
.───: Alessandro. New York, 1900s.
.───: Admeto. New York, 1900s.
.───: Riccardo Primo. New York, 1900s.
.───: Siroe. New York, 1900s.
.───: Tolomeo. New York, 1900s.
.───: Lotario. New York, 1900s.
.───: Partenope. New York, 1900s.
.───: Poro. New York, 1900s.
.───: Ezio. New York, 1900s.
.───: Sosarme. New York, 1900s.
.───: Orlando. New York, 1900s.
.───: Arianna. New York, 1900s.
.───: Atalanta. New York, 1900s.
.───: Arminio. New York, 1900s.
.───: Giustino. New York, 1900s.
.───: Berenice. New York, 1900s.
.───: Faramondo. New York, 1900s.
.───: Serse. New York, 1900s.
.───: Imeneo. New York, 1900s.
.───: Deidamia. New York, 1900s.
(四) 影音光碟
DVD
.Händel, Georg Friedrich: Agrippina. Jan Willem de Vriend conducts
Combattimento Consort Amsterdam. Challenge Classics CCDVD72143. Amsterdam,
2006.
.───: Agrippina. Arnold Östman conducts London Baroque Players.
Euroarts 2054538. Stuttgart, 2005.
.───: Alcina. Alan Hacker conducts Staatsorchester Stuttgart.
Arthaus Musik 100339. Stuttgart, 2000.
.───: Ariodante. Ivor Bolton conducts Orchestra and Chorus of the English
National Opera. Well Go USA, Inc. AWD-043. London, 2003.
.───: Giulio Cesare. Craig Smith conducts Sächsische Staatskapelle
Dresden. Decca 07140895. London, 2006.
.───: Giulio Cesare. Michael Hofstetter conducts Orquestra Simfónica i Cor
del Gran Teatre del Liceu. TDK Music DVD DWWW-OPGCES. Ratingen, 2006.
.───: Giulio Cesare. William Christie conducts Orchestra of the Age of
Enlightenment. Opus Arte OA0950D. East Sussex, 2006.
.───: Giulio Cesare. Richard Hickox conducts The Australian Opera and
Ballet Orchestra. Kultur D2911. West Long Branch, 2004.
.───: Julius Caesar. Charles Mackerras conducts Orchestra and Chorus of
the English National Opera. Well Go USA, Inc. WD-165. London, 1984.
.───: Rinaldo. Harry Bicket conducts The Bavarian State Orchestra.
Well Go USA, Inc. AWD-055. London, 2003.
.───: Rodelinda. Ivor Bolton conducts Das Bayerische Staatsorchester.
Farao classics D 108 060. München, 2006.
.───: Rodelinda. William Christie conducts Orchestra of the Age of
Enlightenment. Kultur D2834. West Long Branch, 2005.
.───: Serse. Christophe Rousset conducts Les Talens Lyriques.
TDK Music DVD DV-OPSER. Ratingen, 2005.
.───: Tamerlano. Trevor Pinnock conducts The English Concert.
Arthaus Musik 100703. Halle, 2001.
.───: Teseo. Wolfgang Katschner conducts Lautten Compagney Berlin.
Arthaus Musik 100709. Potsdam, 2005.
.───: Xerses. Charles Mackerras conducts Orchestra and Chorus of the
English National Opera. Well Go USA, Inc. AWD-085. London, 2004.
LD
.Händel, Georg Friedrich: Giustino. Hartmut Hänchen conducts Das Orchester
der Komischen Oper Berlin. 東映 LSZS 00173 (日本版). Berlin, 1985.
.───: Julius Caesar. Peter Schreier conducts Deutsche Staatsoper Berlin.
東映 LSZS 00142 (日本版). Berlin, 1900s.
CD
在此增列Antonio Vivaldi (1678-1741) 的同名歌劇或相同題材之CD以供比較。
.Händel, Georg Friedrich: Admeto. Alan Curtis conducts Il Complesso Barocco.
Virgin 724356136922. London, 1998.
.───: Alcina. William Christie conducts Les Arts Florissants.
Erato 8573-80233-2. Paris, 1990.
.───: Ariodante. Raymond Leppard conducts English Chamber Orchestra.
Philips 473955-2. London, 2003.
.───: Ariodante. Nicholas Mcgegan conducts Freiburger Barockorchester.
harmonia mundi HMU 907146.48. Los Angeles, 1996.
.───: Arminio. Alan Curtis conducts Il Complesso Barocco.
Virgin 724354546129. London, 2001.
.───: Faramondo. Rudolph Palmer conducts Brewer Chamber Orchestra.
VOX CLASSICS 37536. New York, 1996.
.───: Flavio. René Jacobs conducts Ensemble 415.
harmonia mundi HMX 2901312.13. Paris, 2003.
.───: Giulio Cesare. Karl Richter conducts Münchener Bach-Orchester.
Deutsche Grammophon GmbH 002894775647. Hamburg, 2006.
.───: Giulio Cesare. Marc Minkowski conducts Les Musiciens du Louvre.
Deutsche Grammophon GmbH 474210-2. Hamburg, 2003
.───: Giustino. Nicholas Mcgegan conducts Freiburger Barockorchester.
harmonia mundi HMU 907130.32. Los Angeles, 1995.
.───: Lotario. Alan Curtis conducts Il Complesso Barocco.
Deutsche harmonia mundi 82876587972. Köln, 2004.
.───: Radamisto. Alan Curtis conducts Il Complesso Barocco.
Virgin 724354567322. London, 2005.
.───: Rinaldo. Christopher Hogwood conducts The Academy of Ancient Music.
Decca 467087-2. London, 2000.
.───: Rinaldo. René Jacobs conducts Freiburger Barockorchester.
harmonia mundi HMC 901796.98. Paris, 2003.
.───: Rodelinda. Alan Curtis conducts Il Complesso Barocco.
Archiv Produktion 00289 477 5391. Hamburg, 2005.
.───: Rodelinda. Carl Leonhardt conducts Orchester des Reichssenders
Stuttgart. hänssler CD93.032. Baden-Baden, 2002.
.───: Rodrigo. Alan Curtis conducts Il Complesso Barocco.
Virgin 724354589720. London, 1999.
.───: Serse. William Christie conducts Les Arts Florissants.
Virgin 724354571121. London, 2004.
.───: Tamerlano. John Moriarty conducts The Chamber Orchestra of
Copenhagen. Parnassus PACD 96038/40. New York, 2002.
.Vivaldi, Antonio: Bajazet. Fabio Biondi conducts Europa Galante.
Virgin 724354567629. London, 2005.
.─―─: Il Giustino. Alan Curtis conducts Il Complesso Barocco.
Virgin 724354551826. London, 2002.
.───: Orlando furioso. Jean-Christophe Spinosi conducts Ensemble Matheus.
naïve OP 30393. Bretagne, 2004. |